Archives: Artists

  • Ewa Kubiak

    Ewa Kubiak

    Ewa Kubiak is GlogauAIR resident
    from January, 2017 to March, 2017

    Poland

    Meet the Artist

    Coming soon

    Statement

    My artistic work explores the relation between textual and visual messages. Through creating visual narrations I examine the extends and limits of language and image; write/say what I cannot depict visually and depict what I cannot describe with words. My work is also about storytelling. Through a strategy of experimentation and working with varied techniques I’m mostly inspired by simple, ordinary views and occurences which I approach in a very analytical way and thus deform what was the starting point. Detail is very important to me. The subject I’m recently interested in and which I incorporate in my artistic practice is the power of illusion and the role of scenography in creating a fantasy. Although my PhD dissertation, which I’m currently working on, oscillates around deconstructing the fantasy created by scenography in the movies, I don’t necessarily equal scenography only with film settings, but with everything that can be considered a setting. Even a painting can be in fact a background to whatever is happening in front of it. I’ve always been interested in places and spaces that try to tell me a story and all I have to do is complete the plot.

    Ewa Kubiak

    GlogauAIR Project

    During my residency I would like to work on the subject concerning the social space which in this case would be the Berlin’s Ubahn network. To me the U-bahn is the most urban symbol of the city, it’s its veins and pulse. I’m interested in the history of each station’s design and how they evolved and changed throughout the history and during the war. I like how all the station names are written in different fonts, how the tiles are in different colors, sometimes resembling a hospital, sometimes a bathroom etc. In my work I’d like to capture its visual ambiguity and conduct a research about its history (also the visual one and learn about the stations which are closed and out of use). I think that U-bahn provides rich material for story-telling, a matter I’m often working with in my artistic practice. As an outcome of my residency, I would create a cycle of drawings (about 20 probably in different dimensions) and a video, both dealing with the subject described above.

    CV Summary

    b. 1986, Poland

    Education

    • 2013 Assistant at Dominik Lejman’s Painting Studio at the University of Arts in Poznan PhD student at the Faculty of Multimedia Communication, University of Arts, Poznan
    • MA Fineart, Painting, University of Arts in Poznan, 2008-12
    • MA Fineart, Artistic Education, Academy of Fine Arts in Poznan, 2005-10

    Solo exhibitions

    • 2014 Polnische Wirtschaft (with Piotr Macha), Centrum Kultury Zamek, Poznan
    • Needed, Arsenal Gallery, Poznan (with Daria Malicka)
    • 2013 Utopia Inc., Silownia Gallery, Poznan
    • 2011 Salted Candy, Nowa Gallery, Poznan, (collaboration with Piotr Macha)
    • 2010 Blindness, 2B Gallery, Poznan
    • 2009 Quand les hiens ont peur, ils mordent, Ecole des Beaux-Arts, Lyon

    Group exhibitions (selected)

    • 2016 Everything Might Come, but Doesn’t Have to Go, Up Gallery, Berlin
    • Who Mentions Art, Buys a Round, Nowe miejsce, Warsaw
    • 2015 The Kiosk, Angaryds Kiosken, Tranas, Sweden
    • Begegnung der Bilder, ASP, Gdansk
    • Maczużnik, Galeria Szara Kamienica, Krakow
    • Anthropology of Geometry – CSW Znaki Czasu, Torun
    • 2014 Job in Progress, UP Gallery, Berlin
    • Minimalism as a Crime Scene – CK Zamek, Poznan
    • LoveAidsRiotSex, Kunstquartier Bethanien, Berlin
    • 2013 Mom, I Really Need to Focus on My Art Right Now, Arsenal Gallery, Poznan
    • Impossibility vs. Self-censorship, Center for Contemporary Creation Matadero Madrid
    • 2012 AAAkupunktura, Kordegarda Gallery, Warsaw
    • North East South West, Synagogue, Poznan
    • 2011 Survival 9, Art Review, Wroclaw
    • Walter Koschatzky Kunstpreis, MUMOK, Vienna
    • Border, public space intervention, Miroslaw Balka’s studio
    • Interior, Fundacja Zielona Marchewka, Warsaw
    • 2010 Lazy Life, Importunate Hope, Bochenska Gallery, Warsaw
    • Tarzan, Stary Browar, Poznań
    • 2009 EndProjekt3, End, Poznań, endprojekt.blox.pl

