Archives: Artists

  • Karine Bonneval

    Karine Bonneval

    Karine Bonneval is GlogauAIR resident on August, 2017

    France

    Meet the Artist

    Coming soon

    Statement

    Since 2015, she works with teams of scientists to carry out art and science projects on our invisible exchanges with the all-alive. For several years, Karine Bonneval has concentrated her research on the paradoxical relations we have with the living. Through the notions of territory, exoticism, exploration, hybridization, raw materials, it questions our relationship to nature, which man has domesticated without always realizing that he is an integral part of this whole he dominates. With sculpture, video and installation, she tries to bring out the necessary alterity between human beings and other living beings, especially vegetals. With poetry but also malice, associating natural and artificial, artisanal and industrial, it raises the question of adaptation, dialogue with a milieu made up of our privileged interlocutors. Gunther Ludwig, 2015.

    Karine Bonneval

    GlogauAIR Project

    Listen to the soil

    Listen to the soil is an art-science project in collaboration with the Rillig group, Plant Ecology Laboratory of the Botanical Garden of Berlin, and Fanny Ryback, bio-acoustician of the Orsay faculty, France. Together, we are trying to record sounds that are produced by the acoustic activity of living organism from different soil samples. From this recording, I’m building sounded sculptures in clay or ceramic to give to hear these sounds of the earth. The soil on which we walk is not a simple and inert raw material, it’s a world in itself, complex and alive. The earth is loaded with many symbols: it is our planet first, the ground on which we grow our food, a raw material of construction, the surface on which we are anchored and on which we stand, the territory on which we live. Together, scientists and artist, are trying to account for invisible exchanges which we have, as a human being, with the rest of the living world. A interaction constant but sometimes tiny, of which it seems to me very important today to rediscover the richness. Project supported by DRAC Centre Val de Loire, Diagonale Paris-Saclay, Micro-Onde .

    CV Summary

    b. 1970, France

    Education

    • DNSEP groupe objet, ESAD Strasbourg, 1994
    • DNAT avec félicitations du jury, Ecole Nationale des Beaux-Arts Angoulême, 1991

    Solo Exhibition

    • 2017 Saccharomania, Chaumont sur Loire Domain Les explorateurs, patrimonial library Cahors, Cahors-June-Gardens festival Botaniques, Plaix castle, Drulon gardens, House-school Grand Maulnes, Sidiailles lake, partnership le Transpalette, Bourges contemporary art center.
    • 2016 Admirables, Chaumont sur Loire Domain Chansons de gestes, collaboration with Charlotte Poulsen, international ceramiccenter, la Borne.
    • 2015 Dendromité, Fine art school, curator Gunther Ludwig, Orléans. La cueillette, culinary performance, in collaboration with Carole Bélénus la Graineterie, Houilles.
    • 2012 Explorateurs, Alliance Française associated with MAMBA, Buenos Aires. Moteurs! La borne, POCTB, La Châtre je cherche des parfums nouveaux, des fleurs plus larges, des plaisirs inéprouvés, la Maréchalerie, ensa-v, Versailles. Hybrides véhicules, Martine et Thibault de la Châtre gallery, Paris.
    • 2010 Phylloplastie, Chaumont sur Loire Domain Dans un jardin, curator FRAC Haute-Normandie, musée des Beaux-Arts de Rouen. Acclimatation, semaine transversale, contemporary art university, Lille.

    Group shows

    • 2017 Open studios, GlogauAir international residency, Berlin. Florales, satellite Brindeau, le Havre, curator Jérome Le Goff. Utopies fluviales, dans le sens de la barge, parc du chemin de l’île, Nanterre. Dialogue(s) avec un brin d’herbe, maison des arts de Malakoff, curator Aude. Cartier et Natacha Seignolles Umarmen, square Olivier de Magny, festival Cahors-juin-jardins, ressources Utopies fluviales, prologue, Muséoseine/ dans le sens de la barge, Rives-en- Seine. Projection meeting with Isabel Carlier, le Zo, Nîmes Festival Curiositas, Gyff sur Yvette, La vie de château, château du Rivau, Léméré.
    • 2016 Transplant, Rencontres Bandits-Mages, Bourges. J’ai rêvé le goût de la brique pilée, curators Natsuko Uchino and Sophie Auger, la Box, ENSA, Bourges. Démoulé trop chaud, Friville éditions, curator Dominique De Beir, Paris. Desseins de mode, Jardins synthétiques, Saint Raymond museum, Toulouse. Microscopie du banc 2, la Graineterie, Houilles. La puissance de l’empathie, Kunstenfestival, Watou, Belgique. Back to the trees, forêt de Chaux Avec et sans s’tresses, musée de Bourgoin-Jallieu, curator Yves Sabourin Fantômes et apparitions, château du Rivau, Lémeré. Microscopie du Banc, curators Sophie Auger-Grappin and Aline Gheysens, Micro Onde, Vélizy-Villacoublay.
    • 2015 Dendromité, GlogauAir, Berlin (la mire programm) Jardiniers célestes, jardiniers terrestres, Melle contemporary art biennal. Triennale de Vendôme, curator Damien Sausset Chimères, château du Rivau, Léméré. Jardin d’hiver, with Marie Denis and Frédérique Lucien, la Graineterie, Houilles.
    • 2014 Totalement désARçonnés: l’habit de château, château de Maisons-Laffitte, curator Aurélie Wacquant Marc Plas invite, the window gallery, Paris. Le secret, château du Rivau, Léméré. A posteriori, La Maréchalerie ensa-v, Versailles,
    • 2013 Design culinaire à 4 mains, Carole Belenus invitation, MAC/VAL, Vitry sur Seine. Passe-moi le sel! 15 ème Parcours contemporain, Fontenay le Comte. Dés-tresse et délacé treize, maison des tresses et lacets, parc naturel régional du Pilat, curator Yves Sabourin. Je sème à tout vent, galerie Martine et Thibault de la Châtre, David Rosenberg’s proposal, Paris. Les livres de l’or pauvres, maison du livre d’artistes, fond Michel Butor, château de Lucinges. Des Fleurs Sinon Rien! galerie Odile Ouizeman, David Rosenberg’s proposal, Paris. Si l’art de la parure m’était conté, château du Rivau, Léméré.
    • 2012 Post ecologia, FASE, Centro Cultural Recoleta, Buenos Aires. La maladie de Flaubert, musée Flaubert et d’histoire de la médecine, curator FRAC Haute-Normandie, Rouen.
    • 2011 Biennale internationale de céramique contemporaine, couvent des cordeliers, curator Yves Sabourin, Châteauroux.
    • 2010 Portraits de chaussures Histoires de pieds, musée international de la chaussure, curator Yves Sabourin, Romans. Et si la guirlande de Julie était en laine?, domaine de Rambouillet, curator Yves Sabourin. Accrochage d’été, Martine et Thibault de la Châtre gallery, Paris. Doublures, maison des arts d’Évreux, Évreux Appel de ph’art, musée de l’auto et du vélo, Châtellerault.

