Archives: Artists

Alma Sinai
Alma Sinai is GlogauAIR resident
from October, 2021 to December, 2021
Iran and United States
Meet the Artist
Coming soon
Statement
Glogauair project
CV
Gallery
Statement
I am an interdisciplinary artist using printmaking, drawing, video and installation as my primary mediums. The ideas in my works stem from an interpersonal realm, but they speak out to different individuals and communities that undergo abrupt and suspended situations in various scenarios. While navigating among different narratives, my works negotiate the uncertain status and the constant state of hovering and flux taking place in their subject’s proximate and distant surroundings. My projects usually focus on binaries: absence & presence, indoor & outdoor, visible & invisible.
The videos function as drawings with a time dimension; instead of having sharp beginnings and ends they consist of looped episodes with no exit points, that imply the gist of a narrative in an abstract manner rather than suggesting a linear story.
It is as if a single drawing/print comes to life/motion. On the other hand the prints capture a moment of pause and stillness, a transition between two phases that is emptied from the aspect of time.

GlogauAIR Project
The three sections in my most recent project “Refrain” are in dialogue through repetition, loops, patterns and ultimately the notion of trap.Through the process of recurrence in the motif of the nets and the looped narratives with no exit points, meanings get lost, added and distorted. The nets and their encompassing void together and solely implicate a space in which the figures are confined and trapped in. Within different parts of this project there lays an ongoing tension and an occasional leakage between inside & outside while implicating a sense of suspension and pause. These in-between zones are connected by a thread, the mountain.
In the same vein but with a new direction, I will continue working on the subject of repetition and tensions between binaries. This will be a multi-media project. In the course of the residency the ideas and techniques will unfold and take new paths based on the experience of being in the program’s environment and the city of Berlin.
In my practice drawing, prints, videos and installations complement the idea rather than being dictated by it. An open space between the developing works and ideas allows for a back and forth conversation that creates the core of my discourse.
CV Summary
Education
2013 – 2015 Parsons the New School for Design, M.F.A.
2010 – 2013 Rhode Island School of Design(RISD), B.F.A.
2007 – 2009 Art University of Tehran- Candidate for B.A. in Cinema, Tehran, Iran
Solo and Duo Exhibitions
2021 Refrain, 009821 Projects, Tehran, Iran
2018 – 2019 Marie & Liv, Slaturhusid Culture Center, Egilsstadir, Iceland (commission)
2018 Lung A Buoys, A collaborative work with Setare Arashloo, LungA School, The Net Factory, Seydisfjordur, Iceland
2016 – 2017 Where my past expires in a deed, Dastan Gallery, Tehran, Iran
Residencies, Fellowships & Awards
2019 School Art Fellowship – Artist in Residence, Vermont Studio Center , Vermont, USA
2018 Lung A Residency Fellowship, Seydisfjordur, Iceland
2013 The Iranian-American Scholarship Fund (IASF)
2012 RISD EHP (European Honors Program)
Selected Group Exhibitions
2021 Plus/Minus2020, Artilade Virtual exhibition
2020 Videos on Loop, Wolf Kahn Studio building (Gallery II), Vermont Studio Center, Vermont, USA
2020 Homebody: New Prints 2020/Winter, International Print Center New York (IPCNY), NY
2020 Circumvolution, organized by Paadmaan projects, University of Edinburgh, Scotland, UK
2019 RE:RE:RE: patterns, La Bodega Gallery, NY
2019 Red, Site:Brooklyn, NY
2017 Multiplicity Vol.1, Bread & Salt and Dastan:Outside project, Dastan Gallery (V Cafe), Tehran, Iran
2017 Postcardese, Azad Art Gallery, Tehran, Iran
Gallery
August 19, 2025
Jacqueline Forest Andrews
Jacqueline Forest Andrews is GlogauAIR resident from October, 2021 to December, 2021
United States

Meet the Artist
Coming soon
Statement
Glogauair project
CV
Gallery
Statement
My work serves as content through which to explore technique, formal concerns, and experimentation. My process is rooted in drawing, but I bring new perspectives to each work by experimenting with the materiality of painting, printmaking, and photography. I explore different approaches to portraiture with larger themes of community and intimacy, reflecting on the relationships between the artist in space, the artist and model, the artist as a teacher, and the artist in collaboration. I believe that the viewer is as interesting as the artist, and therefore I am particularly interested in artwork that gives the viewer agency. I believe that critical ideas in fine art should be presented with as much intellectual accessibility as possible to the general public.
