Archives: Artists

  • Naomi Hamaguchi

    Naomi Hamaguchi

    Naomi Hamaguchi is GlogauAIR resident
    from April, 2016 to June, 2016

    Japan

    Meet the Artist

    Coming soon

    Statement

    I’ve been making my sculpture pieces based on the relationships between universal interest which comes from human instinct as an animal and the five senses. Each five senses don’t function independently. They are connected and compensated each other. For example, my life work installation ‘ soundscape’ lasted for more than 10 years, is a project to cross an acoustic sense with a visual sense. “ To listen” is functioned not only with acoustic sense but also with visual sense. Because to listen to the music from sound speaker system and to listen from a headphone are completely different experience. From this I could say we use visual sense when we listen something. I don’t dare to put any scientific analysis into my works. It is my policy, I put most importance to the matter which comes from my intuition, so that when I do my installation piece I don’t make any elaborate plan beforehand. I do it extemporaneously, like an improvisation. For all of my pieces, I work using my hands. For me, the art piece should have certain “smell” of the artist. To do this, I have to get into the materials, and spend a lot of time with them until I can manipulate. This is most important thing for me to create the works. The materials that I use are various. Almost all the time I change the materials. Sometimes I get the idea from the materials itself. I will continue to create works using my instinct and intuition only 3 dimension or more expressions are capable of.

    Naomi Hamaguchi

    GlogauAIR Project

    [Project description]

    CV Summary

    b. 1971 Japan

    EDUCATION

    • 2002 Chelsea College of Art, BA Sculpture (London)

    SELECTED SOLO EXHIBITION

    • 2014 Imagination super high way (Kyoto Art Center/Kyoto)
    • 2011 Rokko meets Art (Hyogo)
    • 2010 Fantasmagoria (galley Miyawaki/Kyoto)
    • 2007 Selected young Artist (Kyoto cultural Museum)
    • 2007 Osaka Art Kaleidoscope (Osaka)
    • 2007 Summer scape (Voice gallery/Kyoto)
    • 2006 Inside out(Voice Gallery/Kyoto)
    • 2005 Tokyo wander wall(Museum of modern Art Tokyo)
    • 2004 Jeune Creation(Grande Halle de la Villette, Paris)
    • 2003 Under trial (Gallery Yamaguchi kunst-bau/Osaka)

    Gallery

  • Pratheek Irvathur

    Pratheek Irvathur

    Pratheek Irvathur is GlogauAIR resident
    from October, 2016 to December, 2016

    India

    Meet the Artist

    Coming soon

    Statement

    I come from a coastal town in India, Mangalore. I studied mechanical engineering in my undergraduate years and went on to to study graphic design in my post graduate years. I thus became exposed to the world of science, art and design, through my academic years. I became highly interested in utilizing principles of human perception in order to make us question our actions and introspect.

    We, as individuals, make up the society and each of our actions make a difference to a number of things. But often, we feel free from the responsibility of the far reaching implications of our actions. We are not reminded or made familiar, to a full extent, the world we have created. I have always been interested in designing art, in order to make us question what we believe and subscribe to, so as to foster understanding and learning from each other, regardless of what we were before. I try to utilize the limitations of human perception, as a tool to challenge the limitations of our political, cultural, religious and other world views according to which we function.

    The objectivity in our approaches, openness to deconstruction and questioning, can make us more tolerant and help us see things in a new light, and this is what I portray and bring to the fore, through my works.

    Behance

    GlogauAIR Project

    Our world views are shaped by our experiences and what we perceive through our senses. These world views, drive our actions. Our actions, in turn, have results in the world, outside ourselves and create tangible effects, felt by the rest of the occupants of this world. Therefore, our actions, and what drive them, become responsible for the world we create and sustain. Therefore, we are all given the task of being responsible, for the world we create. In order to create a world that is fair and just and provides a space for dialogue and analysis to everyone, we need to be able to have world views, that are capable of creating actions that can do this.

    We take our senses and what we perceive for granted, but our biological machinery is far from perfect. We human beings are riddled with cognitive biases, algorithms for making perception and functioning easier and many other design limitations, that make us unable to recreate the world outside of us, perfectly, in our minds. Our perception, that we take to be true, is not necessarily so. Similiarly, we are today bombarded by various means of information from various sources. It becomes our responsibility, to be honest in our acceptance of this information and be able to question the validity of what we learn and where we learn from. By making us question what we perceive through our interaction with the art I create.

