Archives: Artists

  • Annabel Paran

    Annabel Paran

    Annabel Paran is GlogauAIR resident
    from April, 2022 to June, 2022

    Israel


    Meet the Artist

    Coming soon

    Statement

    Annabel Paran is a Jerusalem-born interdisciplinary artist and performer. Paran’s work is a chain of translation across disciplines: she dances as a way to alter her consciousness; she writes to conceptualize what dancing revealed to her; she makes visual art to metabolize insight found in text and movement. Annabel treats sites of conflict as spaces of hybridity and transformation, and with her art she wishes to make space for contradictions and multiplicities embedded in situations of kinship and intimacy. Paran’s past work dealt with the politics and poetics of grief. Her most recent body of work is an ongoing research into the embodied experience of crisis, diffused between immersion in digital technologies, the threat of global ecological disaster and systemic violence. Paran is interested in world-building and the creation of immersive environments which speak with audiences’ bodies and call for psycho-somatic participation. She perceives her practice as a healing ritual grounded in negotiations between self and other, repeatedly translating bodies to each other in an attempt to find shared meaning.

    GlogauAIR Project

    How does grief exist in the more-than-human realm?

    Annabel Paran works to build ritualistic spaces and objects as spatio-temporal containers that catalyze transformation, by integrating suppressed, erased and othered aspects of living experience into conscious presence. Her project is a sculptural + video installation. The sculptures are body-related, ritualistic/liminal pieces, made with bio-plastics and textiles. The sculptures are collaged with video work and mapped projections and sound to form a mutated ecosystem, simultaneously fractured and in flux. The project aims to explore ways in which being extends beyond the habitualized, and offer relations transgressing normative distinctions between “living” and “dead,” “natural” and “synthetic,” “self” and “other”. Annabel sees Berlin as a site in which grief /trauma is integrated into life rather than being denied. Multiplicity lives in Berlin’s tissue as a city: a past of much gravity intertwined with and into an energetic youth culture. The city thus inspires her as a fertile ground to explore these subjects.

    CV Summary

    • 2021
      • Ouroboric, solo performance in Deep Winter Healing, hosted by Essex Flowers Gallery and Collective View
      • What I Can’t Hold, Short Film, OFFICIAL SELECTION, NYC Independent Film Festival
      • Intentional Blur, concept writing piece published in The Kitchen Magazine
      • Investigative Operatics, Intl. collective research/performance/writing program experimenting with alternative pedagogies
    • 2020
      • BFA in Sculpture and Integrated Practices, Pratt Institute, New York, USA. Honors include Excellence in Academic Achievement Award, Stutzman Foundation Senior Sculpture Award, president’s honor list and a merit-based scholarship.
      • Annabel is a member of The Moving Company performance art group since 2016, and a co-director since 2019. Selected performances with TMC include shows at Pace University Art Gallery, Katonah Museum and Battery Park.
    • 2015
      • Co-founder/artist of the independent art project ‘Hamiffal’ by nonprofit art collective Bait-Reck in cooperation with the Jerusalem Municipality, Israel

    Gallery

  • Camille Allen

    Camille Allen

    Camille Allen is GlogauAIR resident
    from April, 2022 to June, 2022

    Australia


    Meet the Artist

    Coming soon

    Statement

    Camille Allen is a multidisciplinary artist whose work explores how trauma and crises inflicted by humans affects the topography of land, skin and story. Interested in the synergy between technology, ecology and humanity, her work grapples with dialogue and data in order to unveil hidden narratives and future possibilities.

    GlogauAIR Project

    Within her paintings, Allen’s process allows for the canvas to act as its own witness. Excavating from the topography of diluted paint washes she invites hidden figures and secrets to the forefront. Within her photographs, Allen explores the concept of veiling, capturing haunting and ethereal documents of adornment and feminine psyche.

    When lace that was handmade by her Great Aunt during an investigation into her missing son was handed down to her, she became intrigued by the technical and laborious process of textiles and both the subtle and overt symbolic power they may represent. The idea that labour and pain could be woven within the threads captivated her. During this time, Allen was diagnosed with a benign ovarian tumour and she grew interested in further exploring female trauma, and the way in which their narratives are told, held captive, or made sacred.