Jacqueline Forest Andrews
GlogauAIR Project
At GlogauAIR, I will explore the gap in translation and make tangible the feeling of ephemeral loss of understanding between languages. In the written word, the medium between the artist’s thoughts and feelings and the reader is language. When a poem or piece of writing is translated, some of the nuance is lost between mediums. Much like in translation between languages, the information in a drawing can be distorted by its medium. I will draw using techniques where I lose control over the medium, so that my images are subject to warp and change. The viewer is left with a document that looks just symbolic enough to signify a memory and meaning. One can intuitively feel a semblance of what was once there while still feeling the layer of visual information lost. I will make a series of ink and watercolor drawings and collages on wet paper. This creates distortions that allude to the clearer image that was once on the paper but that was lost to the time and materiality of the medium.
CV Summary
Exhibitions
2021 – Another Day, Another Way, Group Exhibition, Missiongathering Church, Pasadena, USA
2021 Silent Fire, Group Exhibition, Yale Institute of Sacred Music, New Haven, USA
2020 Static Arts Collective, Group Exhibition, Online
2019 – Mirror, Solo Exhibition, Helen Lindhurst Fine Arts Gallery, Los Angeles USA
2019 Window Of Fantasy, Group Exhibition, Helen Lindhurst Fine Arts Gallery, Los Angeles, USA
Projects
2021 – Silent Fire Project, Yale Institute of Sacred Music, New Haven, USA (animation in collaboration with Nasty Women Connecticut)
2021 – For Good, USC School of Cinematic Arts, Los Angeles, USA (film in collaboration with Director Lukas Dong)
2019 – Illustrator for endangered language revitalization project, Val di Fassa, Italy
2019 Her Voice Through Time, Kaufman School of Dance, Los Angeles, USA (Painting in collaboration with singer Maura Tuffy, dancer Celine Kiner, composer Sophie Matthieu, and poet Mikayla Stewart)
Gallery
August 19, 2025
Millie Gleeson
Millie Gleeson is GlogauAIR resident
from October, 2021 to December, 2021
United Kingdom

Meet the Artist
Coming soon
Statement
Glogauair project
CV
Gallery
Statement
Creating is my constant, it’s how I navigate through life, making my work autobiographical and cyclical in its nature. It’s a sensual and investigative process, led by my experiences and intuition. Fabricating other worldly scenarios, I integrate body art, performance, location and costume. Painting this journey exposes my raw and intimate response; the physical act becoming a performance in itself. People are my main source of my inspiration. I’m fascinated by themes of identity, archetypes and other worlds; my work existing somewhere between what I live and imagine. I consciously seek new situations; creating juxtapositions in, environment, sound, landscape and familiarity, making new found clarity in the unknown. My work explores the realms of the feminine, delving in to the psyche in all its varied and contrasting manifestations. I go through both a transformative and reflective process, in the pursuit to uncover the relationship between self, other and the space between.
Millie Gleeson
GlogauAIR Project
My project is centered in perception, both in ways of seeing and in ways of being. I want to explore the present moment, the encounter ‘the self, the other and the space between.’ Responding to my surroundings I will set myself tasks involving instinctive play; exploring my pace, visual points of view, the sounds I hear, the people I meet. Using blindfolds, mirrors, movement, sound, breath work and lenses, I want to discover how the senses inform one another, the effect they have on my practice and what distortions appear. Using the studio as a stage to perform my journey, I will paint from life, memory and imagination; documenting my changes and those around me, collecting faces and spaces in flux. Residencies have been key in accelerating my development; engaging with people and places around the globe, challenges my perceptions and the way I work. From my experience, Berlin is full of diversity, history and character, being the perfect place to implement ‘perceptions’.
CV Summary
Education
BA(Hons) in Fashion from UWE
Solo shows
‘On Reflection,’ Guggleton, UK (2020)
‘All we’ll know,’ Hamilton house, UK (2019)
‘Time will tell,” Berlins’ Plateau gallery & Tapir gallery (2016.)
Awards
RWA 167 annual open (2019)
Swindon annual open (2019)
Guggleton, go figure (2018)
Residencies
Takt, Berlin (2015)
Arquetopia, Mexico (2018)
Arquetopia, Peru (2020)
TUO, Finland (2022)
Gallery
August 19, 2025
Devin Chambers
Devin Chambers is GlogauAIR resident
from October, 2021 to December. 2021
Devin Chambers is interested in interactive work, relational aesthetics, and the intersection of art and technology.

