Carly Ostler

Artist main image

Cheyenne Hendrickson is GlogauAIR resident from April 2026 to June 2026. Q2

Carly Ostler is a multidisciplinary artist interested in the intersections of art and psychology. Having studied trauma in the field of psychotherapy, Carly uses the same practices of embodiment, presence, curiosity, play and non-judgement in their art practice to allow material to draw out meaning. With practices ranging from photo, video, sculpture and documentation of site-specific ritual work, she uses her own body, personally significant environments and natural materials to encapsulate moments of transmutation.

Meet the Artist

Do you want to start by telling me a bit about yourself and your practice?

I’m Carly, a visual artist from the US. My practice has always been pretty personal. It explores themes that I’m working on within myself or with other people as a part of my therapeutic process. 

In trauma work, kink work, performance, relationships, etc., the nervous system has to feel safe enough to play. So in my art, I work with my own somatic rituals, grounding and going into different places within myself. I connect with internal and external resources to regulate my nervous system, then I play with different materials, ideas and environments to see what they want to become.

What materials are you working with?

I’ve worked in photography, video, performance, sculpture, etc. I took weekly ceramics classes for the past eight years, and now I’m combining everything.

I like interweaving materials. I like combining things and thinking about what is similar or supportive between mediums. What speaks to what I’m thinking about and what doesn’t? What is the relationship between materials? Sometimes I can’t tell until I try things out. I have to play, and do things, and see what the work will look like. It starts from the concept, and then I play with whatever feels fun and accessible. I like to experiment and move things around daily. 

A lot of the objects I use are collected from around town. I found the clay I’m using in the basement. I have a pile of decomposing bits that gets renewed. I feel like found objects take the pressure off and make it easier for me to let things go when I need to. 

What are you working on while you’re at GlogauAIR?

I’m working on a project that I started at the end of last year. It’s about the concept of home – examining the home inside the self, my internal and external resources – and renovation – how can I change, what needs changing? I’m using this concept as well as research on attachment to explore what a secure attachment with nature would look like. 

Secure attachment is about feeling safe enough to explore, trusting that you have this secure base you can come back to. In relationships, that means feeling like you’re safe enough that you can go away and explore the world and then come back and still feel held and understood. I feel very held by nature in ways that I haven’t felt with a lot of humans. I feel held by trees and mud and clay and mountains. And I want to take that with me into relationships. Nature is kind of a model for how I want to relate to other humans.

What do you want people to take away from your work?

I want people to examine themselves in a way that doesn’t feel so heavy, so brain-based. 

Self actualization, or working with the self concept, doesn’t have to be so serious. It can be playful. It can be private. It can be shared. It can be all kinds of things. But I want people to think about themselves and what they’re doing. I want people to feel like they’re inside themselves, and connected to themselves. This actualizing work, ideally allows us to connect to others from that place of self-awareness and resourceness.

Interview Jo Birdsell (jobirdsell.com)

Photos Raviva Nsiama (@raviva.ziama)

  • Statement
  • GlogauAIR Project
  • CV
  • Gallery
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Statement

Cheyenne Hendrickson is a multisensory artist exploring the human body, especially the in-between; a fluid membranous space where inside and outside remain in negotiation. A space to sit and listen to the unknown. Through intuitive, phenomenological, and sonic inquiry, she engages with the unseen visceral worlds, not to explain them but to be with them. Working with installation, sound, sculpture, and video, she creates immersive experiences that attune us to inner bodily dialogues, inviting others to encounter their own interior through listening, touch, empathy, and intuition.

GlogauAIR Project

I’m developing a sonic installation exploring how sound reveals the body’s invisible worlds. Through listening, sound becomes a way to access our internal worlds: tissues, cells, genetic myths and the felt unknown. I am investigating somatic cells through interactive sound, vibration, and field recordings. I will be composing seven sonic portraits, each echoing a different cellular world within my body. Cells form our tissues and barriers, yet remain unheard, unfelt; how might a skin cell sound compared to a cancer cell? I will build an interactive membrane with seven layers, each holding its own sonic landscape. Together, they will form a cellular “small room.” Viewers will be invited to meet the membrane and begin to explore their own interior worlds. An accompanying EP of the sonic portraits will be released to carry on the biological conversations beyond the installation.

CV

Education

  • 2025 MFA, Photography & Expanded Media, Georgia State University, Atlanta, GA
  • 2013 BA, Media Art and Film Theory, Evergreen State College, Olympia, WA

Selected Exhibitions

  • 2026 Distant Mirror, Sound Scene, Smithsonian’s Hirshhorn Museum and Sculpture Garden, Washington DC
  • 2025 a stone, a planet, a loop, a heart, an island, an error, and a spark, MINU Festival for Expanded Music, Copenhagen, DK
  • 2025 Limen, Group Exhibition, Huset For Kunst & Design, Holstebro, DK
  • 2025 The Force of Listening #4, Good Shepherd Chapel, Seattle, WA
  • 2025 Auscultation, Solo MFA Thesis Exhibition, Gallery 130, Georgia State University, Atlanta, GA
  • 2024 Open Space, curated by Klaudia Janusko, SIM, Reykjavik, Iceland
  • 2024 MFA Emerging Artists of Georgia, curated by Stephanie Kolpy, Eyedrum Gallery, Atlanta, GA
  • 2024 Text-ture, CICA Museum, Gyeonggi-do, South Korea
  • 2024 Interconnect, curated by Jacob O’Kelley, Echo Contemporary, Atlanta, GA
  • 2023 For the Sake of the Matter, juried by Felicia Gail, Welch Gallery, Atlanta, GA
  • 2023 Symbiotic Spaces, No Tomorrow, Atlanta Underground, Atlanta, GA
  • 2022 Earth Body, curated by Heather Bird Harris, Echo Contemporary Gallery, Atlanta, GA
  • 2022 Fragility, Everett Community College, Everett, WA

Residencies/Workshops

  • 2026 GlogauAIR, Berlin, Germany
  • 2025 89 Sound Art, Sound Art Lab, Struer, Denmark
  • 2024 Institute for Post-natural Studies, Sound Ecologies & Ways of Listening
  • 2024 SIM Residency, Artist in Residence, Reykjavik, Iceland
  • 2024 Campbient, Sound Art Residency, Millersylvania, WA
  • 2023 CAMP, Environmental Listening with Drew McDowall, Kathy Hinde, and Matthew Olden, Aulus les Bains, France
  • 2022 Penland School of Craft, Textiles, Body as Armature, Asheville, NC

Awards

  • 2024 Welch Supplemental Funding Award, Georgia State University, Atlanta, GA
  • 2023 Welch Award for Graduate Summer Research, Georgia State University, Atlanta, GA
  • 2022 Welch Scholarship Award, Georgia State University, Atlanta, GA

Bibliography

  • 2025 Mangle, Tony. “Research in Iceland Activates the Senses for Her M.F.A. Thesis Exhibition.” Georgia State News, March 24.
  • 2024 Flamming, EC. “The Perpetual Almost.” Art Papers.
  • 2023 “What Lies Behind.” Hyperallergic, December 5.

Teaching

  • 2024– Instructor of Record, Intro to Studio Practice, Georgia State University, Atlanta, GA
  • 2024– Instructor of Record, Intro to Photography, Georgia State University, Atlanta, GA

More

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