    Scholarships and grants

    • 2016 CEC Artslink fellow, New York
    • 2014 Marshal’s Office of the Wielkopolska Region Art Scholarship
    • 2012 The Ministry of Culture and National Heritage Scholarship Scholarship of the President of the University of Arts in Poznan
    • 2011 City of Poznan Young Artist Award
    • 2008-09 Erasmus Scholarship, Ecole Nationale des Beaux-Arts de Lyon, France

    Residencies

    • 2016 Grand Central Art Center, Santa Ana, CA (the CEC Artslink fellowship)
    • 2015 Kultivera, Tranas, Sweden
    • 2013 ‘Laboratory’, ‘Zamek’ Culture Centre, Poznan, Poland

    Gallery

  • Fermin Sales

    Fermin Sales

    Fermin Sales is GlogauAIR resident
    from July, 2017 to March, 2017

    Spain

    Meet the Artist

    Coming soon

    Statement

    My projects are under the norms of documentary cinema, however sometimes, they relate directly to video-art. All of them start with specific topics, in order to make reflections about some aspects of moving picture. All my projects start with a cinematographic archive. I consider that it is very important to review film archives and reflect about them. The information in those documents can be a good way to find new views and discourses.

    Fermin Sales

    GlogauAIR Project

    This project is a large whole set: El Maestrat. An area with tradition, customs, language and culture with a rather rural character. In order to build the imaginary of that whole, it would be necessary a series of mechanisms and procedures which would come together thanks to the recovered cinematographic image. The artistic intervention of images will consist of two parts: Firstly, an installation-exhibition where images would be absolutely the main characters will take place. With ethnography as a starting point and until reaching a point of experimental cinema, these images confront, complement and associate one another, in order to make a set of pieces or capsules (independent from one another) which will conform the whole intended. The importance of sound in the pieces shall be highlighted (most of the cinematographic material is mute). Therefore, words, songs, traditional music, nature sounds, and other sound elements will complement images in order to create the whole piece. Secondly, the project is to make a making-of documentary film: a critic reflection of this place using recovered found footage during the whole film. It will intend to make visible the duality of the area (work/party, religion/secularism, tradition/modernity, etc), but also, tradition, rural life, spaces, landscapes, people, customs. Additionally, the sounds in this film will be important: sound elements and voice-over will give a discourse to the piece.

    CV Summary

    • Born in Albocàsser (Spain), in 1990.
    • Bachelor in Audio-Visual Communication at the University Jaume I of Castellón.
    • He complemented his studies with courses taught by filmmakers like Alberina Carri, Patricio Guzmán or Isaki Lacuesta, among others.
    • He specialised with the Master in Theory and Practice of Creative Documentary at the Universitat Autònoma of Barcelona with the documentary film ‘El viaje Glauber’ (2014) [Official Section of The Spanish Cinema Festival of Malaga (2015), Juventude FestCurtas BH (Brazil, 2015), New Author Section at the Festival of Sitges (2015), etc].
    • Since 2015 is part of the catalogue of filmmakers HAMCA-REINA SOFÍA MUSEUM (Media & art video distribution from Spain).
    • He is also an activity coordinator of the Non-stop Session at EACC (Espai d’art Contemporani de Castelló).
    • Since 2016 is working on the project El Maestrat filmat (Grant Hàbitat artístic Castelló City Hall and Award Zineleku at the DocsLab of DocsValència).

    Gallery

  • Fuentesal & Arenillas

    Fuentesal & Arenillas

    Fuentesal & Arenillas is GlogauAIR resident
    from October, 2017 to December, 2017

    Spain

    Meet the Artist

    Coming soon

    Statement

    Fuentesal & Arenillas making a research project based on their dual experience as creators of antagonistic ways and the movement study. From expanded sketches and through deterritorialization, they have worked with drawing materials which have been deprived of their original function and given a new concept, keeping matter parallelisms but displacing all their components to a new territory. Their works describes the periodic movement of their artistic work, experimental cycle and constant quest. They narrate the reality acquired through their life, journeys, work, time and training processes as a reflection of their present time. They are interested in the idea of adaptation, deterritorialization and holism. Speaking of deterritorialization necessarily redirects them to the work of two philosophers, Gilles Deleuze and Felix Guattari, who use this concept in their philosophy and for whom it has a particularly positive meaning: openness towards the new, the escape line as a moment of departure from an old territoriality, and the construction of a new territory.

    Fuentesal & Arenillas

    GlogauAIR Project

    Our artistic work travels through an experimental and constant search cycle: we extract parts of reality to appropriate it intellectually, transforming the idea to pieze of this material world. The way of appropriation of reality contains elements intellectuals and strictly material practices; Art intervenes as a personal code, whose aim is to express the particular vision from the world and expand the habitual perception. A while ago we investigated the term of deterritorialization as part of our daily life, the uprooting of the territory and the willingness to travel as plastic artists to reach a material practice through the laboratory or study.

