Archives: Artists

  • Laurent Trezegnies

    Laurent Trezegnies

    Laurent Trezegnies is GlogauAIR resident
    from January, 2017 to March, 2017

    Belgium

    Meet the Artist

    Coming soon

    Statement

    My pictorial practice has driven me to exploit various industrial materials. Those ordinary materials, for which the expressive capacity is usually non existent, I divert them from their primary function, to integrate them in a work with an aesthetic and plastic reach.

    I am also interested in “ordinary place to live”, these countless location which form the general scenery, anonymous, unknown and even despised by our actions, and particularly on the urban living locations.

    When I intervene on a place, the purpose is double; first of all, the idea is to define the sensitivity of places, in terms of localization, history and symbolic values of the places, in a way , carry out a “critical inventory of ordinariness”.

    On the other hand, in accordance with these elements we could call “biographic”, I integrate those used materials in the installation. Moving the eyes between the place and the novelty brought contribute to a recovery of the place by the viewer. This practice-based artistic research intend to introduce and stimulate a “public reflection” on art, it’s place in our environment, and the relation we usually have with it.

    The “physicals elements”(such as sticky tape, tube, strap, etc.) of my work are composed of an expressive range. Those elements are on artwork’s service.

    Laurent Trezegnies

    GlogauAIR Project

    During the residency, I want to illustrate by installation in-situ the expressive richness of the stroke and his interpretations. The materialized stroke in his chosen environment by contribution of fixed or moving elements propose a selection sight on the present reality of this environment and the transformation of this one, leading to new visual interpretations of the place.

    I propose to search for in what a language of drawing could be applied on environmental forms for amplify, update or increase them.

    CV Summary

    L.T.(1988, Nassogne, Belgium) lives and works in Brussels, Belgium.

    • Graduated from MA in Fine Arts in 2012, at the Académie des Beaux-Arts de Liège, (Be.)
    • Currently working at different artistic projects in relation to the public space.

    Award and Scholarships

    • 2014 Prix de la Jeune Sculpture Wallonie-Bruxelles.
    • 2011_2012 Academy of fine Arts in liège (Be.) Master in visual arts.
    • 2010_2011 Academy of fine arts in Milano (It.) Brera, (LLP prg.)
    • 2007_2010 Higher school of fine arts of Saint-Luc, Liège (Be.) Bachelor in visual arts.
    • 1998_2008 Conservatory of cello.
    • 2003_2007 Institution Saint-Roch, Marche-en-Famenne (Be.) : CESS, (visual arts).

    Solo exhibition

    • 2012: “Composition Adhésive” – Space-Collection, Liège, (Be.)

    Selected group exhibitions

    • 2016 Biennale d’art contemporain, PARKUNST, Brussels
    • 2016 « Contemporary Signs », Castello Oldofreddi, Iseo (It.)
    • 2016 « Dans Tout Ces Eclats », Centre d’Art Contemporain du Luxembourg Belge
    • 2015 Biennale d’art contemporain, 50°Nord, watch this space, Roubais (Fr.)
    • 2015 ECOMUSEO DEL PAESAGGIO, Montecarotto (It.)
    • 2015 Prix Collignon, musée d’Ansembourg, Liège, (Be.)
    • 2015 Centre Culturel de Chénée, Création Artist Festival(FACC), Belgium
    • 2015 A collaboration between the audiovisual collective TRIPOT and the visual artist Laurent Trezegnies. multidisciplinary installation that integrates video and sculpture ; Recyclart (Brussels) and iMAL (Brussels).
    • 2014 Prix du Luxembourg Belge, installation site-specific, CACLB Montauban (Be.)
    • 2014 Prix de la jeune sculpture Wallonie-Bruxelles (Laureate)
    • 2014 Art & Métaux, Biennale de sculptures, Château de Jehay (Be.)
    • 2014 Open-Site, Entre-Lacs, parcours d’oeuvres d’art urbain, Villeneuve d’Ascq, France
    • 2014 Artefatto, Trieste, Italy

    Gallery

  • Louise Manifold

    Louise Manifold

    Louise Manifold is GlogauAIR resident
    from April, 2017 to September, 2017

    Ireland

    Meet the Artist

    Coming soon

    Statement

    Louise Manifold works conceptually with film, photography, sculpture and text. Fascinated by the power of stories and the creation of myth her multi disciplinary practice reflects upon the nature and expectation of narrative as a means to explore ideas on both the self and the body in relation to the other. Her visually saturated work holds an aesthetics that is somewhere between curiosity cabinet and surrealist theatre: Referencing Russian formalism traditions on cinematic estrangement and theatricality, Manifold generates dreamlike scenarios that suggest a sense of disconnection from the lived world in favor of a private real. The created realities that Manifold recounts often test credibility: incidents of delusion, perceptual phenomena, or points of emotional and psychological collapse, that suggest a crossing of conceptual boundaries to unite personal experience with universal subconscious impulse. Underpinning this is a concern with the limits and potential of language to shape and fix our sense of the world, with a particular significance to the language of symptoms of psychosomatic experiences, irrational beliefs and phenomenon that blur the lines between fiction and reality. One of the distinctive elements in her work is her engagement with found materials, Manifold is drawn to objects and collections that hold particular ideologies linked to Enlightenment Rationalism, using subtle intervention that act as a point in which to echo a return to the supernatural systems they preceded. Collaboration with other disciplines has always been central to her creative process, storytellers, fiction writers and psychics have featured in her previous works, and is fascinated with overlaps between time based art, documentary and cinematic practice. Through playing on these blurry perspectives, Manifold invites her audiences to renegotiate the boundaries where fact ends and fictions begins, to consider how we fabricate what we call reality.