    CV Summary

    Education

    • 2020-2022 Victorian College of the Arts, Bachelor of Fine Arts (Visual Arts)
    • 2016 The Art Institute of Chicago Summer Arts Program

    Industry Experience

    • 2020 Bachelor Institute of Indigenous Education Program
    • 2014-2019 National Gallery of Victoria Teen Art Ambassador

    Shows

    • 2021 “Vibes” Group Show Creative Spaces, Assembly Point
    • 2021 “Untitled” Group Show Halcyon Magazine
    • 2021 “Polysemic” Group Show VCA Art Space

    Awards

    • 2021 John Vickery Scholarship (Award for Excellence)
    • 2020 Top Arts 2020 Shortlist

    Gallery

  • Daniela Stubbs-Leví

    Daniela Stubbs-Leví

    Daniela Stubbs-Leví is GlogauAIR resident
    from April, 2022 to June, 2022

    The conceptual core of Daniela Stubbs-Leví´s research-based practice results in free-floating vignettes composed by mediums in dialogue such as video, photography, sound, drawing, collage, writing, artist books, poems, and what suits best in order to make her thinking visible.


    Meet the Artist

    Statement

    Daniela Stubbs-Leví delves into the relativism implied in remembering: memory is not a fixed device but an ever-changing frame with which we measure reality. We oscillate between disciplines observing their interactions and their detectable manifestations, and the unbreakable bond between absent-present, human-machine, remembered-imagined, real, and fiction.

    The conceptual core of Daniela Stubbs-Leví´s research-based practice results in free-floating vignettes composed by mediums in dialogue such as video, photography, sound, drawing, collage, writing, artist books, poems, and what suits best in order to make her thinking visible.

    GlogauAIR Project

    Daniela Stubbs-Leví was born in Berlin but quickly displaced. Her experiences there have not been registered in a place where she could revisit. The memories are absent, so she tries to recollect with photos, stories, and documents to imagine those memories. She is confronted by the absence of them as much as time-space is confronted by the absence of the star in the phenomena of a black hole. Both Astrophysics and Psychoanalysis aim to discover the genesis of the source. This process builds up to a point of speculation and utopic clarity. But what happens when we confront this with actuality and materiality?

    CV Summary

    • Peruvian artist, poet, and musician based in New York City.
    • BA in Graphic Arts from Toulouse Lautrec in Lima, Peru.
    • BFA in Visual Arts from the University Paris VIII in France.
    • Curates shows.
    • Self-publishes artist books as a co-founder of current press.
    • Participates in musical collaborations.
    • Participated in the residency of NARS Foundation, Brooklyn, NY.
    • Work has been shown in Paris, Lima, London, and New York.

    Gallery

  • Eloise Gillow

    Eloise Gillow

    Eloise Gillow is GlogauAIR resident
    from April, 2022 to June, 2022

    United Kingdom


    Meet the Artist

    Coming soon

    Statement

    Eloise Gillow is a painter and muralist, working both on a small scale in the studio and on large-scale murals in the public space. She seeks to create imagery that opens up to multiple interpretations, that makes the viewer stop and think and feel.

    Eloise Gillow is fascinated by people and how they interact with each other and the space around them, so her imagery centers around this investigation. She is also interested in the technique of painting and its ability to communicate beyond words.

    Eloise Gillow trained in realist oil painting for three years and is currently combining these skills with an exploration of other mediums and elements of abstraction.

    GlogauAIR Project

    Eloise Gillow will create a series of paintings around the theme of “solitude/connection” in the city. Her work over the past couple of years has focused on creating imagery for the public space, in the form of murals. In this residency she plans to largely switch the direction of her focus to creating work from the urban space, gathering imagery from the city and painting in the studio.

    Eloise Gillow does not intend to paint either solitude or connection in a positive or negative light, instead to present an honest exploration. There can be necessary, fulfilling, creative, refreshing solitude just as there can be lonely isolation. Similarly there can be overcrowded, stifling, distressing connection or gatherings, just as there can be beautiful, enriching connection.

    The artist plans to explore this theme in Berlin in its complexity and without judgment. She will create a series of paintings, also taking the opportunity to explore her technique and mediums, to experiment with her painting.

