Solmaz Khaleghpanah

Solmaz Khaleghpanah is GlogauAIR resident
from July, 2025 to September, 2025

Solmaz Khaleghpanan was born in the summer of 1983 in Ahvaz, a city where the sun touches the most ancient soil of Iran. She has lived for years in the world of images—somewhere between cinema and the canvas. She has worked as a set and costume designer, building and breathing life into characters through her imagination. For her, colors and textures are a language, a means to tell stories that history books have often been pushed to the margins. 

Her homeland, Iran, gave the world its first civilizations and the first charter of human rights. Yet many of these stories have fallen silent under the dust of time. Each period of her practice reflects both the world around her  and her inner landscape; addressing themes from women’s freedom to the sorrow of cultural heritage destroyed. Historical research is always her starting point, but her destination is a dialogue between past and present, where symbols and memories regain their meaning.


Meet the Artist

What ideas are most alive in your work right now?

Currently, my work is deeply focused on exploring the impact of cultural destruction and the silence that follows it. I am investigating how historical heritage can be both preserved and transformed through contemporary visual art, using symbolism, patina, and layered textures to evoke the passage of time and the fragility of memory.

Which symbols or motifs are you returning to, and why?

I often return to motifs from ancient Persian civilization, such as architectural fragments, mythical animals, and royal figures. These symbols allow me to engage with the past while reflecting on its relevance today, emphasizing themes of identity, loss, and transformation.

How does your research  shape what happens in the studio?

Research is central to my practice. I study historical texts, artifacts, and visual documentation to inform the details and textures in my works. Discoveries about ancient craftsmanship, materials, and symbolism directly influence my choice of media, layering techniques, and compositional decisions.

What materials or processes feel essential in this series? 

I primarily use mixed media on canvas, combining gouache, acrylic, and materials that create patina-like textures. These textures help me convey a sense of erosion and memory. The layering process allows me to reveal and obscure elements simultaneously, reflecting the complexity of cultural history. 

How do you think your work has shifted over time? 

My earlier work focused more on narrative and figurative elements, while my recent pieces have become more abstract and symbolic. I now emphasize emotional resonance and the tension between presence and absence, aiming to create spaces where viewers can reflect on memory and history.

What do you hope a viewer carries with them after seeing this work? 

I hope viewers leave with a heightened awareness of the fragility and richness of cultural heritage. I want them to feel the weight of history, the traces of loss, and the possibility of reinterpretation and renewal through art.

Statement

My practice explores the echoes of ancient civilizations through a contemporary lens. By combining traditional techniques like gouache, acrylic, oil, and mixed media, I seek to revive historical narratives and cultural memory. My work reimagines artifacts and forgotten stories, aiming to connect the past and present in visual dialogues that evoke identity, time, and collective memory.

GlogauAIR Project

During my residency at GlogauAIR, I will develop a new body of work inspired by ancient Persian reliefs and archaeological textures. My project focuses on transforming historical fragments into contemporary visual forms that reflect on memory, loss, and cultural continuity. Using layers, erosion techniques, and rich textures, I aim to bring ancient forms into new life.

CV Summary

Education

  • Bachelor’s Degree in Fashion Design

Professional Experience

  • Visual Artist and Designer working in costume design, scene design for film & TV, and theater set design
  • Member of House of Cinema and the Iranian Artists’ Insurance Fund

Selected Exhibitions

  • 2024 – Group Exhibition, Galleria Ehsan, Tehran (May)

Gallery

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