    Louise Manifold

    GlogauAIR Project

    My application to Glogau AIR is driven by my desire to maintain excellence and innovation in my practice. As an artist based in the West of Ireland, I recognize the importance of developing work that can be understood within an international context. I wish to make an application for residency in Berlin as I want to situate my work in the most creative environment possible, so that I may be forefront of my creative genre. For my tenure, I hope to develop new connections for my work as an artist, and also have the time to make a new body of work in film, collage and slide installation. I am particularly interested in working with expanded cinematic practices. as a means to consolidate the interdisciplinary art forms that make up my current work practice today, as a means investigate more expanded cinematic experiences. I am keen to have the time to reflect upon my own ideas on what visual narrative is and to use my studio work to research what it can be. To do this I aim to focus on the mechanisms of traditional narrative, to rethink aspects of storytelling devices such as character and plot formation against editing process that invoke suspension, rupture, and delay of narrative. I wish to move my work away from direct story telling and voice overs which has central to my previous works to finding more economic forms of narrative conveyed through environment and the body. I wish to have the time to explore how the body can be reframed within artificial space to convey inner, subjective experience through abstract gesture. I am very much inspired by early German Expressionist cinema aesthetics and techniques of this film genre and in particular the film sets theatrical composition. I would like to use the time on residency to consider how I may adopt a similar aesthetics as a means to experiment with merging particular aspects of my practice in sculptural and installation. One of the primary influences of my work has been gothic and magic realism, I wish to focus upon Expressionist manner as means to extend this interest and to open up contemporary collective anxieties which I particularly connect to femininity: such as narratives of alienation, of hermitage, and otherness. In this way I wish to have the time to develop this work as a means to to examine the tropes and realities of life as a woman in modern society as a whole. Over the course of my residency, I aim to concentrate on the production of environments for my film work in terms of scale and detail and to use my studio space to build temporary theatrical spaces in which to direct and shoot new work in 16 mm film and digital video. I wish to apply to Glogau AIR as I want to have the experience of a live in studio space, the studio space has always been at the heart of my creative inquiry: I see the studio not only as a site of work production but also an opportunity for introduction and how to develop my research in respect to the location of Berlin. I aim to also use this time as a means to connect with emerging film makers and set designers as consultancy on my project, and through forming new connections with cultural producers in Berlin through my residency, I hope to explore how the architecture and scenography can become central in the development of the future of my artistic practice. The experience of being in a new arts community will also further my curatorial knowledge, offering a burgeoning but significant part of my art practice a valuable opportunity to also connect with and be informed by the extensive arts community in Berlin. The opportunity to be situated in a dynamic new community within Berlin will also help to proactively nurture new partnerships between projects and institutions I work with in Ireland. I believe that having this opportunity for a residency GlogauAIR will mark a significant turning point for me in developing international discourse around my practice, and insuring a successful creative trajectory in 2017 and mark a notable development in my career.

    CV Summary

    Academic and professional awards

    • 2004-05 MA Fine Art, Central St Martins College. Charing Cross Rd London, England.
    • 2001-02 B.A. Fine Art (Sculpture) – Distinction, GMIT Cluain Mhuire, Galway.Ireland.
    • 1998-00 National Diploma Fine Art (Sculpture) GMIT Cluain Mhuire, Galway. Ireland

    Awards/bursaries

    • 2016 Create Artist in the Community Scheme
    • 2016 Udaras na Gealtacht Individual artist Bursary
    • 2015 Galway County Council individual artists Bursary
    • 2014 Arts Council of Ireland Project award
    • 2014 Galway County Council individual artist Bursary
    • 2014 Udaras na Gealtacht Individual artist Bursary
    • 2013 Arts Council of Ireland Travel and Training award
    • 2012 Arts Council of Ireland Travel and Training award
    • 2012 Galway County Council individual artists Bursary
    • 2012 Culture Ireland Award
    • 2011 Galway City Council Individual Artists Bursary
    • 2010 Arts Council of Ireland Bursary Award
    • 2009 AIB Art prize (short listed)
    • 2009 Culture Ireland grant award
    • 2008 Arts council of Ireland Travel and Training award
    • 2007 Galway Arts Centre Soapbox visual art award
    • 2006 Galway city Council artist in residence award
    • 2005 Galway City Council Bursary award
    • 2004 Arts Council of Ireland, Professional training and development award.
    • 2002 European League of Institutes of the Arts, Looping the loop video art awards (short-listed)

    Teaching experience

    • 2016 Galway County Council’s Artist in Schools program with St Annin’s N.S. Roscahill Co Galway,Ireland.
    • 2015 Visual art workshop facilitator, Helium Arts Trust, Dublin Ireland
    • 2016/14/12 Visual Art Facilitator Burning Bright program, Hospital Arts trust and Galway Arts Centre, Galway.Ireland
    • 2006-2013 Visual Art facilitator, West Galway Mental Health services, UCHG Galway, Ireland.
    • 2013-2014 Community foundation of Ireland and Galway Arts Centre, Commissioned artistic facilitator.
    • 2011-2012 Lead mentor, Red Bird Youth Arts Collective, Galway Arts Centre.Galway Ireland.
    • 2006-2013 Visiting lecturer,GMIT Dept of Fine Art (Sculpture) and Professional practice modules, GMIT, Galway.Ireland
    • 2006-2013 Visiting lecturer,GMIT Dept of Film and television Production design module,GMIT, Galway.Ireland.
    • 2006/07/14 Animation workshop facilitator, Galway Film Centre, Cluin Mhuire Galway, Ireland
    • 2003-2004 Art educator, Merview Active retirement society, Merview, Galway Ireland.

    Residencies

    • 2014-15/06 R.H.A. Studios Ely Place Dublin, Ireland.
    • 2013 Fundacion Botin,Taller,Tacita Dean Santander Spain.
    • 2010-11 International Studio and Curatorial Program (ISPC) Brooklyn New York.
    • 2009 Void Derry Crushenhall Curfew tower project,Derry N.Ireland.
    • 2009 Welcome to the Neighborhood Askeaton Contemporary arts Limerick, Ireland.
    • 2008 SIM The Association of Icelandic Visual Artists, Reykjavík Iceland.
    • 2008 Tyrone Gutherie Centre Annaghmakerrig Newbliss Co. Monaghan. Ireland.
    • 2006-07 Galway City Council Artist in residence, City Museum, Galway Ireland.

    Solo exhibitions

    • 2013 In Death and Fiction, Simsa Tire, Tralee, Co. Kerry, Ireland
    • 2011 Two or more distant realities, Garter Lane Arts Centre, Waterford, Ireland.
    • 2010 Unnatural Esoteric Galway Arts Centre Dominick St Galway, Ireland
    • 2008 BullsWool Signal Arts Centre Bray Co. Wicklow Ireland.
    • 2008 Snowberry One Gallery 3 Clare St Dublin, Ireland.
    • 2007 Legend Galway City museum Spanish Arch, Galway. Ireland.