Meet the Artist
During his Residency in GlogauAIR, Chambers focused his work on the warping and poetic nature of memories that exist in both physical and digital spaces. These memories are linked to the stark and unchanging non-space around us, often serving as industrial or structural purposes.

Statement
Glogauair project
CV
Gallery
Statement
Devin Chambers is a Canadian new media artist and community organizer. He is interested in interactive work, relational aesthetics, and the intersection of art and technology. His current body of work studies the warping and poetic nature of memories that exist in both physical and digital spaces. These memories are linked to the stark and unchanging non-spaces around us.
These non-spaces often serve an industrial or structural purpose, but have unintended and more important secondary purposes. They are meant to be moved through and not lingered in. These disposable, private spaces can support youthful revelry, contemplation, and escapism. They are a venue for activities that in other spaces are deemed inappropriate or shameful by either the controllers of the spaces or ourselves.
The memories imbued in these tired places appear all at the same time making it impossible to establish a clear narrative as if everything happened at the same time. Over time these memories become fragmented, removed from their emotional context, and endlessly misremembered. Revisiting the reality of these places forces a sense of honesty onto our narratives.
Devin Chambers
GlogauAIR Project
During my time at GlogauAir I will be conflating physical memories with digital spaces and digital spaces with physical memories.
The digital environments are contorted images of unique infrastructure. The physical memories are moments of embodiment that have replaced logical details.
Through this work, I will imagine ways to restructure the process of recording memories and explore memories in physical and digital spaces.
I will explore these ideas through a combination of the methodologies of film, installation and Sculpture.
CV Summary
Education
2017- 2019 Nova Scotia College of Art & Design Bachelors of Fine Art Interdisciplinary
2015- 2017 Red Deer College, Visual Arts Diploma – Dean’s Honour roll
Exhibitions
2022 Cut – Outs, Pop Up Solo Exhibition, Art Atribute, Red Deer, Alberta
2021 We Made This, Vacant Collective Pop up Exhibition, Red Deer Alberta
2021 Glass Front Gallery Exhibition, Alberta Culture Days, Red Deer, Alberta
2021 Live Art Night – Fractal Art Lab, Red Deer Alberta
2021 Shelf Life – Third Shift Contemporary Art Festival, st John, NB
2021 Shelf Life – Flourish Festival, Fredericton, NB
2021 Mud, Mud, Glorious Mud, Experimental Audio collaboration, RE: Flux Music and sound festival, Moncton, NB
2020 All the Images in the World are Mine, video and audio collaboration, 404 Mediademic 17th international festival of art and technology, Argentina
2019 Scripted Conversations, Solo Exhibition, Anna Leonowens Gallery, Halifax, NS
2019 CODA: Language and Art, Group exhibition, Anna Leonowens Gallery, Halifax, NS
2018 Formatted for Sculpture, Duo exhibition, Anna Leonowens Gallery, Halifax, NS
2018 Achromatic, group exhibition, Harris Warke Art Gallery, Red Deer, AB
2018 NSCAD Airport Project, public art installation at the Halifax Stanfield Airport
Professional Experiences
2021 Electronic literature and coding in P3, online talk
2021 Co- Founder of The Vacant Artist Collective
2021 Sculpture Studio Technician, Red Deer College
2021 Artist In Residence Ewart Duggan House, Espande Arts and Heritage Centre
2020 ITP (Interactive Telecommunications Program) camp – Tisch School of the Arts at New York University
Gallery
August 19, 2025
Amanda McMicken
Amanda McMicken is GlogauAIR resident
from October, 2021 to December, 2021
United States

Meet the Artist
Coming soon
Statement
Glogauair project
CV
Gallery
Statement
Amanda McMicken is a visual artist whose artwork allows her to find stillness in the noise. Stillness is a crucial yet constant struggle for McMicken. Using various grounding techniques, McMicken investigates the connection of body and mind through various mediums, mainly through the visual depiction of sound. No matter the medium, her process of making work can be described as time-consuming and obsessive, yet therapeutic.
Amanda McMicken
GlogauAIR Project
While at GlogauAIR I plan to continue developing my relationship to sounds in my work. These visual sound studies originate from long walks observing my surroundings, very specific to my own experience in a landscape. During my residency, I intend to continue working with these sound explorations and find a way to replace the typical “viewer” as more of an active participant in the work.