    For GlogauAir we present a laboratory project where our interests is the “tras escena/behind scenes”, what is behind, the way, the processes: how to reach a destination, not the destination itself. A study of drawing translation, of drawing expanded and of its deterritorialization, working with materials properly destined to drawing, to which we deprive of its function original and we give them a new concept, keeping the parallelism of the matter but moving all its components to a new territory. We choose a drawing method: crayon, to transfer it and deterritorialize it from its origin place. So, reterritorialize it through the laboratory and study to another format, giving it a new function and territory, working its plasticity by its foundry and new solidification, giving also it a actual concept and appearance, as already mentioned before. We will work with the environment research and the historical environment search to find the new patterns by which we will work the drawing deterritorialization, methodology for which we will use the techniques and practices of previous works as the Carpets series, to achieve continuity with our work. Once the motifs to work have been selected and chose the materials from which the territories from which we will be appropriated, we will work with drawing on paper by crayon or by the foundry and solidification of this same material with the intention of research the deterritorialization of the drawing traditional method and transfer it to a new land, being faithful to the theoretical and conceptual of our work. In this way, our work focuses on the space appropriation and the creation of artistic residues that use as archives of the habited space.

    CV Summary

    • Julia Fuentesal Rosa (Huelva, SP 1986)
      Pablo M.Arenillas (Cadiz, SP 1989)
    • Currently they live and develop their work between Spain and the United Kingdom. Both studied Fine Arts by the University of Seville in 2014.
      We are looking for… was their first solo exhibition developed for INICIARTE scholarship 2015, curated by Juan de Nieves. In January 2017 they participated with Why animals travel in BOILER ROOM project of Luis Adelantado gallery, Valencia.
    • November 2016 they have been selected for the exhibition ¿Que sienten, que piensan, los artistas andaluces de ahora? at Center of Andalusian Contemporary Art (CAAC) for its 25th anniversary. They exhibited at Crossroads the London Art Show 2016, collaborating with the Joan Gaspar gallery. They have participated in collective exhibitions as Un lugar en el mundo, La Caixa Foundation, Sevilla 2016. International CALL, Luis Adelantado Gallery, Valencia 2015. Hombre Vs Naturaleza in Arts Operandi for AB9, Murcia 2015. FINDE, Center of Contemporary Creation ECCO, Cadiz 2014. Public Art Fair Fondamenta 3.0 La Sensa, Venice, Italy 2014. Studio 120m, Museo Wurth, La Rioja 2014. Without contradictions is no progression, Sala El Butron, Sevilla 2014. Marca Spain, Europe Creative Center (ECC) Berlin 2013.
    • They have got some prizes and their work has been selected in different contests, among which stand out XXXVII National Contest of Contemporary Art Ciudad de Utrera, Seville 2016. XVII Edition International OPEN CALL Luis Adelantado, Valencia 2015. INICIARTE, production and exhibition, Sala Santa Ines Sevilla 2015. XVI Edition of Young Prize, General Foundation Complutense University of Madrid, CaC, Madrid 2015. XX Prize National Contest of Plastic Arts University of Seville 2014. Award of Contemporary Photography, Project Atalaya, UNIA, Andalusia 2014.
    • Their work has been included in collections such as those of DKV Foundation, University of Madrid, Newcastle Foundation of Murcia, SCAN Londres, the Valdearte Foundation of Huelva and University of Sevilla.

    Gallery

  • Alexander Bondar

    Alexander Bondar

    Alexander Bondar is GlogauAIR resident
    December, 2017

    Russia

    Meet the Artist

    Coming soon

    Statement

    Generally, I work with photography, printing techniques and bookmaking.

    Alexander Bondar

    GlogauAIR Project

    In this project I multiply and rearrange bits and pieces of snowy post-Soviet city landscape, that are used as “hieroglyphs”, to construct a new narrative.

    For that narrative to happen, images and signs, that are “broken” by snow, have to be recombined, or “cured”, taped to the surface of the paper, and put in the space in the form of book/installation.