    CV Summary

    Education

    • Barcelona Academy of Art – Drawing and Painting Program
    • University of Cambridge – Modern and Medieval Languages

    Exhibitions, Projects and Mural Commissions

    • 2021
      • Paam Projects, ‘Dreams of Love’, Raima, Barcelona
      • Klink Studios, ‘Winter Ripple’, El Raval, Barcelona
      • Obert en Canal, Mural in Plaça del Centre, Esparreguera, Spain
      • Dún Laoghaire County Council, The Walls Project, Dublin, Ireland (mural)
      • Wallspot, Guest Artist for Realism Jam, Tres Chimeneas, Barcelona (mural)
      • BAA Group Exhibition, ‘Asómate’, Punt de Vistes, Barcelona
      • Colibree Collective, Colibree on Air Exhibition, Espacio Erre, Barcelona
      • Festival Les Nouveaux Ateliers, Port-de-Bouc, France (mural)
      • Poble Nou Urban District, Windows Art Circuit, Poble Nou, Barcelona (mural)
      • B-murals, 2021 Mural Open Call Winner, Nau Bostik, Sant Andreu, Barcelona (mural)
    • 2020
      • Wallspot, Rebobinart, Selected for ‘Womart Jam’, Tres Xemeneies, Barcelona (mural)
      • Wallspot, Rebobinart, ‘Wall Lab’ November Winner. Mural in Sant Andreu, Barcelona (mural)
      • Obert en Canal, Mural for ‘Día D’, Esparreguera, Spain (mural)
      • La Trama Group Exhibition, ‘Cosecha el Día, No Confíes en el Mañana’ , El Sótono, Barcelona
      • Joint show with Sergio de la Flora, Buena Onda Social Club, Barcelona
    • 2019
      • Royal Society of Oil Painters Annual Exhibition, Mall Galleries, London
      • P52 Collective Exhibition, Corretger 5, Barcelona
      • MISNOMA presents ‘The Wild and the Tame’, Mutuo Gallery, Barcelona
      • Portrait Painting Project with refugees in Leros island, Greece

    Gallery

  • Hyunseo Cho

    Hyunseo Cho

    Hyunseo Cho is GlogauAIR resident
    from April, 2022 to June, 2022

    South Korea


    Meet the Artist

    Coming soon

    Statement

    Hyunseo Cho(Haeum) is a multi-media artist based in Seoul, South Korea. She is interested in exploring how the online and offline world is related, how modern people live, and what forms of life will be pictured in the future in that relationship. She focuses mainly on drawing in the virtual space collaborating with digital material such as VR, AR, AI, and videos. And She likes to express them in a material sense by transferring the, into the physical space through installation art.

    GlogauAIR Project

    I am recently focused on exploring the method that which artists and AI(artificial intelligence) can collaborate. I use the weakness that AI has to learn “bias” as well because it learns from the biased data given by humans. I experiment with AI learning the artist’s personal senses to create aesthetics. For this, I create 3D painting works(images) that contain my daily inspirations, and texts that describe the images, and repeatedly learn them through AI. As a result, AI plays a role in expanding my senses by creating videos with more stories than that.

    CV Summary

    Solo Exhibition

    • 2021 Pause Gallery
    • 2020 Punto Blu Gallery

    Group Exhibition

    • 2021 Sattchi Gallery (team6-8)
    • 2021 Museumhead
    • 2020 Page Myungdong
    • 2020 Gyeonggi Art center <2020 stay connected>
    • 2020 B39 Media Art showcase PRECTXE
    • 2019 Artarch Gallery
    • 2019 COEX

    Other Project

    • 2021 2021 LG AI LAB Art director
    • 2021 KOT Art director
    • 2019 KUAD Fashion show stage film director

    Gallery

  • Klára Grančičová

    Klára Grančičová

    Klára Grančičová is GlogauAIR resident
    from April, 2022 to June, 2022

    Czech Republic


    Meet the Artist

    Coming soon

    Statement

    We perceive and are aware of all things in an infinite number of ways and, accordingly, create images of reality in our minds.These images we accept as our truth. To navigate this tangle of notions that forms the world around us, I use drawing as my means to understand.

    Being the most transparent and authentic medium, drawing allows me to pour my views out spontaneously and present them raw, unmediated. I analyze and process everyday experiences through plain mark-making, striving to simplify the overwhelming complexities with an economy of lines and shapes. I strip things bare to see their essence, and to give structure to what appears chaotic in my mind.

    GlogauAIR Project

    During the residency Klára Grančičová wants to delve deeper into hercurrent research and produce a series of approximately 25 drawings based on the descriptions of various cognitive biases and her visual understanding of them.