    Selected group exhibitions

    • 2015 Trauma curated by Ian Brunswick The Science Gallery,Trinity Collage Dublin Ireland. Wild-Screen curated by Louise Manifold & Una Quigley, Inagh Valley Connemara Co Galway Ireland.
    • 2014 Gate of Connaught, dream of stone,curated by Maeve Mulrennan, Galerie Du Faoudic Lorient, France.
    • 2013 Taking note/The curious eye curated by Robin Jones, NUIG Gallery,Galway Ireland. Letters of peace, Curated by Ruth Lubin, 100 Years Gallery, London, UK. Resonance, Artspace studios facilitated by Aine Phillips The Shed, Galway City Ireland.
    • 2012 Tulca, Curated by Gregory McCarthy, Galway City Ireland. Hyperopia, Curated by Shelly Mac Donald, Clifden Arts Week, Clifden Ireland. Opposite Extravaganza: cheating progress, Curated by Jim Ricks, Fairgreen Galway, Ireland Proximal Distances, Curated by Cathy Mooses Storefront studio, Pilsen Chicago, USA. Spiders From Mars, Curated by Michele Horrigan, Occupy Space, Limerick, Ireland. The Hellfire Club, curated by Michele Horrigan, Askeaton, Co Limerick, Ireland.
    • 2011 Collective Consciousness, Galway Arts Centre, Dominic St Galway Ireland. 14-5=126, Galway Arts Festival, 126 Gallery, Dock St Galway City Ireland. Metropolitan Wonderland, Curated by Astrid Honold ISCP , Brooklyn New York. Interstice Artspace Studios, Supermarket Art Fair, Stockholm, Sweden.
    • 2010 Dare to Joust Gallery, Affordable Art fair Battersea Park London England Outside/insight Galway Arts Centre and Bridget’s Garden Ross Cahill Co Galway,Ireland. Artspace studios Galerie du Faouëdic, Lorient, France.
    • 2009 Außerirdisch Projekthaus Bahrenfelderstrasse Hamburg, Germany. Urban Rococo, curated by Daniel Greany, Dare to Joust Gallery, London England. In search of utopia curated by Maeve Mulrennan, Galway arts centre, Galway, Ireland. Inishlacken: the last parish curated by Maeve Mulrennan Red House Arts Centre Syracuse New York, USA.
    • 2008 In Situe, Artspace studios Galway Arts Festival Galway, Ireland. Summer Group Show, Norman Villas Gallery, Salthill Galway Ireland. Eighse Carlow Arts festival, Curated by Patrick T. Murphy, Carlow Ireland. Inishlacken: a place apart curated by Maeve Mulrennan and Rosie McGurran,Galway Arts Centre,Galway Ireland.
    • 2007 Terms and conditions curated by Aideen Barry Mermaid gallery Bray, Co. Wicklow. Ireland Nether here nor there, curated by Maeve Mulrennan, Galway Arts Centre, Galway Ireland Galway Arts Festival. Artspace 21 exhibition, GTI, Fr Griffin Rd, Galway Ireland. Cause and effect, curated by Aideen Barrry Banff Centre Alberta Canada. 6×6 for Ireland, 411 Galleries, Hangzhou Shanghai Beijing, China.
    • 2006 Tulca within and without curated by Cliodhna Shaffery and Sarah Searson,Galway City, Ireland. Concave/convex Kilkenny Arts festival Berkeley Gallery, Thomastown Kilkenny,Ireland. Galway Arts Festival Artspace studios exhibition, GTI, Galway, Ireland.
    • 2005 Tulca Festival of visual art, Curated by Aine Philips, Fisheries Tower, Galway Ireland Bodily Functions, European capital of culture Granary Theatre, Mardyke Cork. Ireland Central St Martins Symposium, Matt’s Gallery, Copperfield Rd, Hackney London, UK On the underbelly, Curated by Neva Elliot, Upstairs gallery, Clerkenwell, London. UK First book of ideas Art scene warehouse, 50 Moganshan rd. Shanghai China. Leviathan, curated by JJ Charlesworth, Candid Arts Centre, Islington, London U.K
    • 2004 From Galway to Laurent, Galway City Council exchange, Laurent, France. Horizon, collaborative project with Aideen Barry, St. Nicolas church, Galway Ireland. Tulca, Curated by Michael Dempsey, Galway Arts Centre, Galway. Ireland.
    • 2003 Tulca Season of visual art curated by Michael Dempsey Galway Arts Centre, GalwayCity, Ireland. Sculpture in context, National Botanical gardens Glasnevin, Dublin. Ireland. The village with no name The Safe House Art space, Donegall St, Belfast. N.Ireland.

    Curatorial projects

    • 2015 Wild-Screen co curated with Una Quigely Inagh Valley Connemara Co Galway Ireland.
    • 2010 Live@8 “Grounded in this phenomenal world” Galway City Ireland.
    • 2007 Tulca, “City of Strangers”, co curated with Aideen Barry, Galway City, Ireland.
    • 2005 Leviathan, curatorial/hanging team, Candid Arts Centre, Islington, London U.K

    Publications and written reviews

    • Alice Butler, review on Wild Screen Enclave review 13 October 2015
    • Maeve Mulrennan review:Louise Manifold and Kevin Barry: In Death and Fiction, Honest Ulsterman, October2015
    • ‘All mountains begin on the ground’ Publication Compiled and edited Louise Manifold and Una Quigley March/ 2015.
    • Visual artist Ireland New Sheet, Chance is the Objective” Louise Manifold“ December/2013
    • Louise Manifold; A Curious Case of The Woman Who Cried Wolf “ review by Aidan Dunne, Irish Times.March/ 2010
    • Louise Manifold: Unnatural Esoteric, at the Galway Arts Centre, review by Dr Aine Phillips, Circa on Line. March/2010
    • In search of Utopia, review by Phillipia Sun, Experimental Conversations on line Journal May /2009

    Gallery

  • Marko Ivic

    Marko Ivic

    Marko Ivic is GlogauAIR resident
    from October, 2017 to December, 2017     and from January, 2017 to March, 2017

    Deconstructing and researching his relationship with the piano has been a focal point of his work over the past years. As an instrumentalist, Marlko’s creative identity has been so closely tied to the instrument that dealing with its absence often results in an impediment. However, Marko’s performative imperative demanded him to engage his own body on stage and also to explore the possibilities of sound manipulation. At the moment he is dealing with the interaction of two bodies in space: the piano and his own body.

    Meet the Artist

    Statement

    I was born and raised in Venezuela (1988) to a Croatian father and an Italian mother. Regardless of a happy childhood, full of mixtures and contrasts, home has always been a virtual place for me, and the feeling of belonging an abstract phenomenon that constantly demands questioning and reinventing. The search for a way to express myself spontaneously engaged me with music and later took me to Croatia, where I developed and studied as a classical pianist. Although music has always had an essential role in my life, it soon became obvious I needed to explore my own physicality on stage, and the aesthetic possibilities offered by the visual arts. It turned out that technology and live electronics functioned as a bridge to articulate all the diversity I felt I needed. Movement, music theatre, photography, performance art, composition, improvisation, installation performances, they all flourished after I moved to The Netherlands back in 2013. Nowadays my artistic focus is set on interdisciplinary performances, and more recently, the exploration of the installation format and collaborations related to photography and sculpture, always connecting and re-connecting with sonic experiences. My research is motivated by approximations to exuberant aesthetics, human identity, the body, and metaphysical aspects of our existence. A connection to the piano and my interest in live electronics is constantly pushing me to find new sound dimensions involving the use of software and sensors, in an attempt to re-articulate my personal experience and explore the relationships between the instrument and my body.