CV Summary
Education
2014 BFA, Graphic Design, Maryland Institute College of Art, Baltimore, MD
2012 Sorrento Summer Study Intensive, MICA Intensive Program, Sorrento, Italy
Artist Studios
2020-Current ilali Collective Art Studio, Berlin, DE
2015-2016 Museum of Human Achievement (MoHA), Austin, TX
Selected Awards
2012 Sorrento Summer Intensive Sketchbook Award, Maryland Institute College of Art, Sorrento, IT
Group Exhibitions
2015 Just Some Me Time, Museum of Human Achievement (MoHA), Austin, TX
2013 MICA’s 3rd Annual Sketchbook Day exhibit, Leidy Atrium, Baltimore, MD
Gallery
August 19, 2025
Cristina Santos Muniesa
Cristina Santos Muniesa is GlogauAIR resident
from July, 2021 to December, 2021
Spain

Meet the Artist
Coming soon
Statement
Glogauair project
CV
Gallery
Statement
Cristina Santos Muniesa is a Spanish visual artist currently based in Berlin. She obtained her MFA in Valencia UPV and broadened her artistic practice and education in Mexico City UNAM. In her work she analyses our daily life relationship with image production and reception within the Internet, smartphones and social networks. Her artistic practice may use photography and video, but it is deeply rooted in painting.
The image is fast, easy to produce, easy to swallow, an excess that becomes emptiness. Spectators, before the horror of boredom, can’t hold themselves back. They are caught in a continuous present of visual excitement where, once exhausted, language becomes thinner, loses meaning and tends towards abstraction.
Through her pieces, Santos Muniesa reflects on how the level of involvement and awareness of users affects the distance we maintain with the reality and meaning of images, without losing sign of the capitalist interests benefiting from people’s mind’s limitation and transformation of our impulses into bad habits.
Her practice compares visual accelerated time with pictorial production, focusing on the events affecting interpretation and access to information, under an aesthetic of the residual, of everything that can’t be retained.
When the distance between reality and its representation increases, when reason and vision are insufficient, where can we find shape, skin, contact?
Cristina Santos Muniesa
GlogauAIR Project
LIMIT 40 MINUTES, 1H 9M DAILY AVERAGE, 1H 54M TODAY
The spectator-user is trapped in a continuous present of visual excitement where once exhausted, language becomes thinner, loses sense and tends to abstraction.
The project analyzes the relationship between the economical exploitation of the weaknesses of our mind and the saturation of free-time in the quotidian use of internet and mobile devices.
Platforms Economy benefits themselves from our mind’s limitations and transforms our impulses into bad habits. App’s notifications as a reward, along with an easy logic and little involvement of the subject, generates a sensation of transparency and relational immediacy which, however, affects our attention-span and turns out into a non-stop visual consumption, a voracious dependency that holds us back.
Videos, photographs, painting and their arrangement in different installations would crowd and completely saturate the space in an atmosphere of ephemeral rewards that would overwhelm the viewer and transform the meaning and content of the image into abstraction.
CV Summary
Education
2017. Promoe International Exchange Programme, Visual Arts Master’s Degree, FAD-UNAM, México.
2014 – 2016. Art Production Master’s Degree, Facultat de Belles Arts de San Carles, UPV, Valencia.
2016. Medialab Prado and UNED Course. Art and Internet – The net as a field of investigation for the new artistic practices. Juan Martín de Prada.
2014 – 2015. MECD Collaboration Scholarship within Drawing Department, Facultat de Belles Arts de San Carles, UPV, Valencia.
2008 – 2013. Licenciatura en Bellas Artes, Facultat de San Carles, U.P.V.
Awards and Grants
2021. H.A.C. Grant, GlogauAir residency, Berlin.
2020. Acquisition prize, MUCC museum, Castellón.
2018. Artists Call #017, Mr. Pink Gallery, Valencia.
2017. First prize, solo show, V Call Sala d’Arcs, Chirivella Soriano Foundation, Sala d’Arcs, Valencia.
2016. Selection, FULL CONTACT, International Photography Festival SCAN, Tarragona. Selection, IV Mardel Painting Prize, at museum Centro del Carmen Cultura Contemporánea, Valencia. A Quemarropa Residency, Alicante.
2015. XVII International CALL, Galería Luis Adelantado, Valencia. ART<35 BS/2015, organized by Sala Parés and Trama Gallery, Barcelona and Bilbao. Selection, Senyera Painting Prize, Atarazanas Hall, Valencia.
2013. XV Art production grant, Xavier Pousa, Mondariz Balneario Foundation.
2012. Acquisition prize, XXIV Painting Biennial, Paterna.
2011. Art production grant, Curso de Pintores Pensionados, at Quintanar Palace, Segovia.
Solo Shows
2017. SCROLL, Luis Nishizawa Gallery, FAD-UNAM, Ciudad de México. Chemtrails, Sala d’Arcs, Chirivella Soriano Foundation, Valencia.