    CV Summary

    Education

    • 2012 Metàfora, Tallers d‘Art Contemporani, Studio Arts, Barcelona, Spain

    Selected Exhibitions

    • 2019 Kabit at Sabit (with Obsolescent Manufacturing), Load na Dito, Quezon City, Philippines (group)
    • 2019 Spieltrieb, Krudebude, Leipzig, Germany (group)
    • 2018 drawings, Walgenbach Art & Books, Rotterdam, The Netherlands (solo)
    • 2018 unabridged (Flag Project Oud-Charlois), NAC, Rotterdam, The Netherlands (solo)
    • 2017 Silent Art Auction, The Drawing Hub, Berlin, Germany (group)
    • 2017 Being Syntopic, Kunsthaus Baselland, Basel, Switzerland (group)
    • 2017 Archiquest, Kunsthalle Palazzo, Liestal, Switzerland (group)
    • 2016 ver-sehen, DOCK, Basel, Switzerland (group)
    • 2015 daily drawings, Fenster Basel, Basel, Switzerland (solo)
    • 2015 New! New Too!, Kunst Raum Riehen, Riehen/Basel, Switzerland (group)
    • 2015 bonds and bounds, Grimsel, Basel, Switzerland (solo)
    • 2015 Ernte, Kunsthalle Palazzo, Liestal, Switzerland (group)
    • 2014 7 Rooms, Kunst Raum Riehen, Riehen/Basel, Switzerland (group)
    • 2014 The Scribble Project, Gallery at City Library, Melbourne, Australia (group)
    • 2014 I Never Can Say What I Mean, Hap Gallery, Portland, OR (group)
    • 2013 Attention! / ¡Atención!, Untitled BCN gallery, Barcelona, Spain (group)
    • 2012 Bound, Untitled BCN gallery, Barcelona, Spain (group)

    Awards and Residencies

    • 2018 State of the City #6 International Residency, Rotterdam, The Netherlands
    • 2016 Third FID Prize

    Publications

    • 2014 Flic magazine, issue #12
    • 2013 PLATEFORM magazine, issue #60
    • 2013 iARTistas, issue #9
    • 2012 Kontent magasin, Frihet, issue #4

    Gallery

  • Lilit Lesser and Jack Clearwater

    Lilit Lesser and Jack Clearwater

    Lilit Lesser and Jack Clearwater is GlogauAIR resident
    from April, 2022 to June, 2022

    United Kingdom


    Meet the Artist

    Coming soon

    Statement

    Lilit Lesser and Jack Clearwater are an artistic duo working across theatre, film, cabaret and live art.

    Lilit (They / Them) is a cabaret artist, writer, actor and translator.

    Jack (He / Him) is a director, writer, theatre maker and cabaret artist.

    Our intertwined practice includes projects with the cross-form arts group Clearwater Collective, as well as Marisa Carnesky’s Radical Cabaret School and NMBC Ritual Laboratory.

    At GlogauAIR we are developing ‘LILIT’, a new performance piece centred around the mythic Jewish demon Lilith.

    Invoking Lilit in these spaces, we work within a cabaret tradition to hold a filthy mirror up to the monster/goddess binary, and go beyond it to ask: what does it mean to embody a being created by humans to make sense of abyssal darkness? We are concerned with the many hearts of Lilit as a powerful autonomous being in their own right – one who lives in the unliveable, one who dances in the ruined temple, one who through whom we may heal even knowing our wounds will never close. One to whom queerness and disability feel inextricably bound. One who crouches at the edges of our vision, bearing witness.

    GlogauAIR Project

    ‘LILIT’ is a myth we are making to deal with darkness.

    ‘LILIT’ is the floor of the theatre being painted under your feet…

    ‘LILIT’ is a multi-disciplinary performance following Lilit, a darkness-dwelling mythic figure tied to the Jewish diaspora.

    Described in ancient texts as a “dweller in waste places,” Lilit is a being who thrives in desolation. In our reimagining, Lilit’s immortal presence is (re)animated across space and time: Ancient Demonexx. Modern day Diva. Bringer of judgement who wields a flaming sword. In these many forms they navigate a string of waste places: clawing for change in the acid light of an U-Bahn platform, singing Polish tango in a 30s cabaret club, slumping over a table as their landlady sweeps and entrails thaw in the icebox, conducting self-surgery in the back of a scab-red Nissan Micra.