    GlogauAIR Project

    The piece is an exploration of the relationship between a pianist and a piano. This relationship is taken out of its music-making context and represented in space as the interaction of two bodies, two objects. Their interaction is characterized by their difference in dimension and mass, as well as the significance of the actions of pulling and endlessly rotating. Even if pianists never take their instruments with them, having to literally “carry” the piano makes the pianist’s role comparable to the one of Sisyphus. However, both bodies share aspects in common: both have interventions, such as the piano leg and the fabrics around the pianist’s body; both bodies are exposed (the piano lid is removed, and the pianist’s chest is naked); both are “monitored” by mics. By suppressing the music-making aspect, the installation focuses on the objective physical interaction, and its resulting sound. Moreover, we could say the soundscape is created out of existing shared “inner realities”: it is as natural for a piano to generate string related vibrations when moved, as it is for a human body to have a heartbeat and breath. The Rondeau Over the last months I became fascinated with the format of an installation, and how it removes most of the performative rules of interaction between performers and audience. More specifically, the ritual of music and its codexes were completely absent, opening up new perceptual opportunities. Connecting with my personal investigation of my relationship with the piano, I got intrigued by the idea of a pianist manipulating the piano as an object in a (non musical) space, incessantly. The development of this idea and the wish of a repetitive scenario led me to define the movement as a never-ending circular one, which firstly connected with the rondeau as a circulating dance form, and later to the well-known music form that deals with the repetition of thematic material. Rondeau became then a possibility to exemplify the representability of music, transposing structural components into the space and body and then back to soundscape. It monitors the sound of non-musical actions and organizes them in the form of a rondeau. The structure of the piece coincides with the form of a classical five-part rondo (ABACA), organizing and articulating all the generated material created during performance: speed, direction and intensity of the turning, choreographic aspects of the performer i.e. decisions regarding what and how to do with the body, and organizing the generated sounds and their amplification and processing. The resulting soundscape is an ever-going machine-like sound (the piano rotating) with reminiscence of vibrating piano strings accompanied by aleatoric rhythmic patterns created by the vital signs of the performer. This sounds are amplified and (subtly) effected live to create new textures connected to specific sections of the rondeau. Once sent to the speakers, the room becomes an immersive sound space through which the visitors can navigate. Time will be set within the context of movement and trajectory; the rondeau could then for example take the circumference as a fixed reference to determine its duration and organize sound, dividing it to create its different sections (ABACA).

    CV Summary

    PERFORMANCES

    • 2017 Simulacra Studies for performer, video and sensors, by Solomiya Moroz Huddersfeld Electric Spring Festival, UK Nocturne Performance / Installation by Samson Young Exhibition at Kunsthale Duesseldorf, Germany
    • 2016 Short wave apocalypse or the box Music Theater production by Solomiya Moroz Amsterdam Fringe Festival Music Theatre production by Marko Ivic Conservatorium van Amsterdam
    • 2015 Not Only Futurists Music Theatre production by Jerzy Bielski Winner of 1st prize of the Jury at Amsterdam Fringe Festival
    • 2013 Now what? Music Theatre production by Marko Ivic, Zagreb, Croatia

    GRANTS

    • 2016 Art Residence: Research on wireless sensors for performance. Studio for Electro-instrumental Music (STEIM) Amsterdam, The Netherlands Amsterdam Schools of the Arts Funds (AHK) Financial grant for Music theatre production “IF”

    MUSIC & SOUNDTRACKS

    • 2017 Soundtrack for Goat Song, a physical theatre production by Espen Hjort, Theatre Utrecht, NL
    • 2016 Soundtrack for The Container, dance performance by Andreas Hannes SNDO, Amsterdam, NL Soundtrack for Celebration of life!, theatre production by Espen Hjort, Theaterschool Amsterdam, NL
    • 2015 Piano piece no.8 by Marko Ivic, Splendor hall, Amsterdam, NL
    • 2014 Soundtrack for Lineage, Olga van de Brandt’s short animation, Utrecht, NL
    • 2013 Music Album From Within – Marko Ivic Own improvised Electro-acoustic Music, Vienna, Austria Soundtrack for Bart Lindemann’s short animation Fing, Genk, Belgium

    Gallery

  • María Santi

    María Santi

    María Santi is GlogauAIR resident
    from April, 2017 to May, 2017

    Argentina

    Meet the Artist

    Coming soon

    Statement

    Today, my artistic work refers to the natural world. In it I question the materiality with which I work, the power of images, the use of the senses. I work creating a structure that interweaves the strength of the material with the visible, my personal experiences and the experiences of those whom my work challenges.

    In this process I show an underlying premise: the matter is alive, that is why I consider it an active component of the pictorial practice, which is especially noticeable in its manifest expansion during contemporaneity.

    I am interested in the fusion between different representations of nature; also in exploring an instictive “sixth sense”, which I think is a quality of the natural world, which makes purity and beauty its primordial elements and which I feel closely linked with the intuitive process present in my painting.

    Since landscape has been modified by degrading actions, for which man is responsible and whose consequences are largely irreversible, I believe that my art practice has the capacity to repair and take care of this world. Landscape has always been one of the most prominent genres, today it has become something more than the perception of the place around us. In the contemporary scene, it is the undisputed protagonist whenever it tells us that life on a horizon without seas and skies, in a world without life or colour, is meaningless.