    Through the work I create at GlogauAIR, I intend to make us re-think what we take to be true and do not question, regarding our political, religious, cultural, economic and scientific views. I wish to make apparent to the viewers of the art I create, that what they perceive has many dimensions to it. The viewer would interact with the work, and choose to perceive certain aspects of it. The artwork would then reveal the many other facets, that were hidden to the viewer, all this while, because of their lens through which they chose to perceive the work. Through this, I intend to utilize art as a means of introspection and hopefully, positive social change.

    CV Summary

    EDUCATION

    • 2012 – 2016 National Institute of Design Master’s Degree, Visual Communication
    • 2008 – 2012 VTU Bachelor of Engineering (B.E.), Mechanical Engineering, 87% Aggregate

    WORK EXPERIENCE

    • 2008 Trainee Maruti Suzuki
    • 2012 Intern (Art) IWT

    Gallery

  • Marie-Louise Andersson

    Marie-Louise Andersson

    Marie-Louise Andersson is GlogauAIR resident
    from January, 2016 to March, 2016

    Denmark

    Meet the Artist

    Coming soon

    Statement

    Marie-Louise’s work focuses mainly on performances as living sculptures: I aim to transmit momentum through the use of settings, props, gestures, costumes and sounds. By combining musical repetitive structures with sculpture and performance, I alter my appearance into dreamlike constellations, becoming a tableau vivant. Along with her own practice she arranges regular one night only performances, ‘O-N-O’, with the aim to create an independent experimental scene for performance and visual art.

    Marie-Louise Andersson

    GlogauAIR Project

    [Project description]

    CV Summary

    EDUCATION

    • 2007-2009 BA Fine Art, Listaháskolí Islands/Icelandic Academy ofthe Arts, IS
    • 2004-2005 Fine Art, Konstfack / ArtAcademy, Stockholm, SE
    • 2002-2004 BA Textile, Designskolen Kolding / School of Design in Kolding, DK

    SELECTED PAST EXHIBITION / PERFORMANCE

    • 2015 Still-Life, overtone performance + self-made instrumentwith Vallteri Wikström, Norberg Festivalen, SE Piñadillo#2, performance duo with Goodiepal, Tectonicsfestival, BBCCity Halls, Glasgow, UK Piñadillo#2, performance duo with Goodiepal, Transmediale, Haus der Kulturen der Welt, Berlin, GE
    • 2014 Performance accompanied by poet Lars Skinnebach & Goodiepal, Jazzhouse, Copenhagen, DK Performance accompanied by poet Pernille Abd-El Dayem, Jazzhouse, Copenhagen, DK SALON, performancenight, Bakkehus Museum, Copenhagen, DK Geometry of Language, Sala Project, Oh sweet encounter ofthese otherworlds, with Barbara A. Skovmand, Blueproject Foundation, Barcelona, SP Conchlady, performance, Oh sweet encounter ofthese otherworlds, Blueproject Foundation, Sala Project, Barcelona, SP Piñadillo, Performance, Parc de la Ciutadella, Barcelona, SP Conchlady, performance, Arteles, Haukijarvi, FI SALON, Ultramarine-Gold-Ash,performance, Chr.VII’s Appartment, Bryggergården, Kastrup, DK White DwarfAlphabet, part of Goodiepal´s: Way ofthe Hardcore, National Gallery of Denmark, Copenhagen, DK SALON, Onion Performance – White DwarfAlphabet, Chr.VII’s Appartment, Bryggergården, Kastrup, DK
    • 2012 As in Collapsing Sunsthe Words Are Missing Light, Horizonic/Goodiepal, Ystad Konst Museum,Ystad, SE
    • 2011 History ofWaves, Astounding FOAMLAB, issue 1, Æringur Listahátid, IS White DwarfAlphabet, Galleri DENFRI, Copenhagen, DK

    ARTIST IN RESIDENCY

    • 2016 GlogauAIR Residency, Berlin, DE
    • 2014 Blueproject Foundation, Residency, Barcelona, SP Arteles Artistin Residency, Haukarijaervi, FI
    • 2009 BirgirAndrésson’s Residency, Artcenter, IS Dieter Roth Academy, Björn Roth & Krístjan Steingrímson, IS