    Workshops

    • 2017 Portraits botaniques, greenlab Cahors. Portraits botaniques, Ehpad Chateaumeillant. Constellations, primary schools, Berry grand Sud.
    • 2016 L’arbre retrouvé, ESAD Orléans.
    • 2015 Chambres d’intimité, an invitation of LARU during the year, Manola Antonioli, ENSA, Dijon, partnership with la Maison de la Rhénanie Palatinat and Pôle Enseignement. Supérieur de Musique de Dijon, show of the students’ works in the Rhénanie Palatinat house for the museum’s night.
    • 2014 Parader: workshop UE for License 2 et 3, lille 3 Tenues d’explorateur , Beauvais’s school of art A table , workshop UE pour License 2 et 3 , Lille3.
    • 2013 Semaine folle, aninvitation of the vegetal design group, ESAD Reims. L ‘homme sauvage , workshop UE pour License 2 et 3, Lille 3.
    • 2012 Mythologies individuelles, workshop UE for License 2 et 3, Lille 3. Bento, Classe à PAC, project Maréchalerie, Versailles De nouvelles grottes de Thétys, Classe à Pac, project la Maréchalerie and le château de Versailles.
    • 2011 Pandore, Classe à PAC, project la Maréchalerie, Versailles.
    • 2010 Rites, workshop UE for License 2 et 3, Lille 3 Bento, Classe à PAC, project Maréchalerie, Versailles.

    Residencies and grants

    • 2017 Creation help DRAC Centre Grant la Diagonale Paris-Saclay, art and science Plant ecology, résidency Matthias Rillig’s lab, Dahlem, Berlin.
    • 2015 La Mire, a roof above your head, GlogauAir, residency Berlin. Project help from région Centre Diagonale Paris/Saclay, Art Science grant. La Borne, ceramic résidency.
    • 2012 Creation help, DRAC Centre
    • 2010 Images différentes, Pôle-Images Haute-Normandie grant.

    Conferences, interventions, jury

    • 2017 Dendromacy presentation, Palais de Tokyo’s friends, maison des arts de Malakoff. Conference dendromité, art and science with Claire Damesin and Ludwig Jardillier scientists, Drulons gardens. Presentation and films projections, grand Cahors library. Conference laser, art and science, with Claire Damesin, Agnes B, Paris. Conference Vida, art and science, with Claire Damesin, Orsay. Expertise Comity la Diagonale Paris/Saclay Dendromité, art and science with Claire Damesin, Evry library.
    • 2016 Chanson de gestes, presentation lycée Alain Fournier, la Box, Bourges. Polycultures céramiques, conference with Sophie Auger, Daniel Pontoreau, Charlotte Poulsen, centre de la Céramique Contemporaine, la Borne. Jury DNAP, ESAÏ Tourcoing. Dendromacy, conference, freie Universität, Berlin. Botaniques, conference, university Orsay.
    • 2015 Botaniques, conference, international biennal, Melle. Jury member, a roof above your head, la mire, Orléans. Réseau TRAM, presentation Jardins d’hiver, la Graineterie, Houilles.
    • 2014 Botaniques, conference, ENSA Dijon. Chimères 82, l’herbe: article and presentation at musée de l’histoire del’immigration, Paris.
    • 2013 Experts comity member prix Liliane Bettencourt pour l’intelligence de la main Jury DNAP, Fine art school, Grenoble.
    • 2012 Autour du paysage comme variation artistique, débat Manège, with Gilles Clément and Karen Houle, Versailles. Réseau TRAM, around the show at the Maréchalerie.

    Gallery

  • Kim Hyun Kyung

    Kim Hyun Kyung

    Kim Hyun Kyung is GlogauAIR resident
    from October, 2017 to December, 2017

    South Korea

    Meet the Artist

    Coming soon

    Statement

    I use bamboo as my subject. Bamboo is one of the “Four Gracious Plants (Four Gentlemen)” in the Asian culture. The four plants – the plum blossom, the orchid, the chrysanthemums and the bamboo – were all chosen for their distinct characteristics and each holds its own symbolism. The plum blossom, flower of the spring, represents the unrelenting spirit of the literati scholar as it bursts even in cold weather. The orchid is fragrant plant that diffuses elegant aroma in the summer in the high mountains. It symbolizes the moral virtues of the scholar. The chrysanthemums, blooming into graceful scent and form in the late fall, stands for the fidelity and integrity in the face of adversities. Lastly, the bamboo, the plant of the winter, is seen as the embodiment of the unwavering principles and honor of the upright scholar. The Four Gracious Plants were the ideal metaphors of the moral values that the ancient scholars wanted to achieve through selfdiscipline. Of the four plants, I am particularly interested in the bamboo both for its symbolism and its aesthetic aspects; the strong linear lines of the stem that appears strengthened in the bamboo woods, and the leaves that show the movements resembling that of an orchestra conductor when the wind blows. Also, the sound of the bamboos brushing against each other in the wind clears my mind. I sometimes draw bamboos inside the moon. The silhouettes of the trees in the moon represent my longings and wishes. In the traditional Korean culture, we pray to the moon on the night of the first full moon of the year, and it is in this spirit that I depict the bamboos in the moon. I also bring the effect of light or rain into my pictures that they seep through the bamboos. I believe that the bamboos reflect myself and that they will mature as my mind and thoughts do.

    Kim Hyun Kyung

    GlogauAIR Project

    I am applying for the GlogauAir Project in the view of creating novel forms of bamboos, immersed in a new environment and surrounded by different artists. By discussing and sharing ideas with others, I wish to discover new images of the bamboo that I have not yet thought of. I believe that there are subjects, organism or not, that holds the images of the Four Gracious Plants, or at least the bamboo, in the Western culture and I hope to find them in Berlin, Germany. The Korean city, Damyang, is famous for its bamboos. The city is full of the bamboo trees and people visit to experience their energy. Besides the woods, there are also everyday utensils made of bamboo for the tourists. It was after the bamboos of Damyang that most of my pictures were drawn, and I wish to introduce them to GlogauAir, Berlin, through my works. If I am selected for the Residency Program, I will primarily have to cover for the expenses myself but I plan to apply for the financial aid to the Culture and Arts Support Center in Damyang. If I can receive enough support, I plan to relocate the bamboos of Damyang at the residence. I expect that my expenses will be between 9,500 and 14,000 dollars for the six month stay but more will be needed if it is possible to realize my project to cultivate the bamboos at the residence. I sincerely hope that the bamboo leaves from Damyang will be able to flutter their greetings in the Berlin wind.

    CV Summary

    Education

    • 1997 B.F.A in Oriental Painting, College of Ewha Womans University
    • 1999 M.F.A in Oriental Painting, Graduate School of Art Ewha Womans University
    • 2014 ph.D. Candidate (Fine Art) at Ewha Womans University.