    María Santi

    Gallery

  • Marie Jeanne Hoffner

    Marie Jeanne Hoffner

    Marie Jeanne Hoffner is GlogauAIR resident
    from July, 2017 to September, 2017

    France

    Meet the Artist

    Coming soon

    Statement

    Mainly site specific, my work is dealing with the context, often a work which literally takes place, mostly contextual, creating a dialog with the space where it is shown. The architecture, the post modern references, the use of simple materials, are core to the work. My drawings, wall drawings and architectural installations reflect a perception of space as map, a living space and place for the body, with a translation of space which is both physical and metaphysical. On one hand, lines, plans and volumes propose a concrete experience of space, whereas on the other, semantic superimposition, big scale photos, and fake drawn perspectives suggest an imaginary space that doubles our first apprehension of reality. My practice is focusing on the perception of the architecture, by building up installations that involves the viewer into the work. The layout, removal, transparency, mirroring and folding of materials are recurrent notions in the work, allowing to approach architecture through a dialog with its structural elements, also by involving the notion of process, in which the gesture, often brings life to objects and space. This combination of formal riguour and physicality enables me to have a practice both constructed and sensitive, where the space can also appear as a mental projection. My work reflects upon the place one’s lives in or/and the place where you show the work, and questions how they are inhabiting us. Responding to places, I’m trying to build works that could relate to a sensitive architecture, involving the notions of displacement, memory and place, deconstruction and reconstruction, so that the audience can practice and experiment those spaces in various ways

    Marie Jeanne Hoffner

    Gallery

  • Me Sparks

    Me Sparks

    Me Sparks is GlogauAIR resident on July, 2017

    Canada

    Meet the Artist

    Coming soon

    Statement

    My practice revolves around the experience ‘looking’ as a reflexive self awareness of seeing. I work with painting to investigate the complexities of observation, individual perception and forms of representation. The object retains a central role in my work, both as the observed subject matter depicted within my paintings and as the material objecthood of the painting itself. I believe painting acts as a cipher for individual perception, while its limited borders even simulate our viewfinder-like vision. Through my work I intend to evoke a questioning of where an object ends, the subject begins, and how these dualisms mingle and coalesce within the space of painting.

    Me Sparks

    GlogauAIR Project

    While at GlogauAIR I plan to continue developing a lexicon of forms which reappear throughout my work. These forms develop from found objects, painting’s history and personal narrative, ranging from geometric blocks and tabletops to moons, window frames and masks. They have become recurring motifs that retain figurative familiarity and narrative, yet are abstracted from their origins through methods of repetition and obfuscation. During my residency I intend to continue working with these specific forms while collecting new shapes and objects from my surroundings.

    CV Summary

    Education

    • 2016 Master of Applied Arts, Emily Carr University of Art + Design
    • 2013 Bachelor of Fine Arts (m. Fine Arts with honours), NSCAD University

    Selected Solo & Group Exhibitions

    • 2017 Shape Form Colour Line: the language of abstraction, Elissa Cristall Gallery, Vancouver BC
    • 2017 A Terrible Signal, Access Gallery, Vancouver, BC
    • 2017 Sad Drawings, Institüt fur Alles Mögliche, Berlin, Germany
    • 2016 A Beast Salient, Franc Gallery, Vancouver, BC (curated by Brynn McNab) RBC Painting Competition
    • 2016 The Power Plant, Toronto, ON
    • 2016 Endless Summer, Elissa Cristall Gallery, Vancouver, BC
    • 2016 Fresh Paint / New Construction, Art Mûr, Montreal, QC
    • 2016 see level, Charles H. Scott Gallery, Vancouver, BC
    • 2016 Still Here, Point Gallery, Salt Spring Island, BC (solo)
    • 2016 MAA Thesis Exhibition:Still Here, Concourse Gallery, ECUAD, Vancouver, BC
    • 2015 LINEUP, Helen For Now Gallery, Vancouver, BC (two-person)
    • 2015 Drift, First Floor Gallery, Barrie, Ontario (two-person)
    • 2015 Salt Spring National Art Prize Exhibition, Salt Spring Island, BC (juried)
    • 2015 Sooke Fine Arts Show, Sooke, BC (juried)
    • 2015 Flight Lines, Concourse Gallery, ECUAD, Vancouver, BC
    • 2014 Image, Corridor Gallery, Halifax, Nova Scotia (solo)
    • 2014 Sooke Fine Arts Show , Sooke, BC (juried)
    • 2014 By and By, Port Loggia Gallery, Halifax, Nova Scotia
    • 2014 From There to Here, Eventide Art Gallery, New Glasgow, NS (solo)
    • 2014 Redux, The Craig Gallery, Dartmouth, Nova Scotia
    • 2013 NSCAD Community Studio Residency, New Glasgow, Nova Scotia
    • 2013 Emerging NSCAD Artists 2013, NSP Headquarters: Studio 21 Fine Art, Halifax, NS
    • 2013 NSCAD Grad Show, Port Loggia Gallery, NSCAD, Halifax, Nova Scotia
    • 2013 Still Life, Anna Leonowens Gallery, NSCAD, Halifax, Nova Scotia (solo)

    Awards

    • 2016 RBC Painting Competition 2016 Semi-Finalist
    • 2016 Nancy Petry Foundation Award: Royal Canadian Academy of Arts & Joseph Plaskett Foundation
    • 2016 BEERS London, Contemporary Visions VII: Short Listed
    • 2016 Valedictorian, Master of Applied Arts, Emily Carr University of Art + Design
    • 2015 Salt Spring National Art Prize Juror’s Choice Award
    • 2015 British Columbia Arts Council
    • 2014 Gordon and Marion Smith Painting Scholarship
    • 2014 Emily Carr University Graduate Entrance Scholarship
    • 2014 Sooke Fine Arts Award of Excellence
    • 2013 Arts Nova Scotia Creation Grant
    • 2013 Nova Scotia Talent Trust Scholarship
    • 2013 Robert Pope Foundation Painting Scholarship

    Residencies

    • 2017 GlogauAIR, Artist in Residence, Berlin, Germany
    • 2017 Arteles Creative Residency: Silence Awareness Existence, Hämeenkyrö, Finland
    • 2017 Institut für Alles Mögliche, Artist in Residence, Berlin, Germany
    • 2013-14 NSCAD Studio Residency, New Glasgow, NS, Canada

    Auctions

    • 2017 C Magazine Contemporary Art Auction, Division Gallery, Toronto, ON
    • 2016 Access Auction Fundraiser XXV, Access Gallery, Vancouver, BC
    • 2015 Off the Hook: Art Auction, The MacLaren Art Centre, Barrie, ON

    Public Engagement

    • 2016 see level, Panel Discussion, Charles H. Scott Gallery, Vancouver, BC
    • 2015 Painter’s Poetry, Helen For Now Gallery, ECUAD, Vancouver, BC
    • 2014 Parallel, performance with Matthis Grunsky, Art At Night, New Glasgow, NS
    • 2014 M.E. Sparks, New Glasgow Public Library Artist Lecture Series, New Glasgow, NS
    • 2013 From There To Here, Artist Talk, NSCAD Artists in Residence, New Glasgow, NS
    • 2013 Still Life, Artist Talk, Anna Leonowens Gallery, Halifax, NS
    • 2010-12 Lake of the Woods Arts Community (LOWAC): Member/Volunteer, Kenora, ON