    Gallery

  • Marla Jacarilla

    Marla Jacarilla

    Marla Jacarilla is GlogauAIR resident
    from July, 2016 to September, 2016

    Spain

    Meet the Artist

    Coming soon

    Statement

    A good artist statement should describe perfectly the interests of its author. It should talk about how, about why, about when, about where. It should describe methods, reasons, rithms and locations. My statement could talk about literature, cinema, narrativity, fragmentations, hypertexts. About letters making up words, making up sentences, making up paragraphs, making up chapters which tell us a story. About myths, legends, stories, histories, hysterias, fictions, frictions, obsessions and persistences. About protasis, epitasis, catastrophes which disintegrate in order to get a rhizomatic structure with a new meaning. It could include some philosophical quotes, some of those that keep us awake. It could talk about simulations, spectacles and punctums. About topics that, even if we want to avoid them, are always in our minds, words and thoughts. It could talk about my working process; perhaps too methodical, too obsessive, too absurd. It could try to define (probably in vain) my deconstruction and reconstruction processes, using texts based on images and images based on texts. It could explain that I use literature, photography, video or net art. It could explain that actually, medium is just a tool for me. It could tell these things and many more. Maybe different ones, more appropriate for a statement.

    Marla Jacarilla

    Gallery

  • Madison Kelly

    Madison Kelly

    Madison Kelly is GlogauAIR resident
    from July, 2016 to September, 2016

    Australia

    Meet the Artist

    Coming soon

    Statement

    I’m a queer feminist artist based in Melbourne. Contextualised by identity politics, queer theory and ideas of radical empathy, my work draws upon blurred boundaries between fiction and non-fiction, confession and narrative. My current research is concerned with unwaged and emotional labour, investigating why and how particular expressions of work are devalued and what the personal and political consequences of this are.

    Applying methods of repetition and appropriation to a variety of materials, I engage with the language of ‘Sad Girl’ feminism in order to work through ideas of vulnerability, empathy and romance. Contextualised by an undercurrent of queer theory and identity politics, I use techniques of casting, construction and drawing from an art-as-therapy perspective. I aim to support an ethic of radical empathy through my work by combining sentiments of tragedy, tenderness and humour.

    My work draws upon blurred boundaries between fiction and non-fiction, confession and narrative. Influenced by the writings of art critics Chris Kraus and Jan Verwoert, this often results in text-based outcomes. Recent works have manifested as large-scale installations – printed banners, murals, public sculptures – geared towards a critique of the patriarchal histories of art making and theory. Alongside this aspect of my practice, expressions of smaller gestures materialize through internet collages and self-published zines.

    Tumblr

    GlogauAIR Project

    Over the course of the 3 month residency, I plan to continue to explore the concept of ‘Emotional Labour’ and its political implications through research and practice based enquiry. Through the lens of queer and feminist theory, I hope to raise the (often unacknowledged and underrepresented) profile of unwaged and feelings-based labour.

    My research will be assisted by working with a number of different institutions in Berlin, including the Institute of Cultural Enquiry, the Institute for Queer Theory and the Women’s/ Feminist Artist Archives. A mentorship with Berlin-based Australian artist Alex Martinis Roe will support my work through our shared interest in feminist art practice and theory, as well as participation in her classes at the Graduiertenschule.

    A studio at Glogauair will also allow me to network with other contemporary artists and present opportunities for collaboration and resource sharing.

    Anticipated outcomes include a number of finished text-based works and participation in the Glogouair Open Studios.

    CV Summary

    EDUCATION

    • 2014 – 2015 Bachelor of Visual Arts (Fine Art), Sculpture, Victorian College of the Arts, University of Melbourne (BVA 2nd and 3rd years)
    • 2013 Bachelor of Fine Arts, Monash University, Melbourne (BFA 1st year)

    EXHIBITIONS

    • 2014 Take two, Fort Delta Gallery, Melbourne
    • 2015 VCA School of Art Graduate Exhibition, VCA Southbank, Melbourne
    • 2015 Proud 2015, Margaret Lawrence Gallery, Melbourne
    • 2015 WOR(L)DS, VCA Student Gallery, Melbourne
    • 2015 Sculpture Department Showcase, VCA Student Gallery, Melbourne
    • 2014 New Acquisitions, Fort Delta Gallery, Melbourne (curated by James Bowen)
    • 2014 Proud 2014, Margaret Lawrence Gallery, Melbourne
    • 2014 Rising, commissioned public sculpture exhibition, Docklands (curated by Laura Woodward)
    • 2014 Sculpture Department Showcase, VCA Student Gallery, Melbourne