Group Exhibition
2018. I International Congress Atenea, Josep Renau Hall, Valencia.
2016. PAM! PAM!, at museum Centro del Carmen Cultura Contemporánea, Valencia. Confluencias, Showroom at Mustang Art Gallery, Elche, Alicante.
2015. FISAD, First International Festival of Schools of Arts and Design, Accademia Albertina, Turín. GetxoArte, Contemporary art practices Salon. Las arenas, Getxo, Bizkaia. Selecta-15, Atarazanas Hall, Valencia.
Artworks in Collection
FAD-UNAM Cultural Fund, Ciudad de México.
MUCC, Castellón
Lluís Coromina Foundation, Banyoles.
Real Academia de San Quirce, Segovia.
Mondariz Balneario Foundation, Pontevedra.
Gallery
August 19, 2025
Elisa García de la Huerta
Elisa García de la Huerta is GlogauAIR resident
from October 2021 to December 2021
Chile

Meet the Artist
Coming soon
Statement
Glogauair project
CV
Gallery
Statement
Elisa Garcia De La Huerta is a multi/interdisciplinary visual artist. Currently she focuses on two mediums: detailed portraiture using analog photography, and performance art based on improvisation, movement and experimental sound. The two disciplines are thematically consistent, detailing the ways in which nature interweaves with different aspects of the modern self, and post-gender politics.
She is fascinated by the Shadow of late capitalist culture, how it is fed by more or less conscious strategies of repression. Her work invokes the primal Archetype of the Goddess – Virgin, Mother, Shaman and Witch – in the belief that through a global return to the feminine in all Her aspects, we might soften our rapacious drives, creating more of a balance between our technological advancement, our relationship to nature and the refinement of our consciousness. In this context she portrays intimacy as a vital and unruly form of resilience and resistance.
Her work depends on relationships, on intuition, on critical thinking. She thrives on the ephemerality of collaboration. She revels in the poetic, tactile and pictorial aspects of analog film, the punk post-digital experience which reintroduces the more emotional, nostalgically saturated quality of the vintage format.
With the culture bombarded by an exponential number of images, she wants her work to represent a form of sanctuary, allowing a place where our connection with nature – including our bodies – might be resurrected, de-commodified, and re-beautified.
The gaze she employs is both queer and humanizing, transmitting subtle, fragile messages through the inclusion of bizarre details or punctum which allude to facets of transpersonal and eco-feminist discourse. It contrasts with the sensationalizing spectacle of mass-circulation visual media, preferring a more vulnerable language which evokes quiet reflection, relatedness, an intimacy which can be genuinely erotic that is well-known in the history of painting, but largely obscured by contemporary culture.
Credits: Collaboration with Pauli Cakes, Melanie Bonajo, Alees Yvon, Juan Donoso, Alexandra Mabes, Hex Kim
Elisa García de la Huerta
GlogauAIR Project
I would like to explore through my work the intersection of capitalism, intimacy and nature; the ways in which an increasingly technological, egotistical, market-driven culture has dramatically contracted our private space, erasing personal time, accelerating the pace of life, and most piercingly of all, eroding our capacity for intimacy. More particularly, I am curious about the ways in which ‘urban’ nature has functioned as both a mode of leisure and a form of social control: providing commodified, clearly circumscribed locations and objects (well manicured communal lawns, hanging flowers on the edifices of banks) which deliberately function as a ‘relief’ from the madness of digital/work-obsessed culture.
This use of nature is deeply suggestive of the patriarchal organization of the female/queer body. And just as there is a wildness or wilderness (tree roots cracking pavements, bird shit corroding statues) that resists this commodification, there are unstandardized representations of beauty that function in the same way. I am not interested in just going out and finding suggestive, symbolic images that might point to these broader conflicts.
My creative process depends on carefully developing relational aesthetics that fits with the environment I am working in. It depends on me becoming acculturated, developing a critical dialogue with people and places, exploring the different and unexpected ways we rely on things and each other to secure our deepest needs. In other words the images need to emerge from authentic, shared expressions of intimacy. These concerns first emerged very simply when as a ten year old armed with my first camera I would take pictures of friends who would, for example, lose themselves interacting with a tree, or be indulgently buried in sand by the edge of the ocean. And this curiosity has continued to this day, the same urge but now within a more developed, ‘adult’ conceptual framework.