    Publications, Reviews & Press

    • 2017 Lucien Durey, ‘Vancouver Report: From Black and White to Coloured Lights’, Canadian Art
    • 2017 Kimberly Phillips, ‘A Terrible Signal’, Curator’s Essay, Access Gallery
    • 2016 RBC Painting Competition Catalogue, September 2016
    • 2016 ’15 Artists are Finalists in RBC Painting Competition’, Canadian Art
    • 2016 ‘5 Western Canadians Named Finalists…’, Vancouver Magazine
    • 2016 Woo Publication Spring Vancouver, Canada
    • 2015 Woo Publication, Vancouver, Canada
    • 2015 SSNAP Finalist Exhibition Catalogue, Art Barn International, Salt Spring National Art Prize, Canadian Art
    • 2014 ‘Trio Completes NSCAD Residency’ The Advocate, New Glasgow, NS
    • 2013 ‘Artists Offer Fresh Perspective’ The Advocate, New Glasgow, NS, 2013

    Auctions

    • 2017 C Magazine Contemporary Art Auction, Division Gallery, Toronto, ON
    • 2016 Access Auction Fundraiser XXV, Access Gallery, Vancouver, BC
    • 2015 Off the Hook: Art Auction, The MacLaren Art Centre, Barrie, ON

    Teaching Experience, Research & Arts Facilitation

    • 2016 Emily Carr University: Seminar Leader, AHIS333 Interdisciplinary Forums: “Chroma”, taught by Randy Lee Cutler
    • 2016 Emily Carr University Continuing Studies: Instructor, Welcome Lab: Academic Skills
    • 2016 Emily Carr University: Teaching Assistant for Kimberly Phillips, MAA Low Residency Program Visiting Artist Forum
    • 2015 Emily Carr University: Graduate Teaching Fellowship – Teacher of Record, PNTG216 Drawing for Painting
    • 2015 Emily Carr University Continuing Studies: Teaching Assistant for Debora O, Welcome Lab: Academic Skills
    • 2015 Emily Carr University: Teaching Assistant for Chris Jones, MAA Low Residency Program Visiting Artist Forum
    • 2015 Emily Carr University: Teaching Assistant for Elizabeth McIntosh + Landon Mackenzie, PNTG310 Advanced Paint
    • 2015 Emily Carr University: Seminar Leader, AHIS333 Interdisciplinary Forums: “Psychogeography”, taught by Cameron Cartiere and Phil Smith
    • 2014 Emily Carr University: Seminar Leader, AHIS333 Interdisciplinary Forums: “The Art School”, taught by Randy Lee Cutler and Sadira Rodrigues

    Gallery

  • Mint Park

    Mint Park

    Mint Park is GlogauAIR resident
    from July, 2017 to September, 2017

    South Korea

    Meet the Artist

    Coming soon

    Statement

    Traveling and moving back and forth in between two cultures (Korea and U.S.) brings me to dynamic range of people’s and things’ stories and sceneries. From a decade of such experience, I found fascinating and treasurable of widely different perspectives existing within one space. From this city, building, and room to the next one, or just from this point which my eyes and ears are held to an inch away, the size and range of differences in perspective can vary physically, culturally or conceptually, and it yields myriads of windows to approach a reality. My artistic interest and practice lies on top of revealing these multitude of portraits drawn by different point of views hence, continuously redefining the fluctuating existential qualities of time and space in contemporary techno-media society. Through art of sound composition, science of acoustics and muti-media technology, I seek for simple, intuitive yet creative structures and patterns as an instrument to conceive and apprehend each moment of the reality as its own phenomenon.

    Mint Park

    GlogauAIR Project

    Based on the idea of altering and re-interpreting current space and time and making it into something else, a plane which bridges between reality and digital space. I have been using landscape data of made by people and objects in a room, to create and control sounds and visuals, which are senses that we reference time and space. The received data and sound can be recorded from the space of performance but also at the same time it will be distributed in visual format over the net through a log-in server as virtual human imprint.

    In a way, this is an instrument, interface, and a platform designed for collaborations, where different mediums and different time qualities are seamlessly welded. The project will be similar to my previous work, Matrix Chamber(2015), except this time, it will be more intricately designed in terms of its sound, visuals and interactivity with the audience. In other words, the instrument can be custom to artists or user in control of the space. The idea is to create a day long round-the-clock event consists of short performances through out day to indicate passing of every hour or change of time and space in artistic measurement.

    During the residency I will be gathering a handful of artists from musicians to choreographers and visual artists to participate and be part of the installation and performance. I will also be building simple and light physical objects which audience can interact with.

    CV Summary

    Performances

    • 2016
      • WeSA Audio Visual Festival, Seoul, South Korea Dec.2-4 2016
      • SVS Creative Lab x 4D SOUND 4D SOUND, Budapest, Hungary
      • FOG FIRE presents: Julien Boudart, Mint Park AKA BAKAH (Unheard Records), SpaceMonkey III & Stylish Nonsense JAM, Bangkok, Thailand
      • BAKAH live @Mudaruk Mudaruk, Seoul, South Korea
      • BIT(2015) 2015 REDCAT NOW Festival, Los Angeles CA USA Aug. 6-8 2015
    • 2015
      • Dissect Thin Air the wulf. Los Angeles CA USA
      • Chronos Metrisies California Institute of the Arts, Valencia CA USA

    Installation

    • 2015 Matrix Chamber California Institute of the Arts, Valencia CA USA
    • 2014 SerguinOSC Digital Arts Expo 2014, Valencia CA USA

    Discography

    • 2016 EP MorphingXYZ Unheard Records
    • 2015 Compilation001 Unheard Records

    Education

    • 2018 MFA in Electronic Music and Recording Media Mills College Oakland, CA
    • 2015 BFA in Music Composition and Digital Arts California Institute of the Arts Valencia, CA

    Gallery

  • Natalia Urnia

    Natalia Urnia

    Natalia Urnia is GlogauAIR resident
    from June, 2016 to September, 2016, from October, 2016 to December, 2016     and from January, 2017 to April, 2017

    Chile

    Meet the Artist

    Coming soon

    Statement

    My visual work is characterized by establishing a reflexive relationship between everyday textile objects, time and space. Detailed observation of the object, that is, the material from which it is made, the fibers and the technique with which it was constructed, and the object itself – these are the principal guides that I analyze to create my works. Detailed investigation of the principal characteristics that I find in an object allows me to manipulate it, so that later it generates a point of strangeness that will capture the viewer. For most this is no different than what one already knows, neither in technical terms nor materials, but equally it will feel that it is changing the look of something that one thought they knew. Throughout my career I have specialized in learning different textiles techniques with the intent of translating this knowledge and technical details to contemporary art issues, to give these made by hand actions a new feeling.