  • Guangchun (Yuan) Gao

    Guangchun (Yuan) Gao

    Guangchun (Yuan) Gao is GlogauAIR resident
    from November, 2017 to December, 2017

    China

    Meet the Artist

    Coming soon

    Statement

    There are three steps that can describe my artistic career. is my earlier series which mainly involves the relationship between environment and human beings: to destroy, to rebuild, to remove the old and build the new. But how do we make sense of Humanity through gestures of tearing down, construction/re-construction? Also, what kind of ruin and construction is necessary to human beings’ life? The project Bones is an extension of ‘Ruin·Build’. Through Bones I intended to explore the existing meaning of life. In this series, I used bones as my subject of creation in order to represent death. Through this material, people can reflect on their life essence and soul standard in a deeplyer way. The idea for my recent series, Avalokitesvara, derives from a Buddhist classic: The Heart Sutra. I attempt to translate classics through drawing, which means chasing for my initial love, and integrate self-cultivated concept into life itself at the same time, including reflection, pure thought, gaining wisdom and achieving the greatest. Art changes life and life changes artistic works. My artistic focus has helped me to understand life and observe art much better. The works I created have internal connections with my growth environment. I really want to live truthfully and work heartily. And I will stick to my artistic career forever.

    GlogauAIR Project

    I plan to create over 10 pieces of artworks and some drafts during the residence period. If time allows, I plan to make an installation work after finished fixed tasks. I always attach great emphasis on installation art and so, I really would like to cooperate and communicate with foreign counterparts in this field. I will collect some materials in Germany in order to create some installations and to add a taste of German style to my works to represent the most contemporary frontier in art. For me, this is an important opportunity to discover German culture, history and lifestyle by my own. This visit to Germany is a good start and I really hope that I can participate in more and more international cultural exchanges in my future life.

    CV Summary

    • Born in 1967, Gansu, China
    • In 1999 Guangchun GAO began to study at the Central Academy of Fine Arts
    • have been painting for almost 30 years and I participated in dozens of exhibitions which provides a massy base to my art improvement. Because of this, I made a transition: in the beginning, I focused on mental changes made by daily life; now, I put more emphasis on reflecting about art ontology and diversifying artistic skills.

    Gallery

  • JAZOO Yang & Haku Sungho

    JAZOO Yang & Haku Sungho

    JAZOO Yang & Haku Sungho are GlogauAIR residents from October, 2017 to December, 2017 and from January, 2018 to March, 2018

    South Korea

    Meet the Artist

    Coming soon

    Statement

    JAZOO Yang

    Born in South Korea in 1979

    JAZOO Yang has been participating in various collaboration artworks in Seoul, Busan, Jeju-island, Bejing, Berlin, cities in France and many other places concerning issues of solitude and reclusion residing in fast-paced major cities. She understands the individuals’ extreme sense of solitude is a practical disease resulted from highly developed social structures, and with her artistic mediums of painting, installation, live performances, she diagnoses the seriousness of its state by looking into the flotsam and jetsam of wounded humanity and abandonedly ruined sights in cities.

    Haku Sungho

    Born in Japan in 1985, 3rd Generation Korean/Japanese

    Haku Sungho graduated from Inter Media Art department of Tokyo University of the Art, has been participating in performances with dancers, painters, and other musicians whom he is acquainted with via Korea National University Of Arts and other venues. By practicing music composition and visual art projects, he has been trying to find his proposition with others in new dimensions suggested by his ontological existence. In the process of practicing his performances in Tokyo, Yokohama, Seoul, Busan, Hongkong, London and other cities, he has perceived his identity as ‘overseas Korean’ and felt ambiguous station without firm emotional roots to his origin thus being distanced from the community and people he encounters. It is the core of his artistic career that he endeavors to achieve his ego through being constantly reminded by such distances and understanding better the situations. We met each other for the first time at a residency program in the alternative cultural space AGIT based in Busan, South Korea in 2011, and again in Seoul in the following year. Since then, we have been working collaboratively in live performances of improvisation and installations, and other works.

    JAZOO Yang

    GlogauAIR Project

    A city is an important theme in our practice, we like to make close examinations and research several cities in Europe. This will be a result of our experience in Berlin where we will have the opportunity to attend a residency and extend our practice. By observing how cities in Europe including Berlin had and continue to change due to the different types of inhabitants and visitors, we like to broaden our perspective and understand the situation of Seoul from various viewpoints. We are especially interested in the chaos that Europe is experiencing in relation to issues regarding refugees, terrorism and conservative political shifts, as well as Korea’s problems of redevelopment and political issues, and we would like to consider these things in our practice. We intend to actively research situation within South Korea which can be newly discovered in contrast to our studies on the city of Berlin and would like to conduct a comparative analysis of connoted codes of cities.