For the last 12 years I have lived within various different communities in a broad range of cultures, finding new ways to embed my creative work within the relationships I become part of. The work I’ve produced develops slowly and organically, probing beneath the surface of things, attempting to harness the same mysterious force (sometimes love or spirit, other times just a blind wildness) by which the tree root cracks the pavement.
Berlin is not just another place. Ever since my first visit in 2007 I have been drawn to it for many reasons: the post-punk bohemianism, the underground, the transgressive, the multi-disciplinary landscapes; then the friendliness of the city with so much greenery. All of this feels inspiring and relevant to the general movement of my work, and the intersection of post- industrial green urban spaces, electronic/ambient music and queer subcultures, dovetails with it perfectly.
GlogauAIR is not just another residency. Two close artist colleagues, Antonia Cruz and Virginia Echeverria, both past residents whose work I admire hugely, have been encouraging me to apply for some time. I am a hardworking, enthusiastic and curious artist. I thrive in communal environments and I believe that having a network that combines support and expertise will only deepen my conceptual and curatorial outlook. Personally I am hospitable, love cooking, DIY projects, helping to improve the environments in which I live and work and generally contributing to social cohesion and health. From what my colleagues have told me it sounds as though the GlogauAIR would be a very good fit for my creative and interpersonal idioms.
CV Summary
EDUCATION
2011 SVA School of Visual Arts, New York, USA, MFA, Fine Arts
2006 Universidad Finis Terrae, Santiago, Chile, BFA, Painting
2010-2017 Go! Push Pop Collective, Co-Director with Katie Cercone
SOLO AND TWO PERSON EXHIBITIONS
2016 CAD Centro de Arte Digital en Memoria de Juan Downey, Puerto Varas, Chile
2015 J Square Moving Movements, curated by Hyejung Jang, Busan, Korea
2014 Soho20 Gallery, Vibrations/Vibraciones, New York, NY, USA
2014 Galeria Artespacio, Vibrations/Vibraciones , Santiago, Chile
2013 School33ArtsCenter, EXCHANGE: a home based residency, curated by Hyejung Jang, Baltimore, MD, USA
2007 Centro Cultural de las Condes, El Hacer, Santiago, Chile
SELECTION OF GROUP EXHIBITIONS & PERFORMANCES
2019 CULTO, curated by Antonia Cruz, Teatro Zapallar, Chile
2019 EDEN, Spring Break Art Show curated by Indira Cesarine, Untitled Space, NY
2017 Social Media Detox, performance, By Other Means Gallery, London, UK
2017 Start from Scratch, 2nd Changjiang International Photography and Video Biennale, Museum of Contemporary Art, China
2016 CA2M Centro de Arte 2 de Mayo, curated by Quiela Nuc, Madrid, Espana
2016 In the Raw:The Female Gaze on the Nude, curated by Indira Cesarine and Coco Dolle, Untitled Space,NY
2014 SELECT Art Fair, Milk and Night Curatorial, Gallery Sensei, Miami Beach, FL, USA
2014 Whitney Museum of Americam Art, The Clitney Perennial, feminist performance protest led by Go! Push Pops and others
2013 Bronx Museum, First Fridays! QUEEN$ DOMiN8TiN, New York, NY, USA
2013 Brooklyn Museum, Go! Push Pops perform at the Annual Artists Ball, Brooklyn, NY, USA
2013 Catch Fire, Movement, Queer Film Screening, Berlin, Germany
2012 Soho20 Gallery, Savoir Faire, Go! Push Pops SistersSpinderella, curated by Jenn Dierdorf, New York, NY, USA
2012 Galeria Artespacio, Made in NY, curated by Carlos Navarrete, Santiago, Chile
2012 C24 Gallery, CAMPAIGN, curated by Amy Smith-Stewart, NY
2011 Galeria Artespacio, PINTA Latin American Art Fair, curated by Carlos Navarrete, New York, NY, USA
2011 Stephan Stoyanov Gallery, Fragmentation, curated by Dan Cameron, New York, NY
2005 Museo Nacional de Bellas Artes, Taller Arte en Vivo, Santiago, Chile
2005 Museo Histórico Militar, Talentos Jóvenes , Santiago, Chile
2003 Museo Nacional de Bellas Artes, Art Phillips Expressions, Santiago, Chile
HONORS, AWARDS, AND GRANTS
2014 Alexandra Arts, HOLY CREATRIX, a commissioned residency & performance, Manchester, UK
2014 Nominee, Rema Hort Mann Visual Arts Grant, with Go! Push Pops
2011-2009 School of Visual Arts, Matching Outside Scholarship, New York, NY
2011-2009 Chilean Bicentennial National Scholarship, for MFA Fine Arts
2009 AICA, Selected by International Association of Art Critics, Chile
2006-2003 Universidad Finis Terrae, Honors Scholarship, Academic Excellence, Santiago, Chile
2005 Museo Historico Militar, Honor Distinction in Painting, Jovenes Talentos, Santiago, Chile
Gallery
August 19, 2025
Charity Be
Charity Be is GlogauAIR resident
from January, 2021 to December, 2021
United States

Meet the Artist
Coming soon
Statement
Glogauair project
CV
Gallery
Statement
Contextual intermedia artist Charity Be constructs unnatural environments and temporal-spatial situations in her art. She is currently interested in how and why we move our bodies individually and collectively through time and space. How do we connect, how do we encounter, what are our intentions and rhythms? Drawing heavily from philosophical texts and the cycles of nature, Be often builds sensory-rich environments with video, sound, textiles, performance and sculpture that heighten or disorient our senses, in order to manifest the invisible and experience the conceptual through our bodies.