    Natalia Urnia

    GlogauAIR Project

    My project will consist of the space available in a set of garments (approximately 10 to 15), which will be taken over by the unraveling technique described above. These items will be installed at the height and in a place where they will be perceived as representing a human body in space. Then, I look through the fray, creating transparencies, veils that allow observing behind the same garment, which is possible since, as noted above, the outcome of unraveling, only vertical threads that form the fabric of the garment are present. The selection of these will involve choosing fabrics that are constructed, and they must be black and white, specifically warp (vertical threads that form the fabric) white and weft (horizontal threads that form the fabric) black. This interest in monochrome will first intend to generate a marked change in color between what is frayed garment and what not, that is what transpired and what is not translucent, respectively. Second, it will place an emphasis on the fabric of the fabric — specifically in the pixel, a minimum square that is present in any fabric warp and weft. And third, it will achieve a direct link between the garment in space and the horizontal line present between the floor and wall, which exists in any room. In this way I seek to relate geometry drawing up a garment, in relation to the geometry that is present in the space it inhabits, that is, where it is present. The garment from a minimum, meaning the fabric, is generated from a set of vertical and horizontal lines, as in the architecture occurs between floor and walls. It is in this way I will generate a cross from the minimum and basic expression, to achieve a point where a representative dialogue can be formally established between body and space, between the present and the absent, achieving a cross between the functional and the poetic, to rethink and redirect the sense of what surrounds us – to re-perceive that we thought we already know.

    CV Summary

    Education

    • 2014 obtained first place in the installation category, of Santiago, Chile’s Municipal Awards for Youth Visual Art Talent Master’s in Visual Arts (Beca Conicyt) and Titled Textile Artist from the University of Chile
    • 2011 Sixth Biennial of Contemporary Textile Arts, Recycled Salon, held in Oaxaca, Mexico, winning second place of the call.

    Group exhibitions

    • 2015 Posada del Corregidor, CLAC and Ch.ACO Gallery, Contemporary Art Fair
    • 2014 Museum of Contemporary Art in Valdivia
    • 2013 D21 Gallery
    • 2012 Balmaceda Young Art, Local Contemporary Art

    International exhibitions

    • 2015 ZK / U – Zentrum fuer Kunst und Urbanistik, Berlin, Germany
    • 2011 Sixth Biennial of Contemporary Textile Art
    • 2010 “Reconstructed” in the First Meeting of the Iberoamerican Textile Network, San Jose, Costa Rica
    • 2008 Fifth International Biennial of Contemporary Textile Arts, Buenos Aires, Argentina

    Gallery

  • Nessa Finnegan

    Nessa Finnegan

    Nessa Finnegan is GlogauAIR resident
    from [October, 2017 to November, 2017

    Ireland

    Meet the Artist

    Coming soon

    Statement

    Nessa Finnegan is an Irish artist based in Dublin. Specialising in drawing from commercial imagery and text to supplant socio-political material within her work Nessa uses a diverse range of means including illustration, print making and sculpture.

    Nessa Finnegan

    GlogauAIR Project

    During her two month residency at GlogauAIR Nessa plans to explore/ confront contemporary patriarchal expectations existing externally to herself as well as internally. She will produce a series of sculptures and wall hangings using text, traditional ‘women’s work’ craft making techniques and a healthy dose of humour.

    CV Summary

    Selected Group Exhibitions

    • 2017 F/Feminist Festival Temple Bar Galleries and Studios, Dublin, Ireland
    • 2016 Fear: Peachy Dublin, Temple Bar Galleries and Studios, Dublin, Ireland
    • 2016 Not Necessarily Naughty, Young Curators Project, Rua Red Galleries, Dublin, Ireland
    • 2016 Motley, MART Gallery, Dublin, Ireland
    • 2013 Strongly Weak, LAB4 Gallery, Sicily, Italy
    • 2013 Petrol, Five Years Gallery, London, UK
    • 2010 Wars on women: Peace Works, University of Belfast College of Art, Belfast, Northern Ireland
    • 2009 Brighton MA Fine Art & Interim Show 2009, University of Brighton, UK

    Solo Exhibition

    • 2007 Come Out To Play, Black Mariah Gallery, Cork, Ireland

    Public Art Installations

    • 2017 Dublin Canvas, Dublin, Ireland
    • 2016 Textile installation, Electric Picnic Music and Arts Festival, Ireland
    • 2016 Dublin Canvas, Dublin, Ireland
    • 2013 Whittington Park textile installation, London, UK

    Publications

    • 2017 Mine Anthology, Ireland
    • 2016 Spooky Woomb, vol. 2, UK
    • 2016 FEMS-Females for Equality Making Stuff, Issue 5, Australia
    • 2016 Phollio, Issue 3, Australia

    Lectures/ Panels

    • 2017 Panelist – DECAF: Dublin Eight Comic Arts Festival 2017
    • 2016 Panelist – Artists discussion/ Not Necessarily Naughty opening, Rua Red, Dublin
    • 2016 Lecturer – Feminism/Activism/ Art, Women’s Studies Programme, School of Social Policy, Social Work and Social Justice, UCD

    Gallery

  • Sean Fader

    Sean Fader

    Sean Fader is GlogauAIR resident
    on June, 2017

    United States

    Meet the Artist

    Coming soon

    Statement

    In today’s media-saturated environment, where the private is regularly broadcast as public, we are constantly reminded that social media is altering our capacity to know others. My work attempts to undermine the dissociative, alienating, and distancing aspects of social media and photography by creating the space for real-life, personal exchange—all with an ironic wink to the viewer—using the facade of self-obsessed reality TV and selfie culture. I put my queer male body between the framework of photography, performance, social media identities, and Internet celebrity culture to make space for sincerity in the heart of the social media spectacle.