    Professional Experience

    • 2004~2005 Instructor, College of Arts, Dea-jin University.
    • 2005~2008 Instructor, College of Arts, Su-won University.
    • 2008~ Instructor, College of Arts, Dan-Kook University.
    • 2009~2010 Instructor, College of Arts, Dea-jin University.
    • 2011~2012 Instructor, College of Arts, Dan-Kook & Dea-jin University.
    • 2013 Instructor, College of Arts, Ewha & Dea-jin University.
    • 2015, 2016 Instructor, College of Arts, Ewha & Su-won University.

    Residencies

    • 2014 GlogauAir Residency in Berlin (Germany)
    • 2015 Art Studio NANDAL (YangPyeong, korea)

    Individual Exhibitions

    • 2016 Kumho museum (seou ,south korea) okgwa Museum ( okgwa, south korea).
    • 2014 LEE GALERIE BERLIN (Germany – Berlin).
    • 2013 GALLERY MANO (Seoul, South Korea).
    • 2012 LEE GALERIE BERLIN (Germany – Berlin).
    • 2009 GALERIE AN DER PINAKOTHEK DER MODERNE BARBARA RUETZ (Germany – Munchen).
    • 2007 In-Sa Art Center (Seoul, South Korea) – Korean Art Best Artist – Grand prize.
    • 2003 Sam-Jung Art Space (Seoul, South Korea).
    • 2002 Kwan-Hoon Gallery (Seoul, South Korea).

    Individual Exhibitions – Booth

    • 2008, 2009, 2010 Karlsruhe Art Fair (Germany).
    • 2009 9th KCAF- Korean Contemporary Art Festival (The Art Museum of Arts Center, Seoul).
    • 2007 Seoul Fine Art Show (Seoul) Lim-Lip Art Museum -Room of 16th, Harmony of Line & Color. NAAF -Northeast Asia Art Festival (Japan). 7th KCAF- Korean Contemporary Art Festival (The Art Museum of Arts Center, Seoul). 6th KCAF- Korean Contemporary Art Festival (The Art Museum of Arts Center, Seoul).
    • 2005 5th KCAF- Korean Contemporary Art Festiva (The Art Museum of Arts Center, Seoul).
    • 2004 4th KCAF- Korean Contemporary Art Festival (The Art Museum of Arts Center, Seoul).

    Art Fair – Group

    • 2015 KIAF, Taipei Art Fair( Taipei), Pusan Art Fair (Pusan), Pusan Art Show (Pusan), 2014 Taipei Art Fair( Taipei)
    • 2013 Taipei Art Fair( Taipei) / Houston Fine Art Fair (U.S.A) Pusan Art Show (Pusan)
    • 2011 DaeGu Art Fair ( DaeGu )
    • 2010 CHICAGO Art Fair (U.S.A)
    • 2009 BERLINER LISTE (Germany)
    • 2008 SCOPE – London – International Contemporary Art Fair (British).
    • 2007 Karlsruhe Art Fair (Germany), Hong Kong Art Fair (Hong Kong).
    • 2006 Beijing Art Expo (China).

    Awards

    • 2007 Korean Art Best Artist – Grand prize.
    • 2006 Specially Selected Artistic Department of Korean Culture
    • 2005 The Republic of Seoul Art Exhibition – Excellent prize.
    • 2003 Specially Selected at 14th Misul-Segai Grand art Festival & Selected Dan-Won Art Exhibitions (Dan-Won Museum).
    • 2002 The 21th Selected The National Art Exhibitions (National Museum of Contemporary Art)
    • 2001 The 20th Selected The National Art Exhibitions (National Museum of Contemporary Art).
    • 1999 The 18th Selected The National Art Exhibitions (National Museum of Contemporary Art)

    Group Exhibitions

    • 2014 Open Studio (GlogauAir Residensy, Berlin).
    • 2012 Korean Contemporary Art (LEE galerie, BERLIN). Spring (Gallery MANO)
    • 2009 New millennium of Oriental painting (The Art Museum of Arts Center, Seoul).
    • 2008 BUSAN INTERNATIONAL ART FAIR (BUSAN). Elite Artist of Korean Art (Dan-Won Museum). 5Th GONGJU INTERNATIONAL ART FESTIVAL (GONGJU). N Gallery Grand Opening Exhibitions (N Gallery, Bundang).
    • 2007 Seoul International print ,photo& Edition works Art Fair (The Art Museum of Arts Center, Seoul). The harmony of differences (Gallery Mi-So, Coex Inter Continental hotel, Seoul). Flower, Human, May (Gallery AKA, Seoul).
    • 2006 Korean Art – Vision 2007 (Ga-Na Forum Space). The Vision & Direction of Contemporary Paintings (Gallery AKA, Seoul). Korean- France Young Artist Festival (Modern Culture Center). The Morning of Kwang Hwa Moon (Gallery Jung). The Exhibitions of 16 Korean Contemporary Artists (Gallery Passage, Praha). The Exhibition – 21 Artists (Gallery AKA, Seoul).
    • 2005 Korean Fine Art – Present of tomorrow II (Gallery AKA, Seoul) . Intellegence & Sensibillity (Sejung Center for the Performenceof Art) Nam – Song Art Museum GrandOpening Exhibitions “Present of Korea Fine Art (Nam- Song Art Museum). Beijing Art Expo – The 8th International Fine Art Exposition (China).

    Collections

    • Laserklinik Karlsruhe(Diploma in Aesthetic laser Medicine) -Karlsruhe in Germany
    • PRAXISKLINIK (Dr. KOHM)-Karlsruhe in Germany.
    • Kangnam Joongang Hospital, Seoul in Korea.
    • Art Bank – Gwacheon in Korea.

    Gallery

  • Britni Franklin

    Britni Franklin

    Britni Franklin is GlogauAIR resident
    from October, 2016 to December, 2016

    United States

    Meet the Artist

    Coming soon

    Statement

    My work addresses the implications of cultural appropriation in relationship to the effect of colonialism on individualized culture. I explore issue of a reverse appropriation within the context of contemporary society. I begin to express these concepts through material application and within the process itself. I assign traits of a non specific indigenous culture to portraits of individuals from the 1900s to mimic the process of taking a valuable aspect of a subservient culture and re-appropriating it within a dominate culture without consideration of its origin or meaning.

    The images are created from contact prints that were made using found glass plate negatives. In order to make the prints appear to more authentic to the time period, I applied the attributes of the individualized culture through the process of hand drawing them on acetate and then laying them on top of the negative to show how things potentially could have appeared if reverse appropriation had occurred much earlier in history. For this same reason I chose to render the images in the form of oil paintings.

    To address the concept within the context of contemporary society I incorporate the use of technology to create distorted renderings from the original photographic prints. The distorted images speak of the way aspects of the individualized culture are lost between the distance of time from actual existence, subversion, and re appropriation. I create the distorted images from taking a photograph of the photographic print using a cell phone camera and then I print them on untreated acetate sheets using an inkjet printer. While the ink is still wet I spray them with fixative to make the images look like they are disintegrating. Through each step taken to reach the distorted more abstracted representation of the images they subsequently lose clarity. This mimics the way these things are inevitably lost in translation over long periods of time.