    GUEST ARTIST

    • 2014 Our Magic Hour, Camp Nong Festival, King Lake Wilderness Ranges, Victoria
    • 2012 Pistil, X Chromosome, Hiromi Tango, Contemporary Australia: Women, Gallery of Modern Art, Brisbane
    • 2009 Hiromi Hotel, Hiromi Tango, Fresh Cuts 2009, Institute of Modern Art, Brisbane

    PROFESSIONAL EXPERIENCE

    • 2013 Performer for The Weight of Nobody by Mira Oosterweghel, Monash Art Design & Architecture Gallery, Melbourne
    • 2010 Performer for I Thought a Musical Was Being Made by Parachutes for Ladies, Next Wave Festival, Melbourne
    • 2010 – 2012 Volunteer position at Melbourne Writer’s Festival
    • 2010 Artist talk, Express Media panel on journal writing and artist books, Signal, Melbourne
    • 2009 – 2012 Volunteer position at Sticky Institute (self-publishing not-for-profit)
    • 2009 Curated and contributed to a large-scale mural at Anytime Place, Brunswick

    Gallery

  • LO-RENZO

    LO-RENZO

    LO-RENZO is GlogauAIR resident from January, 2015 to March, 2015 and from April, 2016 to June, 2016

    France

    Meet the Artist

    Coming soon

    Statement

    LO-renzo approach is about territory, its boundaries and its resulting potential conflicts. He is making what he calls zoning on landscape as long as on art history, meaning boundaries each time showing the annexation of an existing territory. By annexation, he changes the initial function or signification of this territory and he distorts and take advantage of it. Then he starts a conflict with its owner, sometimes nature, sometimes art history (in which he breaks and enters).

    This appropriation is not without consequence. If he stops working, mowing, digging or cleaning, nature reasserts herself at once. Likewise if after following on from an artist or an artwork he stops making the statement fo his difference and his own identity, then he takes the risk to be gradually solved int he father’s path he has just annexed. When he takes possession of a piece of nature or culture, he knows doing that this annexation commits him in a fight without an end in order to keep possession of this territory.

    LO-RENZO

    CV Summary

    PERSONAL EXHIBITION

    • 2014-2015 Centre hospitalier de vauclair – Montpon
    • 2013-2014 Les jardins de l’imaginaire – Terrasson
    • 2013 Le pays où le ciel est toujours – Aubigny sur nère
    • 2012 Le mètre cube – Saint Rabier

    Collective exhibitions (selection)

    • 2016 Glogauair – Berlin
    • 2016 Galerie kokokido – Souillac
    • 2015 Centre d’art contemporain de meymac a culture au grand jour – Limoges

    PUBLIC COLLECTIONS

    • 2009 Fdac dordogne
    • 2005 Collection ART? alain buyse – lille (artothèque lille métropole – lille; centre des livres d’artistes-Saint yrieix la perche; Centre de la gravure et de l’image imprimée – La louvière ; musée du dessin et de l’estampe originale- gravelines)

    RESIDENCIES

    • 2015-2016 Glogauair-Berlin; Allemagne
    • 2013 Lerka-Saint Denis; Ile de la réunion
    • 2002 Show bed room-Nantes Host
    • 1997 Biennale des jeunes créateurs d’europe et de la méditerranée – giovani artisti italiani – Torino; Italie

    GRANTS

    • 2016 Bourse d’aide à la création agence culturelle départementale Dordogne-Périgord
    • 2014 Aide à la production les rives de l’art Allocation exceptionnelle ministère de la culture-cnap
    • 2013 Bourse d’aide à la création agence culturelle départementale dordogne-Périgord Aide à la production ville de terrasson
    • 2010 Allocation d’installation d’atelier d’artiste ministère de la culture-drac Aquitaine
    • 2008 Aide individuelle à la création ministère de la culture-drac Aquitaine