Charity Be
GlogauAIR Project
Presently I am thinking a lot about the connections existing between lifeforms–both tangible and intangible: air; energy; vibrations; time; space; experiences; language; culture. During this six month artist-in-residence period at GlogauAIR, I am exploring these interconnections in the realization of a series of intermedia installations and participatory performance workshops. Considering both horizontal geographies and vertical spaces as informants of individual and group identity, I am in part responding site-specifically, be that to the residency itself or the city of Berlin. How are we experiencing our bodies, and our connections and communications with one another in these spaces?
CV Summary
Solo-Exhibition
2017 con•text•u•al, Slide Space 123, Oakland CA.
Group Exhibition
2021 Performance Salon, GlogauAiR. Berlin, Germany.
2020 Cityscapes, Czong Institute for Contemporary Art, Gimpo-si, Gyeonggi-do, South Korea
2018 Walk the Line, Gearbox Gallery, Oakland CA
2017 Open Dissonance, BFA Thesis Exhibition, Mills College Art Museum, Oakland CA
Awards
2017 Vermont Studio Center Residency Scholarship (for 2018)
2017 Undergraduate Research Grant, Mills College, Oakland CA
2014 Oakland Stock MicroGrant, Oakland CA
2006 Angeles Arrien Grant, Oakland CA
Residency
TBD Icelandic Textile Center, Iceland. (postponed from 2020)
2021 GlogauAiR. Berlin, Germany. June-December. (postponed from 2020)
2020 Carrick Quay. Glasgow, Scotland. August 2020-January 2021
2018 Vermont Studio Center, April
Gallery
August 19, 2025
Vincent Laju
Vincent Laju is GlogauAIR resident
from July, 2021 to December, 2021
France

Meet the Artist
Coming soon
Statement
Glogauair project
CV
Gallery
Statement
Vincent Laju’s artistic practice is multidisciplinary and focused on sound, particularly in the field of improvisation. He works on the notion of sound and graphic space, as well as in resonance with the different physical spaces in which he finds himself. Accumulation/Void: He works on the accumulation of sound and visual patterns as a rhythmic repetitive practice, in contrast to empty spaces, and observes at what level an accumulation can turn out to be a void.
He is interested in the realm of the infinitesimal, and how within tenuous sounds and forms, micro-modulations can create unexpected movements. He questions the relationship between images and sounds, his drawings can be seen as graphic scores that do not necessarily require interpretation. The notion of randomness, accident and surprise has led him to a “sonic and graphic wandering”, a gesture that does not aim at a result or an end, but exists for what it is, and leaves possible an interaction with the context and its unexpected. He likes also to play some traditional tunes on the cello.

Vincent Laju
GlogauAIR Project
Berlin is a city that reminds me of empty spaces and the presence of nature in urban environment. The Shakuhachi is an instrument directly related to the notion of emptiness, resonance and wandering, it was played in Japan by the Komusō Monks (Monks of emptiness). In developing my work on space, and on the link between image and sound, I would like to create a mixed piece for Shakuhachi and electroacoustic, working with raw materials such as bamboo and cello wood, in contrast to electronics. The electroacoustic elements will come from a “microphonic wandering”, random recordings in and around the residence. Thus it is in resonance with the environment and the context that the sound and graphic work will be done.
CV Summary
2021
Release of KAIROS, a recording with You Jin Sung (Gayageum), label “Creative sources recordings”.