    GlogauAIR Project

    I am planning to further develop my expression of the impacts of colonialism on individualized culture. This project will focus more on the aspect of this concept that addresses the similarities between the structure of this contemporary society based around capitalism and the Empirical nature of colonialism. Drawing the comparison between the forced cultural assimilation bestowed unto the indigenous at the hands of colonialists and the barriers that are created around us by the very nature of capitalist society. I want to create an installation that is composed of two small divergent yet similar spaces that flow into one another creating unity through the juxtaposition of valued and devalued objects. To create a visual narrative of the evolution from colonialism to capitalism and the complications that have been born from it.

    CV Summary

    b. 1988, United States

    Education

    • 2011 BFA, Painting, Savannah College of Art and Design, Savannah, Georgia

    Work Experience

    • 2005-2006 Art Teacher’s Assistant, Wilde Lake High School, Columbia, Maryland
    • 2015 Events Assistant, ESB Mexican American Cultural Center, Austin, Texas

    Group Exhibitions

    • 2011 Identity Redux, Mr. Beast Gallery, Savannah, Georgia
    • 2014 Variety Show, Badlands, Austin, Texas
    • 2015 Paper Jam, Bone Black Print Studio, Austin,Texas
    • 2015 East Austin Studio Tour, Big Medium, Austin, Texas

    Publications

    Gallery

  • Caroline Lundblad

    Caroline Lundblad

    Caroline Lundblad is GlogauAIR resident on July, 2016

    Sweden

    Meet the Artist

    Coming soon

    GlogauAIR Project

    In 2016 Frauke is collaborating with swedish electro/glitch musician TM404 (Andreas Tilliander) creating the performance/concert Wolf MOON.

    Wolf MOON 2016 tour schedule:

    • 29 July GlogauAIR, Berlin, GERMANY
    • 18 August The Gothenburg Dance and Theatre Festival, Gothenburg botanical garden SWEDEN
    • 25 September Torinin, Naruto, JAPAN
    • 28, 29 October The Biological Museum, Stockholm, SWEDEN
    • 12 November 3rd Floor Dance & Art Venue, Gothenburg, SWEDEN

    Statement

    Caroline Lundblad, with artist name Frauke, is a choreographer with a focus on butoh and performance. She is based in Gothenburg, Sweden, but also does work internationally. She has created her own genre of Butoh where her works are site specific and unique. Frauke often works with other artists from different artistic disciplines and her performances are inspired by contemporary art and contemporary choreography.

    Caroline Lundblad

    CV Summary

    b. 1979, Sweden

    Education

    • 2005-07 SU-EN Butoh Company, Almunge, SE.
    • 2002-03 Min Tanaka, Tokason Dance Troupe, Body Weather Farm, Hakushu, Honmura, JP.
    • 1999-02 Degree of Bachelor of Arts with Honours Class One in Dance Theatre, Laban Centre London, U.K. Dissertation: Butoh and existential phenomenology.
    • Butoh workshops 2002-04 SU-EN, Anita Saij, Tadashi Endo, Ko Murobushi, Carlotta Ikeda, Katsura Kan, Min Tanaka, Yumiko Yoshioka, Ken Mai.