    Combining cabaret forms of lip-sync, drag, subversion and song with live translation, video, physical performance and spoken word, ‘LILIT’ engages with themes of freedom from persecution, freedom within a disabled and queer body, the destructive irony of cisheteropatriarchy, and the importance of legacy and folklore.

    All spoken through the throat of an immortal, queer, Jewish demon.

    CV Summary

    Lilit —

    • Recent theatre
    • 2022, Bea, HOW TO BUILD A WAX FIGURE, Vault Festival/Pleasance Theatre
    • 2021, Bird/Joan, THE WEIGHT OF THE LIGHT OF THE WORLD (Queer Lates), Royal Court Theatre
    • 2021, Bassia, THE DYBBUK, Almeida Theatre, Audrey Sheffield
    • 2021, Malcom, MACBETH, Bridge Theatre, Nicholas Hytner (postponed to 2022)
    • 2020, Satan, SOMETHING SEXY IS HAPPENING IN EDEN, November Theatre
    • Cabaret/live art/dramaturgy/design
    • 2021, Dramaturgy/Set and Costume design for “ANA,” Cabaret by Jack Clearwater, St George’s Garrison Church
    • 2019-21, Writer/director/performer of LILIT, and PERSEPHONE THE TERMITE QUEEN, multilingual cabaret/live art works
    • 2019 – TOO ROMANTIC TO FORGET, a live art performance in collaboration with Emile Burgoyne and Chelsea School of Art London
    • (2019) ‘The Labours of Heracles’ by NMBC Ritual Laboratory
    • A re-working of the classic myth using live music, movement, ritual and collective participation
    • Silver Building, New River Studios, Somerset House
    • (Writer / Director / Devisor / Performer)
    • Recent film
    • 2021, Feature Film, Angie, MEDUSA DELUXE, BBC/BFI/MUBI, Tom Hardiman
    • 2020, Lead role in Feature Film, Adèle, “EN PASSANT,” PY Films Inc, David Walter Hall
    • 2018, Lead role in Feature Film, Tulip, “TO NOWHERE,” After Everything Entertainment, Sian Astor-Lewis (Winner Best Feature in British Independent Film Awards, Paris Independent Film Awards, and for which Lilit won Best Actor at London Rocks Film Festival)
    • 2018 – THE ODYSSEY, a short art film with Emile Burgoyne at Chelsea School of Art
    • Translation (French/Spanish to English)
    • 2017, Translation of “The Encounter” by Simon McBurney/Complicité from English into Spanish in collaboration with Cristina Rivas-Darriba
    • 2016, Translation of article on Commerzbank, published in Jeune Afrique
    • Registered Kató Translator for Translators Without Borders.
    • Translation of feminist periodicals with Mother Tongues Collective at the Feminist Library.
    • Training includes: National Youth Theatre of GB, Ecole Internationale de Théâtre Jacques Lecoq and Dr Marisa Carnesky’s Radical Cabaret School.

    Jack —

    • (2020 – 22) ‘LILIT’ by Lilit Lesser
    • Cabaret / theatre work reanimating the Jewish demon Lilith
    • Tramshed Theatre, Pure Imagination Cabaret Night
    • (Co-Director / Dramaturg / Sound Designer / Performer)
    • (2020) ‘ANA’;
    • Cabaret solo invoking The Patron Saint of Anorexia Nervosa
    • Tramshed Theatre @ St George’s Garrison Church
    • (Writer / Performer)
    • (2020) ‘David’;
    • Cabaret solo exploring machine consciousness / A.I
    • Tramshed Theatre, Bar Wotever, The Glory, Cabaret Playroom, Duckie
    • (Writer / Performer)
    • (2019) ‘The Labours of Heracles’ by NMBC Ritual Laboratory
    • A re-working of the classic myth using live music, movement, ritual and collective participation
    • Silver Building, New River Studios, Somerset House
    • (Writer / Director / Devisor / Performer)
    • (2018 /19) ‘Dark Suit and Lavender Shirt, Standing’ by Jack Clearwater; Egon Schiele
    • A multi-disciplinary work about the life of Viennese expressionist artist Egon Schiele
    • The Point Eastleigh, Chelsea Theatre, TEDxRoyalCentralSchool, The Royal Academy of Arts
    • (Writer / Director / Performer)
    • (2019) ‘Elements’ Poetry and Ritual Production
    • Poetry and ritual work exploring the classical elements; Earth, Water, Fire, Air
    • St Mary’s Arches Putney, Somerset House
    • (Writer / Performer)
    • (2016/17) ‘An Archangel’ by Jack Clearwater; Isaac Haines
    • A live art solo show exploring architect Isaac Haines’ ambitious obsession with order
    • The Archivist, Dalston, The Room Above, Bristol
    • (Writer / Director / Performer)
    • (2015) ‘Chrysalis’ (Scratch) by Jack Clearwater; Chris
    • A clown work exploring the experience of males with eating disorders
    • Stanley Halls Invention Theatre Festival
    • (Devisor / Writer / Performer)