    Sean Fader

    GlogauAIR Project

    [Project description]

    CV Summary

    SOLO EXHIBITIONS

    • 2017
      365 Profile Pics, Spring/Break Art Show with Denny Gallery, NYC
    • 2016
      #Fernwings, Bemis Center for the Arts, Omaha, NE
      Yes Gaga!, Satellite Art Fair, Miami, Fl
      #Fernwings, Socrates Sculpture Park, Queens, NY
    • 2015
      Backdrop for the Rebirth of the Collective Author (“There’s a Whole Lot of Authorship Going On.” – Richard Prince), Spring Break Art Show, NY, NY
    • 2014
      SUP?, University of Illinois, Springfield, IL
      #wishingpelt, Curated by Elizabeth Denny, Spring/Break Art Show, New York, NY
      #wishingpelt, Pulse Project, Pulse Art Fair, Sponsored by AKArt, New York, NY
    • 2013
      Sean Fader is the Wishing Pelt, Defibrillator Gallery, Chicago, IL
    • 2012
      Guided Blind Date, Iron Maiden Artist Tours, New York, NY
    • 2010
      OPA!, Johalla Projects, Chicago, IL
    • 2009
      I Want To Put You On, Digital Artists Space, Troy, NY
    • 2008
      I Want To Put You On, 3rd Ward, Brooklyn, NY

    RESIDENCES / FELLOWSHIPS

    • 2017
      GlogauAIR, Berlin, GER
    • 2016
      Bemis Center for Contemporary Arts, Omaha, NE
    • 2015
      The Elizabeth Foundation for the Arts, New York, NY
      Yaddo, Saratoga Springs, NY
    • 2014
      The Wassaic Project, Wassaic, NY
    • 2013
      NYFA Fellowship, New York Foundation for the Arts, New York, NY
      A Blade of Grass Fellowship, New York, NY
    • 2008
      Vermont Studio Center, Johnson, VT

    PERFORMANCES

    • 2016
      #Fernwings, Bemis Center for the Arts, Omaha, NE
      Yes Gaga!, Satellite Art Fair, Miami, FL
      #Fernwings, Socrates Sculpture Park, LIC, NY
    • 2015
      Backdrop for the Rebirth of the Collective Author (“There’s a Whole Lot of Authorship Going On.” – Richard Prince), Residency Unlimited, NY, NY
      Backdrop for the Rebirth of the Collective Author (“There’s a Whole Lot of Authorship Going On.” – Richard Prince), Denny Gallery, LES, NY
      Backdrop for the Rebirth of the Collective Author (“There’s a Whole Lot of Authorship Going On.” – Richard Prince), Spring Break Art Show, NY, NY
    • 2014
      #wishingpelt, Curated by Elizabeth Denny, Spring/Break Art Show, NY, NY
      #wishingpelt, Pulse Project, Pulse Art Fair, Sponsored by AKArt, NY, NY
    • 2013
      Sean Fader is the Wishing Pelt, Defibrillator Gallery, Chicago, IL
    • 2010
      OPA!, Johalla Projects, Chicago, IL

    GROUP EXHIBITIONS

    • 2018
      upcoming, Apparatus for a Utopian Image 2, Center for Contemporary Arts, Prague, CZ
      You Never Know How You Look Through Other People’s Eyes, Institute of Contemporary Art (ICA) at Maine College of Art (MECA), Portland, ME
      Beverly’s at Material Art Fair, Curated by Beverly’s, Material Art Fair, Mexico City, MEX
    • 2017
      Facial Profiling, C24 Gallery, Chelsea, NY
    • 2016
      The Final Phase: Apparatus for a Utopian Image, Curated by: Tereza Jindrová, Pavla Sceranková, Dušan Zahoranský, EFA Project Space, NY, NY
      Drama Queer: seducing social change, Queer Arts Festival, Vancouver, Canada
      Picture Yourself: Selfies, Cellphones, and the Digital Age, College of Wooster Art Museum, Wooster OH
      Revision Space Pittsburgh, PA
      Tasteful Yet Biting, Cruxspace, Philadelphia, PA
    • 2015
      … and I Feel Fine, Curated by Ghost of a Dream, Re Institute, Millerton, NY
      Transgressive Inversions + Identities, Curated by AKArt, Spring/Break Art Show, New York
      Share This! Appropriation After Cynicism, Denny Gallery, New York, NY
      I’ll Show You Mine If You Show Me Yours: Love In The Modern Age, Estevan Art Gallery and Museum, Saskatchewan, CAN
      SWAP, Studio La Suite, Morelia, Mexico
    • 2014
      New Portraits, Organized by Richard Prince, Gagosian Madison Avenue, NYC
      #wishingpelt, Curated by Elizabeth Denny, Spring/Break Art Show, NY, NY
      Manly Men, Girly Girls, and Everybody in Between, Northern Illinois University Art Museum, DeKalb, IL
      Trade pics? Photography as interpersonal space, Northern Illinois University Art Museum, DeKalb, IL
      Strange Bedfellows, FIU, Florida International University, Miami, FL
      Strange Bedfellows, Handwerker Gallery at Ithaca College, Ithaca, NY
      Strange Bedfellows, A+D Gallery Columbia College, Chicago, IL
    • 2013
      Strange Bedfellows, Samek Gallery, Bucknell University, Lewisburg, PA
      Strange Bedfellows, Roots and Culture Gallery, San Francisco, CA
      How To Do Things With Hair, Curated by Barrak Alzaid, The Jam Jar, Dubai
      The Participants, Denny Gallery, New York, NY
      White Boys, Curated by Hank Willis Thomas and Natasha L Logan, Haverford College, Haverford, PA
      Dynasty, Curated by Sara Reisman, Christopher K. Ho, Amy Goldrich, and Omar Lopez-Chahoud, Hotel Particulier, New York, NY
      Fon’ Seks: Handheld Digital Technology and the Transformation of Intimacy, University of Illinois, Springfield, IL
      Looks Like Torture, Here Arts Center, New York, NY
    • 2012
      Heterocronia, Studio La Suite, Morelia, Mexico
      It’s a Small Small World, Family Business, New York, NY
    • 2010
      Undressing the Feminine, Mindy Solomon Gallery, St Petersburg, FL
    • 2009
      The Wassaic Summer Show, The Wassaic Project, Wassaic, NY
      City Arts Benefit Auction, Sotheby’s, New York, NY
      Your Face Your Race, the Way That You Walk, VINESpace, London, England
    • 2008
      Salon 08, Matt Roberts Arts, VINESpace, London, England
      11th Annual Chicago Art Open (Critic’s’ Choice), Chicago IL
      Hic et Nunc (Here and Now), Co-Prosperity Sphere, Chicago, IL
      Everyday People, Estudiotres, Chicago, IL
      Yes, Leather Archives and Museum, Chicago, IL
    • 2007
      First Look II, Hudson Valley Center for Contemporary Art, Peekskill, NY
      Group Show no. 16, Humble Arts Foundation, New York, NY
      This is Not a Self Portrait, Project Space, Chicago, IL
      Group Show, Gallery Two, School of the Art Institute of Chicago, Chicago, IL

    Gallery