    CV Summary

    JAZOO Yang b. 1979, South Korea

    Residencies & Grants

    • 2016 Ilman Culture Foundation, Busan, South Korea
    • 2014 Space CAN Beijing, 798 Art Zone, Beijing, Chaina
    • 2013 Seoul Foundation for Arts and Culture

    Exibitions

    • 2017 Increasingly Deeper Layers of The Past Gallery Boaninn, Seoul
    • 2017 Unexpected wall, Solo show Busan Culture Foundation, South Korea
    • 2016 CROSSING BORDERS/CROSSING BOUNDARIES, Group Show STREET ART MUSEUM, St Petersburg,Russia
    • 2015 Vibration, Performance MOVING ART PROJECT, Tangyang Art Center, Xian, China
    • 2014 WALL, Solo Show Space CAN, Beijing 798 Art Zone, China
    • 2012 Gallery Nomads Project, Group Show Gallery Nomads,Marseille, France
    • 2012 Microscope gallery, Group Show Gallery Microscope, New York
    • 2012 Street Art Doping 2012 Edition Chmielna District Warsaw, Poland
    • 2012 Asia Performance Art Festival, Performance Art in Nature, Busan, South Korea
    • 2011 We Don’t Blame You, Solo Show Kunsthouse Bethanien, Berlin

    Haku Sungho b. 1985, Japan

    Residencies & Grants

    • 2016 CONSTANT VALUE, Seoul
    • 2014 Art District P, Busan, South Korea
    • 2013 Seoul Foundation for Arts and Culture
    • 2011 Space AGIT, Busan, South Korea

    Exhibitions

    • 2016 Gwangju Media Art Festival 2016 Bitgoeul Citizen Cultural Center, Gwangju, South Korea
    • 2016 Signal Exchange 2016 > hainu at Guling Street Avant-Garde Theatre, Taipei, Taiwan
    • 2014 CANVAS INSTRUMENT, Performance Haikou International Art Festival, China
    • 2013 Seoul International Improvisation Dance Festival Dance team(Momuro) at Arko Arts Theater, Seoul
    • 2012 Independent China Stereo Hidden Agenda, Hong Kong
    • 2012 Asia Performance Art Festival, Performance Art in Nature, Busan, South Korea
    • 2012 Busan Biennale 2012 Busan Museum Of Art, Busan, South Korea
    • 2011 Geidai Sentan 2011 BankART, Yokohama, Japan

    Gallery

  • Jenny Lewis

    Jenny Lewis

    Jenny Lewis is GlogauAIR resident
    on October, 2017

    United Kingdom

    Meet the Artist

    Coming soon

    Statement

    Working with photography, moving image, performance and installation. My practice uses myself as protagonist through performance to camera and live performance. Creating sculptural compositions choreographing body and object in reaction to space.

    GlogauAIR Project

    Using myself as protagonist through performance and intercepting spaces through sculptural installations, I plan to use local resources, to produce a series photographs. Using analogue photography to slow down the process for making the work and solidifying ideas. I will create a series of images using myself as performance to camera sourcing props and costume locally to construct the images. As my work is site-specific, the object, costume and gestures will be developed throughout my time on the residency and inspired by local dance classes I plan to take.

    CV Summary

    b. 1985, United Kingdom

    Education

    • Masters of Fine Art Practice (Sculpture) Glasgow School of Art, Scotland 2012
    • Degree in photography at Edinburgh College of Art, Scotland 2009

    Solo and Group shows

    • 2016 The Clinic, Glasgow International Festival, Scotland
      Gute Stube, Spinnereirundgang Winter, Leipzig, Germany
    • 2015 1⁄2 meter squash/ed, Wolke, Brussels, Belgium
    • 2014 Forecasting, Tehtaankatu, Mood is Made/Temperature taken, Gothenburg, Sweden
      Generation, Glasgow Sculpture Studios, Scotland
      Le Swimming, The Underground Car Park, Glasgow International Festival, Scotland

    Gallery

  • Jérôme Havre

    Jérôme Havre

    Jérôme Havre is GlogauAIR resident
    from April, 20217 to June, 2017

    Canada

    Meet the Artist

    Coming soon

    Statement

    In recent years, my art practice has concentrated on issues of identity, communities and territories that affect me personally. As a French/Canadian Queer man of African descent, my work interrogates the place of culture and identity and investigates the political, sociological and identity processes of contemporary life on themes related to nationalism in France and in Canada.

    A multidisciplinary approach has defined my exploration of these themes and attending questions. In my practice I use myriad of tools and methods and turns on my efforts to define how to make tangible these conditions of identity in settings that favor social transformation.