    Gallery

  • Nasia Papavasiliou

    Nasia Papavasiliou

    Nasia Papavasiliou is GlogauAIR resident
    from April, 2022 to June, 2022

    Cyprus and United Kingdom


    Meet the Artist

    Coming soon

    Statement

    Nasia Papavasiliou is a Cypriot multidisciplinary artist who has lived and worked in London since 2012. A graduate of Central Saint Martins college of Art and Design, she holds a Master of Arts in Performance: Design and Practice. She has created work in the UK, Cyprus, Greece, Spain and currently in Germany. Her work has been presented in theatre and gallery spaces as well as part of site-specific interventions.

    Papavasiliou’s works have a poetic and imaginative sensibility translated through performance, sculptural scenography, video and installation art. She usually uses metaphoric imagery, raw and, at times, ephemeral materials that activate layers of performative actions to generate symbolic and enigmatic meanings.

    Papavasiliou’s practice addresses the interrelationship of spatial, social, political and ecological narratives. She started using peripatetic research methods to trace and question the absurdity of her divided country’s significance within the global political geography. The tracing/mapping of different locations therefore became the way in which her artistic works are developed. Her new body of work is currently looking into dichotomy and dualism, the liminal space in between zones. She is fascinated by the concept of their in-between-ness (Nepantla) and existential spatiality. In a synthesis of recorded interventions and live compositions using the symbolic material of salt (in both crystal and condensed forms) the artist creates bridges of resonance across narratives and liminal spaces.

    GlogauAIR Project

    For this project Nasia Papavasiliou is interested in working with the local terrains, having a thorough search in the indeterminacy of occasions – from memory to logical remaking, to legitimate arbitration, from the personal to the political, to interpretive practices and metaphors of a historical peripatetic encounter, geography and spatiality the city of Berlin in relation to the division/border subject and it’s co-relations to social/ human dualities.

    These encounters would be translated into a series of works. A series of poetic performative interventions, soundscapes and film work exhibited as a series of installations.

    She will experiment with layering time based media (video work and projection) and live performance, sculptural scenography and re-animation.

    CV Summary

    Education

    • 2016-2018 Master of Arts Performance Design and Practice (Distinction) Central Saint Martins College of Art and Design (University of the Arts London)
    • 2012-2015 Bachelor of Arts (Hons) Performance Design and Practice (First Class Honours) Central Saint Martins College of Art and Design (University of the Arts London)

    Works

    • 07/2021 Victor, Immersive Theatre Performance, curated and directed by Maria Mitsi & Nasia Papavasileiou Limassol, Cyprus
    • 06/2021 Climate and Action, Huddersfield, UK
    • 11/2020 Cyprus Choreography Platform, produced by Limassol Dance House – Parallel events – Short Dance Films. Limassol,Cyprus
    • 08/2019 Skopelos Foundation for the Arts Scopelos, Greece
    • 05/2018 Barbican Centre / Barbican Gardens, Curated by Michael Spencer London, United Kingdom
    • 01/2018 ‘A minute ago’, Zabludowicz Collection Gallery, Curated by Antonia Blocker London, United Kingdom
    • 05/2018 Tracing (un) familiar territory, curated composed and directed by Nasia Papavasileiou Platform Theatre

    Gallery

  • Scarlett Morrow

    Scarlett Morrow

    Scarlett Morrow is GlogauAIR resident
    from April, 2022 to June, 2022

    “By exposing parts of myself, I aim for the audience to introspect and relate to it in their own way. I use my own experiences to relay relatable messages, so one can go on their own journey whilst watching one of my videos. I want to use my voice as a platform, to speak about the unspoken and express what can be scary to express. I use video as a method of conversation.”