    Selected Performances and Projects

    • 2016 Artist talk, Rum för dans, Region Halland.
    • 2015 Nagaame MOON – A spell of long rain, Frauke + TM404 (Andreas Tilliander), Röda Sten Konsthall, Gothenburg, The Nordic Watercolour Museum, Skärhamn, Carved in Stone – Nordic. Music Days 2015 Opening Night, Kongernes Lapidarium, Copenhagen. Nagaame preview, Skiland, Kamiyama, Japan. Kamiyama Artist In Residence 2015 Bed & Studio program, Japan. Dancer in Kokutoh-in Performance ”Touka” with members from Sankai Juku, Kurobe International Cultural Center, Toyama, Japan. Emerge MOON, Konstepidemin boiler room, Göteborg, Skånes Konstförening, Malmö.
    • 2014 Nagaame performance, Librarie TOKYO-GA 2014, GALERIE-T, Paris, France. Performance and workshop, AHA! Festival, Department of Architecture at the Chalmers University of Technology, Gothenburg. Vibrissa – international urban garden tour, Voedseltuin IJplein, Amsterdam, Trädgård På Spåret, Stockholm, Silverkällans Odlarkollektiv, Göteborg. Polymorphous, International MiniKunstFestival DYSTOPIA, Amsterdam Bacteria Shop, OT301, Amsterdam. Artist in residence OT301, E.H.B.K. / OT301, Amsterdam. Ura, Halland Art Museum, Halmstad.
    • 2013 GODAI – How to be invisible, Hey It’s Enrico Pallazzo, Gothenburg. Rubedo, EEA ESEM Congress, Gothenburg. How to be invisible, Video, Love Explosion, Göteborgs Konsthall Shed, Medical History Museum in Gothenburg. Enlightenment, Atalante, Gothenburg. Fantasia, Göteborg City Theatre, Gothenburg.
    • 2012 Illuminate, Artists Collective Workshop and Gallery Box, Gothenburg. Artist talk, KLEO/ Dance Centre West, Gothenburg Culture Festival. Performance, workshop and seminar at Japan Anniversary, Leksand-Tobetsu, Dalarna. Body Poetry, The Art Gallery Lokstallet, Strömstad. Endangered, Atalante, Gothenburg. Soloperformance Oblivion, Debut Concert Ylva Lund Bergner,The Royal Danish Academy of Music in Denmark. Endangered part 5: Garden, Japan Valley of Gothenburg Botanical Garden, Gothenburg. Endangered part 4: Wall, The Whale Hall, The Natural History Museum, Gothenburg. Winter Word Festival, performance at Restaurant Skagerack, ‘Den gamle och havet’ in collaboration with Peter Uhr, and performance in Stadsparken, Strömstad. Endangered part 3: Roof, Program release, Atalante, Gothenburg.
    • 2011 Endangered part 2: Chamber, Risåsberget, Skansen Kronan, Gothenburg. Open Butohworkshop, Ärlegården, Gothenurg. Dans noir, Nefertiti, Gothenburg. Butoh workshops, Nordiska Teaterlinjen, Kungälv. Butoh croquis, Gallery Ålgården, Borås. Endangered part 1: The Bridge, Sculpture at Pilane, Tjörn. Running foxes, Center Theatre & Dance Centre West, Gothenburg Culture Festival Performance at Avant Releaseparty, Lust, Gothenburg. Korp, Halleluja, The Palmhouse, The Garden Society of Gothenburg. Lifeboat, Gocart Gallery, Visby, Gotland. Butoh seminar at The department of Archaeology and Osteology, Gotland University Shore, Cultural Festival, Folkuniversitetet, Gothenburg. VOID a Butohdance solo by Frauke, Atalante, Gothenburg. Butoh performance on the opening night of Shtoom, Eric Length’s MFA exhibition, Malmö Art Academy’s KHM Gallery, Malmö. Costume by Matilda Larsson and music performed by Erase.
    • 2010 Blanc, KulturMeDialog, Lagerhuset, Gothenburg. Costume by Matilda. Butoh workshops, Ärlegården, Gothenburg Performance with bass player Per Zanussi, Dance ‘n Bass, Atalante, Gothenburg. Corona, performance with musician Henrik Åström, Sculpture at Pilane, Tjörn. Butoh workshop, Stadsbiblioteket, Gothenburg Culture Festival, Gothenburg. Ama no gawa, collaboration with First Physical Theatre Company, National Arts Festival, Grahamstown, SA. Resident choreographer, First Physical Theatre Company, Rhodes University Drama Department, Grahamstown, SA. Undoing, Johannesburg and National Arts Festival, Grahamstown, SA. Undoing, Johannesburg, South Africa. Butoh workshop series, WITS Drama Department, Johannesburg, SA. Butoh workshop series, Residency, Tschwane University of Technology, Pretoria, SA. Asymptote FNB Dance Umbrella, Johannesburg, SA.
    • 2009 Cyanea, Anniversary Celebration, KV School of Art, Gothenburg. Seed, Gunnebo House and Gardens, Mölndal. Suikerbos Opening of “Kraften i Stenen”. Presented by Konsthallen, Vattenfall and KKV- Bohuslän. Trollhättan. Suikerbos, European Cities Marketing Conference, University of Gothenburg. Suikerbos, Masked, Museum of World Culture, Gothenburg. VOID a Butohdance solo by Frauke, Regionteater Väst, Borås. Konnichiwa, Dansbaren, Dansbyrån, Gothenburg. AKA – Red Sea, collaboration with photographer Karin Jonson, DJ Nina Natri, jewellery designer Tanja Malo. Butoh talk by Oscar Eriksson. The Nordic Watercolour Museum, Skärhamn. Whale Valley, Festival Popcorn, Hagateatern, Gothenburg.
    • 2008 Workshop Year 7, Häggvallskolan, Tjörn. Butoh croquis, KV School of Art, Gothenburg. Butoh croquis, collaboration with KV School of Art, Gothenburg Culturenight, Gothenburg City Library, Gothenburg. Bläck, in relation to exhibition: The Art of Japanese Tattoos- by Horiyoshi 111, The Maritime Museum and Aquarium, Gothenburg. VOID a Butohdance solo by Frauke, Tour in South Africa, Rhodes University Box Theatre, Grahamstown, The WITS Amphitheatre, Johannesburg, SA. Workshop, First Physical Dance Company, Rhodes University Department, Grahamstown, SA. Workshop, WITS Drama Department, Johannesburg, SA. Workshop, Sibikwa, Community Arts Centre, Benoni, SA. Workshop, Tschwane Institute of Technology, Pretoria, SA. Crop, The Wilds, Houghton, Johannesburg, SA. Park performance, Art project Frisläppt, Margaretadagen, Sundsby Säteri, Tjörn. Skin, Lust, öppen Salong, Konsthallen Trollhättan, Trollhättan. Flightless, collaboration with photographer Karin Jonson, Gothenburg City Library, Gothenburg. Twilight, opening of the Culturedays, Schillerska Gymnasiet, Gothenburg. Performance with students, Culturedays, Schillerska Gymnasiet, Gothenburg. Workshop, Culturedays, Schillerska Gymnasiet, Gothenburg. Butoh improvisation, open stage, Kulturhuset Kåken, Gothenburg.

    Awards

    • 2015 Guest studio grant Region Västra Götaland. Caroline “Frauke “ Lundblad. Green Valley Inc., based in Kamiyama, Tokushima, Japan.
    • 2014 Vibrissa, Honorable Mention of International Photography Awards 2014 – Los Angeles, U.S.A. To salute the achievements of the world’s finest photographers, to discover new and emerging talent, and to promote the appreciation of photography. GODAI, Nomination Scenkonstgalan 2014 (Stage art gala 2014), Gothenburg. Götaland Cultural Scholarship, Region Västra.
    • 2013 Cultural Scholarship, Göteborgs Stad.
    • 2013 Member of the International Dance Council CID, UNESCO.
    • 2011 Asymptote, The Sunday Independent, SA.
    • 2010 Ama no gawa, The Standard Bank Ovation Award, National Arts Festival, SA.

    Gallery

  • Clara Payas

    Clara Payas

    Clara Payas is GlogauAIR resident
    from October, 2015 to January, 2016

    Spain

    Meet the Artist

    Coming soon

    Statement

    I take my work as a ritual activity, which exceeds the boundaries of experience in such a way that it integrates in the nature of things and makes a representation of this. The representation can illustrate a system, tell a story or evoke or reveal an event.

    Technically I combine drawing, painting, collage, sculpture, and – if applicable – photography, video and text. I use drawing as a tool for planning the liturgy and explicating the mechanisms, whereas painting and working in volume are media for merger, transformation and metamorphis.

    Clara Payas

    GlogauAIR Project

    [Project description]

    CV Summary

    b. 1985, Spain

    Education

    • Degree in Fine Arts. University of Barcelona, Spain

    Solo Exhibitions

    • 2015 – December – GlogauAir Open Studio, Berlin, Germany
    • 2015 – March – GlogauAir Open Studio, Berlin, Germany
    • 2014 – Church of San Atilano, Tarazona, Zaragoza, Spain

    Collective Exhibitions

    • 2014 – Biennial of Art. Museum of Modern Art, Tarragona, Spain
    • 2013 – Iberia Hall, Art group Entropía, Cuenca, Spain
    • 2013 – Painting Prize 2013. Museum of Contemporary Painting. Vila Casas Foundation, Barcelona, Spain
    • 2013 – “Women Artist against gender violence”. Municipal Hall, Moià, Barcelona, Spain

    Residencies

    • 2015 – GlogauAir International Residences Program

    Gallery

  • EEGB

    EEGB

    EEGB is GlogauAIR resident
    from July, 2016 to September, 2016

    United Kingdom

    Meet the Artist

    Coming soon

    Statement

    Edmund Eva and George Baldwin studied BA(Hons) Drawing at Falmouth University, first learning the skills and craft of drawing by hand. Later they pushed their understanding of the genre, Baldwin pursuing programming as his medium and Eva building mechanical tools to create imagery. Driven by overlapping interests the two artists formed the research group eegb.

    We build machines and robots that draw. We are interested in the anthropomorphic qualities of machines, how the act of drawing applies human traits and characteristics. This in turn instigates a reflection on our own relationship and fascination with mark-making.

    We are researching abstract models that use mathematical language to describe the behaviour of a system. These models range from those found throughout the natural world to those describing manmade constructs such as economics, sociology and politics. Each of these systems contain their own intrinsic aesthetic which we can visualise and investigate through drawing.