    Jerome Havre

    GlogauAIR Project

    More recently, I have begun to reflect on the theories of intersectionality and the ways that this thinking frames the position of people who have endured different forms of domination or discrimination in regards to – race, gender, class and ethnicity -. These forms of oppression are interconnected, injurious and often self-perpetuating. Intersectionality allows for a deconstruction of the basic assumption that society is a homogenous group whose members share the same experiences and universal needs. This process of deconstruction creates a platform for dialogue that engenders alternative narratives of healing and liberation to emerge. In this context, I see the concept of intersectionality as a tool that can be used to contribute to personal development.

    My practice turns on my efforts to make tangible these conditions of identity in settings that favor social transformation, and considers how these ideas and experiences can be articulated through arts. It is in this direction that I would like to develop a new inter-disciplinary project in Berlin, a narrative installation that poses a dialogue about influence of communities’ member of a minority group. To examine these questions, I will create a series of several puppets and experiment with the clown figure. The project will combine performance, photography, staging, soundtrack and video.

    Working with the idea of a dynamic distinction between object and subject, I take advantage of this suggestive distance to animate the puppets, while altering and producing new codes of representation living in the collective imagination.

    CV Summary

    • Art residency ISCP – Brooklyn US(dec- feb)/ Group show Koffler gallery -Toronto/2016.
    • Art residency Est-Nord-Est, Quebec/Art residency AGO, Toronto/Duo show Robert McLaughlin gallery/Solo show 14N 61W – Martinique/2014.
    • Projet Public Window, Toronto/Confluence: Shifting Perspectives of the Caribbean, Canada. Curators: PamelaEdmonds/”Land Marks” Art Gallery of Windsor, Ontario, Canada. Curators: Andrea Fatona/2013/Textile Museum of Canada, Toronto. Group show/Thames Art Gallery, Chatham-Kent, Ontario, Canada/Scope Fair, Donald Browne Gallery. New York, United States.
    • Solo show/Territorial Re-Marks, The Front Room, Brooklyn, United States/2012/Art Toronto, Donald Browne Gallery, Toronto, Canada/Field Trip Project, Japan. Curator: Daisuke Takeya/Domestiquer, Donald Browne Gallery, Montreal, Canada.
    • Solo show/2011/Sobey Art Award, Long list/Fibred Optics, Richmond Art Gallery, Richmond, Canada/2010/Insula Reflexions, MAI, Montreal, Canada. Solo show/The Night Watch, Toronto Nuit Blanche, Canada. Curator: Christopher Regimbal/2009/Fibred Optics, OAG, Canada. Curator: Andrea Fatona. Group show.

    Gallery

  • José Yisa Careolis

    José Yisa Careolis

    José Yisa is GlogauAIR resident
    on December, 2017

    Chile

    Meet the Artist

    Coming soon

    Statement

    Jose’s work articulates the power relationships experienced by the contemporaneous subject. They are exposed explicitly, in an irreverent way, providing a confusing message to the receptor.

    His work maintains an interest in large formats and the use of materials affected by erosion, due to their exposition to the environment, as seen in his earlier work (specifically in site-specific paints). Recently, influenced by different artistic trends, he made a change in his works, pointing at a more specific painting, joining other elements, such as oil, wood, and stones. This change reflects his interest in conceptualizing and contextualizing new themes in his work: power, religion, violence, and sex, as the objectification of power in the body or the objectification of the body through power.

    GlogauAIR Project

    The city, through its residuality as a footprint and context of a post-industrial identity, is the object of my study. I consider the idea of identity as a constant construction and deconstruction that is mobile and could be manipulated.

    The system of power in all its variants is a component of an overwhelming reality considered both politically and in a plastic and visual form.

    This residuality is ultimately presented as a symbolic archeology of a system.

    Through a conceptual investigative process of production, I seek to give form and weight to the underlying invisible processes of this structure.

    When entire aspects of our existence fall into abstraction, as a consequence of a world-scale change, it is through the process of production that a connection is formed between signs and images.

    This process is developed through three phases:

    “IDEOLOGICAL MONUMENTALIZATION”: a research focusing on the monumentalization of the city generated during the occupation of the allies

    This final investigation finds a way through the meaning of the production process, generated by this aesthetic-ideological sequence in relation to the subject before proposed.

    These aesthetic-ideological relations are defined by means of pieces (i.e., defined by the meaning of the investigation) and, while working as an initial act of an idea in construction, they propose more questions than answers.

    CV Summary

    b. 1984, Chile

    Education

    • Currently studying Master in Urban Design, Public Art, City and Society. / University of Barcelona, Spain.
    • Bachelor of visual arts, Finis Térrae University, Santiago, Chile, 2005.