Performances and multidisciplinary residencies with Grand8 (Grand ensemble d’improvisation), in Marseille (Théatre du Merlan, Théatre de la Cité, Lieux Publics, GMEM, outside quartiers nord, Comptoir de la Victorine.)
2020
Performances in Berlin:
with You Jin Sung, gallery KIMGO
with Andreas Voccia (modular Synthétiseur)
with Chino Shuichi (strange Harp) Hosek contemporary
Project “in Between” with Kristin Guttenberg (choreographer) and Pom Bouvier b. Residence and performance in Berlin, Bethanien art space & Uckermark.
2019
Tour in Japan, 20 performances with Japanese artists.
Previous years
Organization in Aix en Provence of “Improvizad”, perf-happenings in flats and informal places.
Concerts and performances in France and Europe, as well as in the Middle East.
Creation of “Lignes”, solo cello and drawing. Hors lits Marseille
Gallery
August 19, 2025
Kate Metten
Kate Metten is GlogauAIR resident
from January, 2022 to March, 2022
Canada

Meet the Artist
Coming soon
Statement
Glogauair project
CV
Gallery
Statement
Kate Metten (born 1991, Vancouver, Canada) is an interdisciplinary artist whose material investigations into oil painting and ceramics oscillate between abstraction and figuration. Her work borrows from the entirety of painting’s history and that of ceramic anthropology. This methodology allows a flexibility to address painterly concerns with clay, research into colour theory, visual perception and the still life, while also reflecting on Modernist philosophies of the Bauhaus, the unmaking of craft and material hierarchies. She is deeply concerned with phenomenology and the physicality of form. The internal logic of her artwork is determined by intuitive construction and response to material; Images and objects arise out of multi-layers of decision making to develop forms that are at once recognizable yet unfamiliar. The indexical quality of both painting and ceramic render dynamic impressions of mass and surface that preserve evidence of the hand and mind in motion. Metten’s preoccupation with the mechanics of looking, the psychological play of optical illusions, and our brain’s response to reductionist imagery confronts the viewer with the conditioning of their own perception.
Kate Metten
GlogauAIR Project
Bauhaus’ Modernist grid is a framework within which colour theory and optical effects can articulate new research into neuroscience and cognitive processing. Dealing fundamentally with the language of abstraction, for this residency, Metten will deepen her connection to Bauhaus philosophies around craftsmanship and colour theory. One aspect of her inquiry involves a dialogue with neuroscientists at Freie Universität Berlin to interpret new research by making paintings that precisely render geometric compositional strategies to convey illusionistic systems that trigger eye movement through sensations of refractory colour and rhythmic pattern. Colour, light, and geometry play with our visual system to spark higher mental functions that remind the viewer of their subjective psychological context. These works investigate visual perception’s mechanics in the brain which inherently distort the symbols that govern our lives and therefore confronts the viewer with their own subjectivity. Metten is a multidisciplinary artist working in ceramics and painting; she funded this residency through the sale of handmade ceramic tableware. Using her time in Berlin to connect further with the modernist philosophies of the Bauhaus’ will bring their foundational research in colour theory into the 21st Century through the intersection of art and science.
CV Summary
EDUCATION
2017 BFA, Emily Carr University of Art and Design, Vancouver, BC
SOLO EXHIBITIONS
2020 Old Ideas, CSA Space, Vancouver, BC
2019 The Thinking Eye, Burrard Arts Foundation, Vancouver, BC
2019 Untitled, Wil Aballe Art Projects, Vancouver, BC
GROUP EXHIBITIONS
Current July 30-Oct 2 2021 We Do Not Work Alone, Nanaimo Art Gallery, Nanaimo, BC
Current July 23 – Aug 27 2021 Together Again, Burrard Arts Foundation, Vancouver, BC
2020 RHIZOM relation 29. Pinseruten 2020, Kunstkollektivet 8B, Denmark
2019 The Form Will Find Its Way: Contemporary Ceramic Sculptural Abstraction, NCECA, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, USA
2018 Leaning Out of Windows (LOoW), Emily Carr University, Vancouver, BC
2017 88 Artists from 88 Years, Emily Carr University of Art and Design, Vancouver, BC
2011 We’ve Been Here Before, Art Matters Festival, Studio 303, Belgo, Montreal QC
2009 Space-Time/Parallels in Perception, Buschlen-Mowatt Gallery, Vancouver, BC
PUBLIC ART
2019 Highland Rose, The Canada Line Art Installation, King Edward Station, Vancouver, BC
Gallery
August 19, 2025