    Gallery

  • Marcie Miller Gross

    Marcie Miller Gross

    Marcie Miller Gross is GlogauAIR resident
    from June, 2016 to September, 2016

    United States

    Meet the Artist

    Coming soon

    Statement

    My sculpture and installations have been exhibited extensively in the US where I have taught at the Kansas City Art Institute. My site responsive objects, installations and drawings, respond to the spatial, conceptual and architectonic conditions of a place. I make sculpture of materials with which I have an intimate visceral connection. Industrial felt, found wood, felted wool sweater, soil, bath towels, paper towels, and used hospital towels are materials that I know, have manipulated and coaxed through my hands. They speak to the vulnerability and fragility of the human condition, carry traces of body memory through history of their former use, and create an absorptive silence. My interest in physical actions of folding and stacking finds its focus in organization and reduction and makes reference to artistic precedent such as mono-ha and minimalism.

    Marcie Miller Gross

    GlogauAIR Project

    Within my site responsive sculpture, installations, and drawings, I am fascinated with the interplay between the spatial and architectonic conditions of a place. Through an incremental means of building with utilitarian materials, I make objects that explore repetition, mass and void, physicality and weight, compression and release. Within these qualities, I find parallels in the physical and psychological states of the body, sensory knowledge, and the human condition. These often pliable materials have an intense relationship to the body, and the capacity to carry traces, memory, and a potent history of former use. My interest in the actions of folding, cutting, and stacking finds its focus in organization and reduction and makes reference to artistic precedent such as mono-ha and minimalism.

    CV Summary

    SOLO EXHIBITIONS

    • 2014 Print Edition, Lawrence Lithography, Kansas City, Missouri
    • 2013 Working Parts, Haw Contemporary, Kansas City, Missouri
    • 2011 Concentrations, The Studios Exhibition Space, Kansas City, Missouri
    • 2007 Marcie Miller Gross, New Work, Byron Cohen Gallery for Contemporary Art, Kansas City, Missouri
    • 2006 Marcie Miller Gross: Density, Paragraph, Urban Culture Project, Kansas City, Missouri
    • 2005 foldoverfold, Kemper Museum of Contemporary Art, Kansas City, Missouri, brochure
    • 2003 Recent Work, Joseph Nease Gallery, Kansas City, Missouri
    • 2001 To Fold, Joseph Nease Gallery, Kansas City, Missouri
    • Collecting, sorting, dredging, folding… Joseph Nease Gallery, Kansas City, Missouri
    • 1999 Field Investigations, Joseph Nease Gallery, Kansas City, Missouri
    • 1996 Body‐ Earth Project: Sculpture and Photographs, Zone, Kansas City, Missouri
    • 1994 Marcie Miller Gross, Drawings & Constructions, The Writers Place, Kansas City, Missouri

    Gallery

  • Maximilien Pyée

    Maximilien Pyée

    Maximilien Pyée is GlogauAIR resident from July 2016 to September, 2016, from October, 2016 to December, 2016 and from January, 2017 to March, 2017

    France

    Meet the Artist

    Coming soon

    Statement

    Maximilien is 30 years old but is still a young artist, since he practices art for only a few years and has no artistic background in school. Nevertheless, working each day with Alexandre Félix opened for him new perspectives, especially in photography. GlogauAir is his first artistic residency and he will try to reach his best to prove that he could evolve freely in the artistic world.

    Maximilien Pyée

    Gallery

  • Mireille Ripoll

    Mireille Ripoll

    Mireille Ripoll is GlogauAIR resident
    from September, 2015 to December, 2016

    Switzerland

    Meet the Artist

    Coming soon

    Statement

    I etch and play around with a single matrix, until it surrenders – in both the literal and figurative senses, letting forms emerge as they emerge, like automatic writing, without thinking, in an organic, instinctive way. I produce series or families of images and juxtapose them in order to create new images. My work is always a work in progress, with infinite possibilities. Sometimes I develop my work on the basis of monotypes, witch matrix is a drawing or portrait I work on in different ways in order to produce four and six portraits, conveying each time a different impression of the same person.