    EEGB

    GlogauAIR Project

    The project we propose to Glogau is called ​Gestalt ​ . “Gestalt” is a philosophical principle which refers to our tendency as humans to perceive patterns, order and meaning within chaotic environments. With our Gestalt ​ project we aim to create a swarm of robotic agents which interact with each other. We can alter the behaviour of these agents by introducing algorithms abstracted from natural and human constructs. The agents draw onto a surface mapping their movements. The drawings will be subject to image recognition software. This process emulates the phenomenon of pareidolia in humans by finding and highlighting recognisable forms within the chaotic patina.

    This process of drawing and perception is repeated, forming a continual loop of artificial creativity. We utilize and translate data from a variety of sources, ultimately visualising this through the movements and interactions between robotic agents. This process of generating behaviour exposes a method of understanding complex adaptive systems and allows us to exploit the intrinsic aesthetics within.

    The performative aspect of this project is a hybrid of virtual and physical representations. By bringing these simulations out of the computer and into the physical world, it enables the work to have an impact which is more attune to the human experience. The aesthetic judgement of the robotic agents is ours but the performance and resulting drawing remains out of our control, an emergent anomaly of the initial algorithms. We hand further creative control over to the image recognition software, Google Deepdream. Deepdream, a form of artificial intelligence perceives forms and structures within the drawings. The A.I sends information to the robotic agents, morphing the drawing into recognisable structures and in turn further altering the A.I’s perception of the image. By having the robotic agents draw we introduce an additive process, an analogue disruption to the A.I’s perception, broadening the concepts of the work by introducing elements of metaphysics, ontology and epistemology.

    Gestalt ​ is a project constructed from existential and generative concepts. Deepdream perceives and creates structure and the robotic agent’s perform complex behaviour dictated by simple interactions. These force us to confront the nature of reality and human perception, reflecting on our own compulsions to understand and organise our surroundings. The abstraction of natural behaviour and the use of Deepdream forms a creative process, producing investigative drawings and performances. These form a rich resource in which to study a facet of artificial creativity.

    CV Summary

    Education

    • George- b. 1991, United Kingdom
      • Falmouth University
      • BA (Hons) Drawing 2014
      • Diploma in Foundation Studies (Art & Design) 2011
    • Edmund- b. 1991, United Kingdom
      • Falmouth University
      • BA (Hons) Drawing 2014
      • Diploma in Foundation Studies (Art & Design) 2011

    Exhibitions

    • Golden Thread Gallery, “Analogues” Belfast 2015
    • Catalyst Gallery, “Generate” Belfast 2015
    • BP Loud Tate “Code” London 2014
    • RK Burt showcase “Scope” London 2014
    • Fascinate Digital Arts Conference, Falmouth 2014
    • BA(hons) Drawing Degree Show, Falmouth 2014
    • The Ariel Gallery “Render” Totnes 2012
    • RK Burt “Render” London 2012

    Residencies

    • Digital Art Studios, Belfast, Spring 2015

    Publications

    • Visual Artist Ireland Digital art enthusiasts 2015
    • Ba Drawing Catalogue 2014
    • How does complexity emerge 2014
    • An exploration of the systems drawing genre and the technological influences 2014

    Funding Awarded

    • Digital Arts Studios equipment grant 2015
    • IdeasTap Innovators Fund 2015
    • Fascinate Conference 2015

    Gallery

  • Elizabeth Laplace

    Elizabeth Laplace

    Elizabeth Laplace is GlogauAIR resident
    from January, 2016 to March, 2016

    United States

    Meet the Artist

    Statement

    My work explores spaces and experiments with objects; using the senses to reach an understanding of their function and relationship to myself and others. Through a variety of materials and technology I create sculptures or installations that attempt to question how we perceive, understand, and engage with our surroundings.

    Elizabeth Laplace

    GlogauAIR Project

    At the Glogauair artists in residency program, which is both an active thriving artist community and located in Berlin, I hope to embark on an exploration of a variety of artificial landscapes throughout the community. In particular, I have recently been curious about the senses and the use of scents, how they are utilized to convey information, and how natural verses learned understandings of scents conflict within our contemporary global society. The city of Berlin and its art scene are very international, as well as very rich in history while also being new in thought. I hope to be able to discover more about how we use our senses globally in such a diverse and international city. During my stay at Glogauair I hope to be able to explore further the artificial landscapes of Berlin and push my work to become more engaging to people in a city that understands the comfort of the artificial and the displacement of nature.

    CV Summary

    b. 1990, United States

    Education

    • 2015 MFA in Ceramics, Cranbrook Academy of Art, Bloomfield Hills, MI, United States
    • 2012 BA in Studio Art and Biology, Swarthmore College, Swarthmore, PA, United States

    Solo exhibitions

    • 2012 CONTOURS: A Collection of Nature Inspired Ceramic Sculptures, List Gallery, Swarthmore, PA, United States

    Group exhibitions

    • 2015 Call for Chelsea: (Re) Imagining Art’s Aura in the Age of Turbo-Capitalism. Galleria Ca’ d’O’ro, New York City, NY, United States.
    • 2015 Mercedes-Benz Art Loan, Mercedes-Benz Corp. Offices, Farmington Hills, MI, United States.
    • 2015 Cranbrook Academy of Art Graduate Degree Exhibition, Cranbrook Art Museum, Bloomfield Hills, MI, United States.
    • 2014 Mercedes-Benz Art Loan, Mercedes-Benz Corp. Offices, Farmington Hills, MI, United States.
    • 2014 Contemporary Vessel, The Qube bldg. (Chase Tower), Detroit, MI, United States.

    Co-curated shows

    • 2012 WILDLY HUMAN: Beyond the Bestiary, Swarthmore College Library, Swarthmore, PA, United States

    Lectures

    • 2011 Orit Hofshi’s show Resilience (lecture / workshop) List Gallery, Swarthmore, PA, United States

    Catalogs

    • 2015 Call for Chelsea: (Re) Imagining Art’s Aura in the Age of Turbo-Capitalism, NYC, NY, United States.
    • 2015 Front Art Space OPEN15, NYC, NY, United States.

    Residencies

    • 2016 (January – April) GlogauAIR Berlin, Germany

    Gallery

  • Emma Michaelis

    Emma Michaelis

    Emma Michaelis is GlogauAIR resident
    from January, 2016 to March, 2016

    Australia

    Meet the Artist

    Coming soon

    Statement

    Australian artist Emma Michaelis makes large-scale coloured pencil on paper drawings which seek to uncover the human relationship to parameters of physicality and the conscious/unconscious link between self and body.

    With a focus on female subjectivity, Emma asks the viewer to redefine their ideas of the location of being, using surface as a juncture between the viewer and the image, she bodily constructs the works life sized, questioning individual and shared experiences of being through reconstruction of the figure.