    Solo Exhibitions

    • 2017 “COSTA”, Espai M-La Escocesa, Barcelona, Chile
    • 2016 “MALINCHE” ,Sagrada Mercancia Gallery, Santiago, Chile.
    • 2016 “127YEN”, Ross Cultural Center, Pichilemu, Chile
    • 2015 “Operación Siglo XX” ,MUTT Gallery, Santiago, Chile.
    • 2013 “GUILIGAN”, Tajamar Gallery, Santiago, Chile.
    • 2012 “LA FATIGA DE SAN JORGE” Corretger5 Gallery, Barcelona, España.
    • 2009 “CRISIS”, Balmaceda / Young Art Gallery, Valparaíso, Chile.
    • 2008 “WELCOM WAMACHUCO” National Museum Benjamín Vicuña Mackenna, Santiago, Chile.
    • 2007 “Latex & Zapatera”, Trafix Gallery, Santiago, Chile.

    Collective Exhibitions

    • 2017 “Festival LINDARS”,La Escocesa, Barcelona, España.
    • 2017 “Accion de Descarga”, Espai M- La Escocesa, Barcelona, España.
    • 2017 “Colección MAC, pOST 90”, Museo de Arte Contemporaneo, Santiago, Chile.
    • 2016 “Muestra Tripartita” Open Darck Gallery, Santiago Chile.
    • 2015 “Biennial of medial arts BVAM “Santiago, Chile.
    • 2015 “MERMA”, Contemporary Art Museum, Santiago, Chile.
    • 2014 “MISTER MASTER MONSTER”, Factoria Santa Rosa Gallery, Santiago Chile.
    • 2014 “SUB 30”, Contemporary Art Museum, Santiago, Chile.
    • 2013 Paso de Cebra, Art Hall Las Condes, Santiago, Chile.
    • 2012 La Familia Manson, Espacio Opening Independent Gallery, Off Chaco, Santiago, Chile.
    • 2011 “PQN+”, Contemporary Art Museum, Santiago, Chile.
    • 2010 “Bello amorfo”, YONO Gallery, Santiago, Chile.
    • 2010 “Virus Debilitado”, Wschodnia Gallery, Lodz, Polonia.
    • 2009 “Bajo tierra”, Matucana 1oo / Cultural Center, Santiago Chile.
    • 2009 “The Leñadores Proyect”, ANIMAL Gallery, Santiago Chile.
    • 2009 “Titulados UFT” Die Ecke Gallery, Santiago, Chile.
    • 2009 “Road Trip 1” Salón Tudor Gallery, Santiago, Chile.
    • 2008 “Revell Toi”, International festival of contemporary art B.A.C//CCCB, Barcelona, España
    • 2008 “Be long here”, Cultural Center of España, Santiago, Chile.
    • 2007 “NO POP”, Moro Gallery, Santiago, Chile.
    • 2007 “INOXIDABLE NEOPOP”, Santa Fe Gallery, Bogotá, Colombia.
    • 2006 “INOXIDABLE NEOPOP”, Braga Menéndez Gallery, Palermo, Buenos Aires.

    Grants and Prizes

    • 2016 Grant granted by the National Fund for Culture and Arts of Chile (FONDART), in the area of Scholarships and Internships for the realization of Postgraduate courses at the University of Barcelona, Spain.
    • 2009 Third prize Chandon, young district, ARTEBA ART FAIR /2009

    Publications

    • 2015 “Chile Arte Joven” /“Young Chilean Artist”, AAL Editions, Santiago, Chile.
    • 2014 “SUB 30” Ocholibros, Santiago Chile.
    • 2011 “Arte Callejero en Chile”/”Street art in Chile”, Ocho libros Editions , Santiago, Chile.
    • 2011 “Nuevo Mundo, Latin Amercican Street Art”, Gestalten Exploring Visual Culture Editions, Berlin, Germany.
    • 2010 “Revisión Técnica”/ Chilean Contemporary Painting 1980-2010, Ocholibros Editions, Santiago, Chile.
    • 2008 “Ojo Latino”, Skira Editions, Milan, Italy.
    • 2008 “La tarde que compre la vida sexual de Catherine, M, veintidós átomos pornográficos ilustrados”, Tintas Alternativas Editions , Barcelona, España.
    • 2008 “Street Art Chile”, Eight Books Editions, London, UK.
    • 2007 “Neopop, Visual trends in Latin America”, Midia comunicaciones, Santiago.
    • 2005 “El libro del graffiti”/” The Graffiti Book”, Par de Peces Editions, Santiago, Chile.