    Mireille Ripoll

    GlogauAIR Project

    [Project description]

    CV Summary

    EDUCATION

    • 1988-1989 Etching class with Sylvie MARKWALDER, Centre de gravure contemporaine, Geneva
    • 1996-1999 Painting class with Olivier JUREDIEU, “Here and Now” Workshop, Geneva
    • 1999-2000 Academic drawing class by Geneviève ROMANG, Ecole supérieure d’Arts Visuels, Geneva
    • 2000-2001 Etching class with Constanza BRAVO, “La Tinta” Workshop, Geneva
    • 2001-2003 Etching class with Jacques LECKIE and Christian MEYER, Atelier genevois de gravure
    • Since 1999 Consecrated with etching

    GROUP EXHIBITION

    • 1999 Diptych, Here and Now Workshop, Geneva
    • 2000 RED, Here and Now Workshop, Geneva
    • 2002 Open Door Workshop, Villa du Jardin alpin / Atelier 6 / Centre d’art en l’Ile
    • 2004 Etching, Centre d’art en l’Ile, Geneva
    • 2004 Etching, Ferme de la Chapelle, Lancy
    • 2004 Postal Art, Espace Diamono, Carouge
    • 2005 Open Door Workshop, Atelier 6, Geneva
    • 2006 Leporello, Espace Diamono, Carouge
    • 2007 Poster Etching, SSBA, Geneva
    • 2007 Postal Art, Brussels
    • 2007 Book Fair, Geneva
    • 2007 Mireille Ripoll and Mireille Roy, exhibition at the Ephémère, Geneva
    • 2007 La cerise sur le gâteau, Galerie Maya Guidi, Carouge
    • 2007 Poster Exposition, Promenade Saint-Antoine, Geneva
    • 2007 Erotic, Galerie Ruines, Genève
    • 2008 Wine labels and Etching, Michel Roset, Bourdigny
    • 2009 Identity : portrait – autoportrait, Michel Roset, Bourdigny
    • 2010 The Pleasures of Old Age, Michel Roset, Bourdigny
    • 2010 221 Works of Art Flying South, Ferme de la Chapelle, Lancy
    • 2011 Rathania’s : Ars similis casus, Musée Rath, Geneva
    • 2011 Trees, Galerie Ferme de la Chapelle, Geneva
    • 2012 The Address, Musée de Carouge
    • 2013 Exhibition at Collsuspina, Province of Barcelona, Spain
    • 2014 Exhibition at the Galerie Ruine, Geneva
    • 2014 Exhibition at the Maison Bleue, Soral, Geneva
    • 2014 Tribute to J.M. Sert, UNO, Geneva
    • 2014 Sans queue ni tête, Michel Roset, Bourdigny
    • 2014 The Road To Nursery, Soral, Geneva
    • 2015 Leaves-Stones-Scissors, Pinacothèque, Geneva
    • 2015 Bien des choses, Michel Roset, Bourdigny
    • 2015 Open Studios in GlogauAir, December 2015, Berlin
    • 2016 Toro Exhibition at the Brot & Käse Gallery, A. Thevenoz, Geneva
    • 2016 Open Studios in GlogauAir, September 2016, Berlin

    SOLO EXHIBITION

    • 2000 Sketches of Spain, “Here and Now” Workshop, Geneva
    • 2003 Etching, Galerie Maya Guidi, Carouge
    • 2011 End of Eden, Pinacothèque, Geneva
    • 2016 Mimesis, Exhibition at the Gat Hotel Check-Point Charlie, Berlin

    Gallery

  • Maud Vareillaud-Bouzzine

    Maud Vareillaud-Bouzzine

    Maud Vareillaud-Bouzzine is GlogauAIR resident from July, 2016 to September, 2016

    France

    Meet the Artist

    Coming soon

    Statement

    My work is based primarily on social issues, I observe and try to highlight and bring a positive outlook to the vagaries of this world. Far from being vindictive or pessimistic, I search for contextual committed and poetic expression. Through a cultural re-appropriation process, I seize codes, formal and / or material quotes and displace them. I often like to create pieces of opposing elements and find strong visual systems, assemblies, creating an aesthetic impact. It is the interaction between the technique employed and the meaning induced that makes sense. Each project is the result of this match applied to a theme. I re-examine the events, behaviors, situations, seeking to reveal the personal way by which I moderate my affliction. I develop a part of this process by the city planning vector: I question its social impact, or the viability of modernist utopias, particularly about the collective housing buildings to house the working classes. By travelling, I endeavour to exalt the essence of each society, through the relationship to its urban frame. I am also more and more involved in the issue migration flows and of course recently those inherent in European current events.

    Maud Vareillaud-Bouzzine

    GlogauAIR Project

    [Project description]

    CV Summary

    CV

    Gallery