    Asking: can we know what it is in some art that engenders real affective connections rather than detached representation? Seeking to locate the moment where we can begin to recognise the self present in the image of an others form and reconcile that understanding with the reality of being bodily.

    In her current practice, she is particularly interested in exploring the female body as a site of rich and contested meanings. Exploring the complex tensions that exist in the space between actual embodied female experience and its representations, and how she might productively enter that space in the work as a female visual artist drawing real women.

    Through years of making art and extensive working and exhibiting, Emma has developed a deep connection to the articulation and interpretation of the human condition corporeally. Often utilising the female figure shown in a moment of disconnected, quiet contemplation, to open up conversations about the fractured nature of self knowing and the affective interpretations of art and body which help to navigate discussions of the relational potential existing between the viewer and artwork for affectively interpreting through the body, art concerning the body fragmented.

    Emma Michaelis

    CV Summary

    b. 1985, Australia

    Education

    • 2015 BA Fine Art (Hons) – RMIT: First class Honours
    • 2014 BA Design Arts, Visual Arts – Academy of Design Australia: Dux
    • 2014 Adobe suite for design and presentation – RMIT
    • 2003 Design Fundamentals – TAFE

    Employment

    • 2015 Casual presenting Academy of Design
    • 2015 Casual workshop and student tutorials Academy of Design
    • 2014 – Current Nicholas Blackmore Framing assistant
    • 2012 – 15 Magnani Paper Importers
    • 2014 Artist assistant to Amy Watson

    Forthcoming

    • 2016 Flinders Lane Gallery, Explorations 16, Melbourne
    • 2016 Bright Face Song series Art and design collaboration project with Hello Satellites

    Solo

    • 2016 Enough Space, Solo Show, I am a River, Melbourne
    • 2016 GlogauAIR Arts residency, Berlin
    • 2015 Montsalvat Arts Festival featured artist, Melbourne
    • 2014 /15 Montsalvat, Solo Show, Subsistence, Melbourne
    • 2014 Tinning Street Presents, Solo Show, We are, I am, Melbourne
    • 2013 Tinning Street Presents, Solo Show, Emma Michaelis, Melbourne
    • 2013 Brunswick Street Gallery, Solo Show, Blemish, Melbourne

    Group

    • 2016 Sad by Sad West Festival
    • 2016 Rubicon ARI, Aimee Boa curated Group Show, Melbourne
    • 2015 RMIT, Graduate exhibition, Melbourne
    • 2015 The Memo, Jayden Morrison curated Group Show, Untitled, Melbourne
    • 2015 Academy of Design, Do What you Love, Melbourne
    • 2015 Metro Gallery, Hot to Watch, Melbourne
    • 2014 Dancing dog, Mental for Lentils, Melbourne
    • 2014 BSG, Group Show, Body Sex, Melbourne
    • 2014 Academy of Design, Difference Design Makes, Melbourne
    • 2014 Clement Meadmore Gallery, La Chasse, Melbourne
    • 2013 Tinning St. Smash n Grab, Melbourne
    • 2013 Clement Meadmore Gallery, Ignite, Melbourne
    • 2013 Bruce Gallery, Bye bye Bruce, Melbourne
    • 2013 RMIT, Curated by Katie Paine, Melbourne
    • 2013 Open Space Gallery, Eckphrasis, Melbourne
    • 2013 Conduit Art Gallery, Art Fete, Melbourne
    • 2012 Brunswick Street Gallery, 40×40, Melbourne
    • 2012 Brunswick Street Gallery, Dirtying the Paper, Melbourne
    • 2012 Clement Meadmore Gallery, Melbourne

    Curatorial

    • 2014 Ruffian Gallery, Gather, Melbourne

    Performance/Exhibition

    • 2009/10 BunHeads, Solo Show, (Produced by) PACT, Curated by Quarterbred, Sydney

    Business/Artistic partnership

    • 2015 Friday Collective founding member
    • 2015 Promotional photography for CHWH
    • 2014 Love through all, Kindle edition book cover art design
    • 2012-15 wetwoareKUNsT, Ceramics/Stoneware, Jewellery and Sculpture

    Publications/Reviews

    • 2015 ‘Bob’ first edition, AAD.
    • 2014/15 AAD official Student Diary inclusion
    • 2014 Plan + Express contribution
    • Emma Michaelis, ‘Swallow, Flex and Wither’ opening at Tinning Street, Sam West, Three Thousand. March 2013 Colour Figures, Mark Holsworth, March 22, 2013
    • 2013 AAD 2013 official Student Diary inclusion
    • Swallow, Flex, and Wither, Nikita Vanderbyl, Art/Smitten, March 2013

    Commissions/Collections

    • 2015 Tess Gieroba
    • 2015 Commissioned works for L’Oreal Professional fashion week
    • 2014 Maja Baska
    • 2013 John Michaelis

    Awards/Acknowledgement

    • 2016 Vice Chancellors award of excellence RMIT
    • 2015 Directors award of High Distinction (AOD)
    • 2015 Award of Distinction (AOD)
    • 2015 President’s Award for Excellence (AOD)
    • 2015 AOD Official Student diary inclusion
    • 2014 Directors Award scholarship (AOD)
    • 2014 Merit Award scholarship (AOD)
    • 2013 Ignite Competition: Winner
    • 2013 Study Tour recipient Paris and London, Academy of Design
    • 2013 Directors Award scholarship (AOD)
    • 2013 AOD Official Student diary inclusion
    • 2012 DGmagazine Design Competition: Notable entry
    • 2012 Merit Award scholarship (AOD)

    Internships

    • Nicholas Blackmore framing
    • Magnani Paper
    • Hairdressing apprenticeship 2009 – 12

    Volunteering

    • 2015 YouthNow
    • 2015 RMIT Graduate Catalogue committee, Honours representative
    • 2013-15 Tinning Street Presents
    • 2013/14 Academy of Design open day volunteer
    • 2013 KingsAri
    • 2013 Bruce Gallery

    Gallery

  • Gervaise Netherway

    Gervaise Netherway

    Gervaise Netherway is GlogauAIR resident on September, 2016

    Australia

    Meet the Artist

    Coming soon

    Statement

    Characteristically speaking, Gervaise’s paintings can be interpreted as scrolls denoting some kind of ancient or alien-like language indecipherable to the contemporary eye, or a transference of knowledge and data; Matrix’s for later forensic use – a semiotic real that resonates in another time and place far from the present. His unorthodox approach to the pictorial surface could be said to tease out both the problematics of and provocation for abstract painting; getting beyond one kind of reality and enabling the entrance of other forms of being and knowing entirely – perhaps resisting emotional responses all together – remaining far from ‘expressive’ gestures of any known kind.