    Work Experience

    • 2014 Associate professor, “Optional creative painting course, From Picasso to Warholl”, Faculty of Architecture and Art, Desarrollo University, Santiago, Chile.
    • 2013 Associate professor, painting workshop II, Faculty of Architecture and Art , Desarrollo University, Santiago, Chile.
    • 2013 Associate professor, painting workshop I, Faculty of Architecture and Art, Desarrollo University, Santiago, Chile.
    • 2012 Associate professor, painting workshop I, Faculty of Architecture and Art, Desarrollo University, Santiago, Chile.
    • 2012 Associate professor, painting workshop II Faculty of Architecture and Art, Desarrollo University, Santiago, Chile.
    • 2011 Lecturer at Finis Terrae University in seminar “Muralism and public intervention today”
    • 2011 Professor in Summer artistic courses on Balmaceda 1215 Cultural Center, Urban Art Course, Santiago, Chile.
    • 2010 Work shop “Urban plastic trends, development and origin”, Desarrollo University, Santiago, Chile.

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  • Jorge Julve

    Jorge Julve

    Jorge Julve is GlogauAIR resident
    from April, 2017 to June, 2017

    Spain

    Meet the Artist

    Coming soon

    Statement

    I am interested in the reflection on the day-to-day matters, especially those produced on the Internet, linking the contents as well as the formal aspects of the virtual images with paintings. Intuitively, I try to understand our context through images and paintings. For me, the process of painting is a breakdown of what gets my attention. It allows me to share those interests of mine with others. However, because this communication is made through pictorial language, the original subject of my thoughts ends up being presented in a non-literal manner, thus going through a process of metamorphosis. I am interested in the conjunction of different plastic registers, looking for an enigmatic totality that approaches the feelings and the personal interests created by the observation of physical and virtual reality.

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    GlogauAIR Project

    The project´s title is Filtered Decontext. The project is divided into two parts: on the one hand “Descontextualizing” images from online space through digital manipulation, and on the other hand “Filter” these images through painting giving them an artistic meaning of their own.

    CV Summary

    b. 1989, Spain

    Education

    • 2012/2013 Master’s Degree in Artistic Production, Faculty of Fine Arts, UPV
    • 2012 Bachelor’s Degree in Fine Arts, UPV

    Individual exhibitions / Installations

    • 2016 TRANSITORI. Cànem Gallery, Castellón (Spain)
    • 2015 RUIDO A DISTANCIA. Fúcares Gallery, Almagro (Spain)
    • 2012 ANIMALES LOCALIZADOS. Project Room, UPV Faculty of Fine Arts (Spain)

    Group exhibitions

    • 2015 SUMMA CONTEMPORARY ART FAIR, Galería Fúcares. Matadero, Madrid (Spain)
    • 2014 MARTE, Galería cuatro. Palau de la Festa, Castellon (Spain) PAM PAM, curated by José Luís Clemente. Centro del Carmen Museum, Valencia (Spain). SELECTA SUMA, curated by Ricardo Forriols and Eva Marín. Atarazanas’ museum, Valencia(Spain) PERSPECTIVES, ART, INFLAMMATIONS AND ME. 9th Congress of the European Crohn ́s and Colitis Organisation. Bella Center, Copenhague (Denmark) PROPUESTAS CUATRO, curated by Antonio Barroso. Galería Cuatro, Valencia (Spain)
    • 2013 EMERGENS, SELECTA. Galería Cuatro, Valencia (Spain) SUMMER PARADISE. Espai d’Art, Benidorm’s City hall (Spain)
    • 2012 IDEAS EN PROCESO. Atarazanas’ museum, Valencia (Spain) EL ROSTRO EL OTRO. Palau de la Música, Valencia (Spain) IDEAS EN PROCESO. Galería 9, Valencia (Spain)

    Awards / Grants

    • 2017 Hàbitat Artístic Castellon (Spain) GlogauAir. Artist in Residence Program, Berlin (Germany)
    • 2014 1st Prize El Piló XXXIV National Painting Competition, Spain
    • 2013 International Project Award Perspectives. Art, inflammation & me. Cátedra Arte y enfermedades, UPV (Spain) Mention, Valencian Association of Art Critics, PAM. Valencia (Spain) Selecta 2013. EmergensGalería Cuatro, Art DatingLas Naves. Valencia (Spain) Honorable mention, Manolo Valdes International Painting Competition. Castellon (Spain)
    • 2012 1st Prize, Young Painting Competition, IES Ximén d’Urrea. Castellon (Spain)

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