    Meet the Artist

    Statement

    In my practice even though my art comes from a personal place and my own experiences, I want it to be about you, the viewer. My work involves emotion. By exposing parts of myself, I aim for the audience to introspect and relate to it in their own way. I use my own experiences to relay relatable messages, so one can go on their own journey whilst watching one of my videos. I want to use my voice as a platform, to speak about the unspoken and express what can be scary to express. I use video as a method of conversation.

    To achieve this, I often start with continuous writing. By using this method of exploring through writing, I am able to expose truths and be more honest. This allows the content to be more raw, therefore more connectable. These continuous writing ‘proses’ can then later be translated into audio or text within a video. Text is important in my work. I use text to best convey my message. I see text as an effective form of communication within video. It can immediately catch your eye, and can be interesting to play around with on top of other layers such as audio and imagery to keep attention. Sound then shapes the whole thing together. Audio has become increasingly more important within my practice, exploring different methods from my own voice to my own recordings of everyday things and then manipulating them. I am constantly taking videos, recording sounds and writing down notes to later tie loose ends together to create something special.

    GlogauAIR Project

    Every woman I know could write a list of their unwanted experiences from men. My aim in this project is to convey what it is like to live everyday as a woman. I want those, watching my work, who are a victim of men’s power to remember we do not have to normalise their behaviour anymore. This is a project I have been working on for a while but I need the space to expand my ideas more. Video is an extremely engaging method of conversation. I want to develop my project by communicating with other people and learning about their experiences, but also enrich my knowledge to grab and sustain viewers attention to ensure our voices are heard.

    CV Summary

    2022

    • One of two artists showing video works at a ‘Creative Connect’ event.
    • Shown at ‘Emerging Artists’ Candid Arts Trust event.
    • Upcoming duo exhibition show at Usual Business Gallery, Camden.

    2021

    • Creative Director’s assistant for Jocelyn Anquetil.
    • In virtual exhibition curated by ‘The Impulse Movement’.
    • In Doncaster’s online Art Fair.
    • In virtual exhibition curated by ‘The Holy Art’.
    • Curated ‘Introspection’, a group virtual exhibition.

    2020

    • Commissioned to make a music video, distributed by The Orchard.

    2019

    • Shown at ‘LUX Moving Image’, London.
    • Created a social media promotional video for a mental health charity.

    2018

    • Created visuals for a music gig.

    Gallery

  • Tin Nguyen

    Tin Nguyen

    Tin Nguyen is GlogauAIR resident
    from April, 2022 to June, 2022

    Tin Nguyen´s work concentrates on observational paintings of autobiographical, oftentimes, quotidian and naive moments, touching on themes such as queer and Asian identity. Working within spontaneous lines and playful brushstrokes, the artist is engaged in capturing these softer moments of life, which otherwise could easily be overlooked.


    Meet the Artist

    During the GlogauAIR residency program, Tin Nguyen aims to use this time to continue exploring the themes of self-inquiry through an artistic and painterly lens.

    Statement

    Tin Nguyen (b. 1989, Vietnam). Lives and works in Brooklyn, NY

    Tin Nguyen´s work concentrates on observational paintings of autobiographical, oftentimes, quotidian and naive moments, touching on themes such as queer and Asian identity. Working within spontaneous lines and playful brushstrokes, the artist is engaged in capturing these softer moments of life, which otherwise could easily be overlooked. As Tin Nguyen shifts the gaze towards himself, he aims to embrace its lens as a modality for self-inquiry, for meditation, and for healing.

    GlogauAIR Project

    During the GlogauAIR residency program, Tin Nguyen aims to use this time to continue exploring the themes of self-inquiry through an artistic and painterly lens.

    CV Summary

    EDUCATION

    • AAS, Parsons The New School for Design, New York, 2014
    • BA, University of Virginia, Charlottesville, VA, 2012

    GROUP EXHIBITIONS

    • 2021 Spring Awakening, London Paint Club, Online
    • 2021 Mudhouse Residency Final Exhibition, Agios Ioannis, Greece
    • 2019 Greenpoint Open Studios, Brooklyn, NY

    Gallery