    Gervaise Netherway

    CV Summary

    b. 1988, Australia

    Education

    • Victorian College of the Arts (University of Melbourne), Melbourne, Victoria. Bachelor of Fine Arts (Painting) 2015
    • Swinburne University, Melbourne, Victoria. Diploma of Visual Arts, 2010 – 2012

    Exhibitions

    • 2016 solo show, ‘Infinite Gesture’ Fort Delta Gallery , Melbourne
    • 2015 VCA graduate Exhibition, South Bank, Melbourne
    • 2015 group show, Easy st gallery, Melbourne
    • 2015 Do sumn’ Chistopher L G Hill (*and guests) TCB ART inc. Mebourne
    • 2013, 2014 “Proud” VCA group exhibition, Margaret Lawrence Gallery Melbourne.
    • 2012 Visual Art Diploma Graduation Exhibition, Swinburne Gallery Melbourne

    Gallery

  • Jignesh Panchal

    Jignesh Panchal

    Jignesh Panchal is GlogauAIR resident
    from November, 2016 to January, 2017

    India

    Meet the Artist

    Coming soon

    Statement

    I encounter many subjects in my everyday activities that have their own space in my life. Objects, people or animals. I always try to interact with those subjects in my social surroundings. Sometimes questions arise from that connection, sometimes they just highlight social phenomena’s to me. Those day to day experiences in my life have become of the source for my work.

    GlogauAIR Project

    Having grown up in vernacular culture associates a trial of moving through and adopting from many contrasting conditions. Practically, to end on sketchy guesses that represent what’s pure vernacular, or wherever in between, is nearly absurd. There is a as multifold fashion of substance as there are people. So I notch to linear dimensions, and the multiple approaches of witnessing an article/object, as an action to get above the surface of paraphernalia/things. to form an image of what was there. In this way, work is one and the other testimony and manipulation at the same generation. Making an image of an image of an image, the work I do ends up appearing in so many ways: real, not real, look-alike. When spectators recognize that there’s a distortion involved, they take a longer look than usual. The work I’m making represents my experiences.

    CV Summary

    b. India

    Education

    • Studied Painting At Sheth C.n. College Of Fine Arts, 2001- 06

    Solo Shows

    • RE:BUILT A site specific exhibition at Le corbusier building (mill owners building) Ahmedabad, March 2016
    • Open Studio a solo exhibition of paintings at GlogauAir Berlin, Sep 2015
    • After works Bei Trockles A solo exhibition sponsored by Karin Trockles In Berlin, Sep 2015
    • Indian Vocabulary A Solo Exhibition At Lalit Kala Academy, New Delhi Sponsored By Zoca, Dec 2013
    • The 9th Supper A Solo Exhibition Of Paintings At Gallery Struempfe, Mannheim Germany, Oct 2012
    • Urban Dialogues A Solo Exhibition Of Paintings At Gujarat State Lalit Kala Academy, Sep 2012
    • Civic Clutter A Solo Show Of Paintings At Gujarat State Lalit Kala Academy, Feb 2011
    • From Surroundings A Solo Show Of Paintings At Bajaj Capital Art House New Delhi, Jan 2010
    • City Revisited A Solo Show Of Paintings At Art Maestros New Delhi, Apr 2009

    International Artist In Residency

    • GlogauAir Berlin, Resident artist June-Sep 2015, Berlin
    • GlogauAir Berlin, Resident artist June-Sep 2014, Berlin
    • Artist in Residency at Mannheim (Germany) sponsored by ZOCA, Aug- Oct 2012

    Participations

    • Ahmedabad International Art Festival, Sep 2011
    • 51th National Exhibition Of Art 2009
    • South Central Zone Cultural Centre Nagpur, 2005
    • Aifacs New Delhi, 2005
    • Bombay Art Society, Mumbai 2005

    Workshops

    • Art Phenomena An Artist Camp Organized By Gihed At Ahmadabad Sep 2011
    • Selected For Artist Exchange Prog. At Michigan City. By Us India Art And Culture Ex. Center 2010
    • Painting Workshop At Ahmedabad Organized By Icac Mumbai At Ahmedabad, Mar 2010
    • Painting Workshop At Ahmedabad Organized By Navdeep Pratishthan Feb 2010
    • Painting Workshop At Saputara Organized By Navdeep Pratishthan 2009
    • Artist In Residency Graphic Camp Organized By National Lalit Kala Academy At Ahmedabad 2005

    Selected Group Shows

    • In The Course Of Time, A Group Show By Art Stand At The Gallery, Amdavad Ni Gufa Apr 2015
    • White~ Absence And Opulence, A Group Show Organized By Zoca At Kanoria Gallery For Arts, Apr 2014
    • Art Affair, A Group Show Of B&w Drawings At The Gallery Amdavad Ni Gufa, Ahmedabad Dec 2012
    • Group Show Of Paintings At Rathaus Mannheim, Germany, Sep 2012
    • 1×1 Foot Show Sponsored By Studio Verve, Dec 2011
    • Fragrance Of Eternity, A Group Show Organized By Smart Art Hub At Amdavad Ni Gufa Sep 2011
    • Discrete Phenomena, A Group Show At Amdavad Ni Gufa June 2011
    • Spring, a Group Show Of Paintings By Nikita Creations At Hutheesing Visual Art Centre, Ahmedabad April 2011
    • Painted Poems, An Art Event Organized By Vikram Sarabhai Int. Art Festival (natrani),ahmedabad Dec 2010
    • Ganesha Adorn, A Group Show Organized By Lemongrass Hooper Ahmedabad Sep 2010
    • Canvas Cult, Participation In India International Art Fair,new Delhi, Sep 2010
    • The One Square Foot Show A Charity Show For Animals At Amdavad Ni Gufa, 2010
    • Smart Show A Group Show Of Painting At Amdavad Ni Gufa June, 2010
    • Art Spotting, a Group Show Curated By Sushma Bahal at Art Positive New Delhi June, 2010
    • Art Clique A Group Show Organized At Amdavad Ni Gufa By Navdeep Pratishthan, Apr 2010
    • The New Vanguard A Group Show Of Painting At Amdavad Ni Gufa By Frangipani Arts In Feb, 2010
    • Show A Group Show Of Paintings At Faculty Of Fine Arts At M S University, Jan 2010, Baroda
    • 18 Avenues A Group Show By Montage Arts. At New Delhi, Dec 2010
    • Online Group Show Of Paintings By Online Gallery Tangerine Art Space Bangalore, Nov 2009
    • Group Show Curated By Anupa Mehta At Lansdown Gallery, Mumbai Dec 2008
    • Group Show Organized Delhi Friends Round Table At New Imperial Hotel, New Delhi 2008
    • Group Show At Beyond Arts, Ahmedabad 2008
    • Two Man Show Of Paintings At Contemporary Art Gallery Ahmedabad, Feb 2007

    Grants

    • Grant Received By Gujarat State Lalit Kala Academy, Govt. Of Gujarat In 2012
    • Grant Received By Gujarat State Lalit Kala Academy, Govt. Of Gujarat In 2010
    • Grant Received By Gujarat State Lalit Kala Academy, Govt. Of Gujarat In 2009

    Gallery